The Three Intermezzi for piano, Op. 117, are compositions that Johannes Brahms created for solo piano. The intermezzi were described by the critic Eduard Hanslick as "monologues"... pieces of a "thoroughly personal and subjective character" striking a "pensive, graceful, dreamy, resigned, and elegiac note."[ citation needed ]
Johannes Brahms was a German composer, pianist, and conductor of the Romantic period. Born in Hamburg into a Lutheran family, Brahms spent much of his professional life in Vienna, Austria. His reputation and status as a composer are such that he is sometimes grouped with Johann Sebastian Bach and Ludwig van Beethoven as one of the "Three Bs" of music, a comment originally made by the nineteenth-century conductor Hans von Bülow.
In music, an intermezzo, in the most general sense, is a composition which fits between other musical or dramatic entities, such as acts of a play or movements of a larger musical work. In music history, the term has had several different usages, which fit into two general categories: the opera intermezzo and the instrumental intermezzo.
Eduard Hanslick was a German Bohemian music critic.
The Intermezzi of Opus 117 were composed in 1892.
The first intermezzo, in E♭ major, is prefaced in the score by two lines from an old Scottish ballad, Lady Anne Bothwell's Lament:
Balow, my babe, lie still and sleep!
It grieves me sore to see thee weep.
The middle section of the second intermezzo, in B♭ minor, seems to Brahms’ biographer Walter Niemann to portray a "man as he stands with the bleak, gusty autumn wind eddying round him."[ citation needed ]
Walter Rudolph Niemann was a German composer, arranger, and music critic.
The final intermezzo, in C♯ minor, has an autumnal quality also, suggesting the cold wind sighing through the trees as leaves are falling.[ citation needed ]
Robert Fuchs was an Austrian composer and music teacher. As Professor of music theory at the Vienna Conservatory, Fuchs taught many notable composers, while he was himself a highly regarded composer in his lifetime.
Carl Heinrich Carsten Reinecke was a German composer, conductor, and pianist in the Middle Romantic Era.
Anatoly Konstantinovich Lyadov or Liadov was a Russian composer, teacher and conductor.
The Clarinet Sonatas, Op. 120, Nos. 1 and 2, are a pair of works written for clarinet and piano by the Romantic composer Johannes Brahms. They were written in 1894 and are dedicated to the clarinetist Richard Mühlfeld. The sonatas stem from a period late in Brahms's life where he “discovered” the beauty of the sound and tonal colour of the clarinet. The form of the clarinet sonata was largely undeveloped until after the completion of these sonatas, after which the combination of clarinet and piano was more readily used in composers’ new works. These were the last chamber pieces Brahms wrote before his death and are considered two of the great masterpieces in the clarinet repertoire. Brahms also produced a frequently performed transcription of these works for viola with alterations to better suit the instrument.
Ernő Dohnányi was a Hungarian composer, pianist and conductor. He used a German form of his name, Ernst von Dohnányi, on most of his published compositions. The "von" implies nobility, and, according to the biography by his third wife, his family was ennobled in 1697 and given a family crest, which she describes in some detail.
The Ballades, Op. 10, are lyrical piano pieces written by Johannes Brahms during his youth. They were dated 1854 and were dedicated to his friend Julius Otto Grimm. Their composition coincided with the beginning of the composer's lifelong affection for Clara Schumann, the wife of Robert Schumann, who was helping Brahms launch his career. Frédéric Chopin had written the last of his famous ballades only 12 years earlier, but Brahms approached the genre differently from Chopin, choosing to take its origin in narrative poetry more literally.
The Six Pieces for Piano, Op. 118, are some of the most beloved compositions that Johannes Brahms wrote for solo piano. Completed in 1893 and dedicated to Clara Schumann, the collection was the penultimate composition published during Brahms' lifetime. It was also his penultimate work composed for piano solo. Consistent with Brahms's other late keyboard works, Op. 118 is more introspective than his earlier piano pieces, which tended to be more virtuosic in character. The six pieces are:
The Four Pieces for Piano Op. 119, are four character pieces for piano composed by Johannes Brahms in 1893. The collection is the last composition for solo piano by Brahms. Together with the six pieces from Op. 118, Op. 119 was premiered in London in January 1894.
