Three Monks | |
---|---|
![]() | |
Directed by | A Da |
Written by | Bao Lei |
Cinematography | You Yong |
Release date | January 1, 1981 |
Running time | 20 minutes |
Country | China |
Three Monks (Chinese :三个和尚; pinyin :Sān gè héshàng), also translated as The Three Buddhist Priests, is a Chinese animated short film produced by the Shanghai Animation Film Studio (SAFS). After the end of the Cultural Revolution in 1976, the film was one of the first animations created as part of the rebirth period. It won the Silver Bear for Best Short Film at the 32nd Berlin International Film Festival.
A young monk lives a simple life on a hilltop Buddhist temple. He has one daily task of hauling two buckets of water up the hill using a carrying pole. One day, a skinny monk arrives. The young monk tries to share the job with the skinny monk, but the carry pole is only long enough for one bucket. They therefore decide to carry one bucket in the center of the pole, together. However, when they go up and down hill, the bucket shifts from one end to another. The weight ends up unevenly distributed, and the two monks end up in an argument. The problem is settled when the two monks measure the exact center of the pole and keep the bucket in position. A few days later, a fat monk joins them. The fat monk drinks all the water upon his arrival, and is told to fetch more water by himself. The fat monk brings up more water, but once again drinks it all. At this point, everyone expects the others to take on the chore, and consequently, no one fetches water despite their thirst. One night, a scrounging rat knocks over a candleholder, leading to a devastating fire in the temple. The three desperate monks finally unite and mount a concerted effort to put out the fire. By the end of the ordeal, they recognize the importance of unity and begin to live a harmonious life. The three monks create a pulley system to fetch water, allowing the three to work together with ease, and ensuring the temple never lacks water again.
SAFS Director A Da first came up with the idea for Three Monks in 1978 after overhearing a conversation at a party which involved the ancient Chinese proverb, "One monk will shoulder two buckets of water, two monks will share the load, but add a third and no one will want to fetch water." [1] He was reminded that this phenomenon continued to be prevalent in modern times, and would be an interesting subject matter for animation. A Da relayed his ideas to screenwriter Bao Lei, who came up with a script had no dialogue, but was humorous and emphasized the character's actions. [2]
The film does not contain any dialogue, allowing it to be watched by any culture, and a different music instrument was used to signify each monk. [3] The film tells the story from the aspect of the buddhist bhikkhu.
Shaolin Monastery, also known as Shaolin Temple, is a renowned monastic institution recognized as the birthplace of Chan Buddhism and the cradle of Shaolin Kung Fu. It is located at the foot of Wuru Peak of the Songshan mountain range in Dengfeng County, Henan Province, China. The name reflects its location in the ancient grove of Mount Shaoshi, in the hinterland of the Songshan mountains. Mount Song occupied a prominent position among Chinese sacred mountains as early as the 1st century BC, when it was proclaimed one of the Five Holy Peaks. It is located some 48 km (30 mi) southeast of Luoyang, the former capital of the Northern Wei Dynasty (386–534), and 72 km (45 mi) southwest of Zhengzhou, the modern capital of Henan Province.
Budai is a nickname given to the ancient Chinese monk Qici who is often identified with and venerated as Maitreya Buddha in Chan Buddhism. With the spread of Chan Buddhism, he also came to be venerated in Vietnam, Korea, and Japan. He is said to have lived around the 10th century CE in the Wuyue kingdom.
Puji Temple is a Buddhist temple located on the island of Putuoshan in Zhoushan, Zhejiang, China.
White Horse Temple is a Buddhist temple in Luoyang, Henan that, according to tradition, is the first Buddhist temple in China, having been first established in 68 AD under the patronage of Emperor Ming in the Eastern Han dynasty.
Sha Wujing is one of the three disciples of the Buddhist pilgrim Tang Sanzang in the 16th century novel Journey to the West written by Wu Cheng'en in the Ming dynasty, although versions of his character predate the Ming novel. In the source novel, his background is the least developed of the pilgrims, and he contributes the least to their efforts.
Lu Zhishen is a fictional character in Water Margin, one of the four great classical novels in Chinese literature. He is the main character in the first segment of the novel, which spans about six chapters. Nicknamed "Flowery Monk", he ranks 13th among the 36 Heavenly Spirits, the first third of the 108 Stars of Destiny.
Ciqikou is a subdistrict in the Shapingba District of Chongqing Municipality, People's Republic of China. It was originally called Longyin Town and was also known as Little Chongqing.
Siong Lim Temple, also known as Lian Shan Shuang Lin Monastery, is a Buddhist monastery located in Toa Payoh, Singapore, next to the Pan Island Expressway. The temple was founded in 1898, but the construction of the premises only began in 1902 by Low Kim Pong and was completed in 1907. The monastery was gazetted as a national monument in 1980 and subsequently underwent a decade-long restoration that began in 1991. The temple now boasts a seven storey gold-topped pagoda which is a replica of the 800-year-old Shanfeng temple pagoda in Fujian. The temple also consist of a columbarium for Qing Ming Festival visit.
The 36th Chamber of Shaolin is a 1978 Hong Kong kung fu film directed by Lau Kar-leung and produced by Shaw Brothers, starring Gordon Liu. The film follows a highly fictionalized version of San Te, a legendary Shaolin martial arts disciple who trained under the general Chi Shan.
Wu Yong is a fictional character in Water Margin, one of the Four Great Classical Novels in Chinese literature. Nicknamed "Knowledgeable Star", he ranks third among the 36 Heavenly Spirits, the first third of the 108 Stars of Destiny.
The kaihōgyō (回峰行) is an ascetic practice performed by Tendai Buddhist monks. The practice involves repeatedly walking a route on Mount Hiei, all the while offering prayers at halls, shrines and other sacred places. The longest observance of this practise takes 1000 days to complete, spread over 7 years.
Green Snake is a 1993 Hong Kong fantasy film made by Tsui Hark. It is the adaptation of a novel of the same title by Lilian Lee.
Shanghai Animation Film Studio, also known as SAFS, is a Chinese animation studio based in Shanghai, China, as part of the Shanghai Film Group Corporation. Shanghai Animation Film Studio was officially established in April 1957, led by pioneering animators and artists, including Te Wei, and the Wan Brothers. It has produced around 500 films with over 40,000 minutes of original animation data source, covering 80% of China's domestic animation production.
This is a page on cultural depictions of Yue Fei. To read his main article, please see Yue Fei.
Báo Quốc Temple is a Buddhist temple in the historic city of Huế in central Vietnam. It was one of the three national temples of the city during the time of the Nguyễn dynasty.
Buddhist temples in Huế have long been an important part of the city's consciousness. The city was founded during the Nam tiến southward expansion of Vietnam in the 16th century and Buddhism was introduced to the lands of the former territory of Champa, which was Hindu. The ruling Nguyễn lords were noted for their patronization of Buddhist temples in the city, something that continued during the Nguyễn dynasty that unified modern Vietnam. Huế was long regarded as a centre of Buddhist scholarship and consciousness in Vietnam, and in 1963, the temples of the city were at the centre of international attention when they were at the heart of the beginning of the Buddhist crisis, a series of protests against President Ngô Đình Diệm's religious discrimination. The temples were the base of Buddhist protests and government attacks, the result of which was a political crisis that precipitated a military coup that saw the deposal of Diem.
The Last Tycoon is a 2012 Hong Kong period drama film directed by Wong Jing, starring Chow Yun-fat, Sammo Hung, Francis Ng and Huang Xiaoming. The film was released in mainland China on 22 December 2012, and in Hong Kong on 3 January 2013. The story is loosely inspired by the life of Du Yuesheng, a prominent mob boss in Shanghai in the 1920s and 1930s.
Xuanzang or Xuan Zang is a 2016 Chinese-Indian historical adventure film that dramatizes the life of Xuanzang (602—664), a Buddhist monk and scholar. The film depicts his arduous nearly two-decade overland journey to India during the Tang dynasty on a mission to bring Buddhist scriptures to China. The film is directed by Huo Jianqi and produced by Wong Kar-wai. It stars Huang Xiaoming as Xuanzang, and includes cameo or short performances by other accomplished actors including Kent Tong, Purba Rgyal, Sonu Sood and Tan Kai. It was released in China on 29 April 2016, with distribution in China by China Film Group Corporation. It was selected as the Chinese entry for the Best Foreign Language Film at the 89th Academy Awards but was not nominated. It won the Golden Angel Award Film and the best screenwriter categories at the 12th Chinese American Film Festival and was nominated in several categories at the 31st Golden Rooster Awards.
The Hoi Tong Monastery, also known by many other names, is a Buddhist temple and monastery on Henan Island in Guangzhou, China. It shares its grounds with the city's Haichuang Park.
Vietnamese numismatic charms, also known as Vietnamese amulets, Vietnamese talismans, or simply Vietnamese charms, refer to a family of cash coin-like and other numismatic inspired types of charms that like the Japanese and Korean variants are derived from Chinese numismatic charms, but have evolved around the customs of the Vietnamese culture although most of these charms resemble Vietnamese cash coins and the amulet coins of China. These "coins" were used at temples, as tokens within the imperial palace, and as everyday charms with supposed magical power such as having the ability to curse evil spirits and bogies. Some of these charms contained the inscriptions of real circulating cash coins but with added imagery.