The Piano Sonata No. 3 in F minor, Op. 5 of Johannes Brahms was written in 1853 and published the following year. The sonata is unusually large, consisting of five movements, as opposed to the traditional three or four. When he wrote this piano sonata, the genre was seen by many to be past its heyday. Brahms, enamored of Beethoven, composed Piano Sonata No. 3 with a masterful combination of free Romantic spirit and strict classical architecture. As a further testament to Brahms' affinity for Beethoven, the Piano Sonata is infused with the instantly recognizable motive from Beethoven's Symphony No. 5 during the first, third, and fourth movements. Composed in Düsseldorf, it marks the end of his cycle of three sonatas, and was presented to Robert Schumann in November of that year; it was the last work that Brahms submitted to Schumann for commentary. Brahms was barely 20 years old at its composition. The piece is dedicated to Countess Ida von Hohenthal of Leipzig.
Marco Enrico Bossi was an Italian organist, composer, improviser and pedagogue.
Daniel Levy is a classical pianist from Argentina. He is also an author, radio broadcaster and educator.
A clarinet-viola-piano trio, often titled "Trio for Clarinet, Viola and Piano" is a work of chamber music that is scored for three musicians: one clarinet, one viola, and one piano; or is the designation for a musical ensemble of such a group.
Lilya Efimovna Zilberstein is a Russian pianist.
The Piano Trio No. 3 in C minor, Op. 101, by Johannes Brahms is scored for piano, violin and cello, and was written in the summer of 1886 while Brahms was on holiday in Hofstetten, Switzerland. It was premiered on 20 December of that year by Brahms, violinist Jenő Hubay, and cellist David Popper.
The Piano Quartet No. 1 in G minor, Op. 25, was composed by Johannes Brahms between 1856 and 1861. It was premiered in 1861 in Hamburg, with Clara Schumann at the piano. It was also played in Vienna on 16 November 1862, with Brahms himself at the piano supported by members of the Hellmesberger Quartet. Like most piano quartets, it is scored for piano, violin, viola and cello.
Leonard Hokanson was an American pianist who achieved prominence in Europe as a soloist and chamber musician. Born in Vinalhaven, Maine, he attended Clark University in Worcester, Massachusetts and Bennington College in Vermont, where he received a master of arts degree with a major in music. He made his concert debut with the Philadelphia Orchestra at the age of eighteen. Drafted into the U.S. Army after graduate school, he was posted to Augsburg, Germany. He achieved early recognition as a performer in Europe, serving as a soloist with such orchestras as the Berlin Philharmonic, the Rotterdam Philharmonic, and the Vienna Symphony. He was awarded the Steinway Prize of Boston and was a prizewinner at the Busoni International Piano Competition in Bolzano, Italy. His numerous international music festival appearances included Aldeburgh, Berlin, Echternach, Lucerne, Prague, Ravinia, Salzburg, Schleswig-Holstein, Tanglewood, and Vienna.
Bernard Zaslav was an American viola soloist and chamber musician with an extensive recording and performance career. A founding member of The Composers Quartet in 1965, he went on to play with the Fine Arts Quartet, Vermeer Quartet, and the Stanford String Quartet. He has also performed and recorded as the Zaslav Duo with his wife, pianist Naomi Zaslav.
The International Music Score Library Project (IMSLP), also known as the Petrucci Music Library after publisher Ottaviano Petrucci, is a subscription-based project for the creation of a virtual library of public-domain music scores. Since its launch on February 16, 2006, over 370,000 scores and 42,000 recordings for over 110,000 works by over 14,000 composers have been uploaded. Based on the wiki principle, the project uses MediaWiki software. Since June 6, 2010, the IMSLP has also included public domain and licensed recordings in its scope, to allow for study by ear.
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