Three Rings

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In Tolkien's mythology, the Three Rings are magical artefacts forged by the Elves of Eregion. After the One Ring, they are the most powerful of the twenty Rings of Power. [T 1]

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The Three Rings were made by Celebrimbor after Sauron, in the guise of Annatar, had left Eregion. These were free of Sauron's influence, as he did not have a hand in their making. However, they were still forged by Celebrimbor with the arts taught to him by Sauron and thus were still bound to the One Ring. Upon perceiving Sauron's intent, the Elves hid the Three from him. They were taken from Middle-earth to the blessed realm of Valinor at the end of the Third Age, after the destruction of the One Ring.

Commentators have observed that the Three Rings enabled the Elves to halt the passage of time within their realms, especially in Lothlórien where Galadriel wielded Nenya. Others have noted that their power was benevolent, in sharp contrast to the One Ring, and could be used to protect and to heal; and that Tolkien uses the Three Rings to elaborate the angelic and sacrificial aspects of the Elves in the battle between good and evil in the War of the Ring.

Concept and creation

Jason Fisher, writing in Tolkien Studies , notes that Tolkien developed the names, descriptions and powers of the Three Rings late and slowly through many drafts of his narratives. In Fisher's view, Tolkien found it difficult to work these Rings both into the existing story of the One Ring, and into the enormous but Ring-free Legendarium. [1] Some of the descriptions, such as that Vilya was the mightiest of the Three, and that Narya was called "The Great", were added at the galley proof stage, just before printing. [1] [2] The Rings had earlier been named Kemen, Ëar, and Menel, meaning the Rings of Earth, Sea, and Heaven. [3]

According to Köberl, Tolkien struggled with the notion of a "special status" for the Elven-Rings, and considered having The Three set free when the One Ring was destroyed. [4] In an unused draft by Tolkien, Galadriel counselled Celebrimbor to destroy all the Rings when Sauron's deception was revealed, but when he could not bear to ruin them, she suggested that the Three be hidden. [T 2] [T 3] According to Unfinished Tales , at the start of the War of the Elves and Sauron, Celebrimbor gave both Narya and Vilya to Gil-galad, High King of the Noldor. Gil-galad later entrusted Vilya to his lieutenant Elrond, and Narya to Círdan the Shipwright, Lord of the Havens of Mithlond and leader of the Falathrim or "People of the Shore". [5] Tolkien suggested that Sauron did not discover where the Three were hidden, though he guessed that they were given to Gil-galad and Galadriel. [T 3] In the published The Lord of the Rings, Gil-galad received only Vilya, while Círdan was the direct recipient of Narya from Celebrimbor.

Tolkien noted in his letters that the primary power of the Three was to "the prevention and slowing of decay", which appealed to the Elves in their pursuit of preserving what they loved in Middle-earth. [6] [T 4] As changeless beings in a changing world, the Elves who remained in Middle-earth relied on the Three to delay the inevitable rise of the Dominion of Men. [6] [T 5] [T 6] Tolkien explained that the Elves can only be immortal as long as the world endures, leading them to be concerned to burdens of deathlessness in time and change. Wanting the bliss and perfect memory of Valinor, and yet to remain in Middle-earth with their prestige as the fairest, as opposed to being at the bottom of the hierarchy in the Undying Lands, they became obsessed with "fading". [T 7]

Description

The Three Elven-Rings [T 8]
NameElementColourStoneMetalBearer
Narya Fire Red Ruby unknown Gil-galad, then Círdan, then Gandalf
Nenya Water "White" (clear) Adamant Mithril Galadriel
Vilya Air Blue Sapphire Gold Gil-galad, then Elrond

Narya

The first Ring, Narya, was adorned with a red gemstone, which Tolkien stated was a ruby. It is seen in the final chapter of The Lord of the Rings , along with the other two Elven Rings. [T 8]

The name is derived from the Quenya nár, "fire". [T 9] It was also called Narya the Great, the Ring of Fire, the Red Ring, and The Kindler. Unlike the other Elven Rings, it is not said what metal Narya was made of. It is described as giving its wielder resistance to the weariness of time, and the power to inspire others to resist tyranny, domination, and despair; in other words, evoking hope in others around the wielder.

Círdan kept Narya after Gil-galad's death. At some point during the Third Age, Círdan passed the Ring to the Wizard Gandalf to aid him in his labours, having recognised his true nature as one of the Maiar from Valinor. This is not revealed until the end of The Lord of the Rings, as Frodo reaches the quayside to leave Middle-earth, when "Gandalf now wore openly on his hand the Third Ring, Narya the Great". [7] Gandalf's distinguishing skill is in the manipulation of fire; it is never made explicit that this power comes from Narya, but it appears that Tolkien intended this to be inferred. [1]

Nenya

The second Ring, Nenya, was made of mithril and adorned with a "white stone". The name is derived from the Quenya nén meaning water. [T 10] It is also called the Ring of Adamant, the Ring of Water, and the White Ring. [T 8]

The Ring was wielded by Galadriel of Lothlórien; its radiance matched that of the stars. Frodo Baggins could see it by virtue of being a Ring-bearer, whereas Sam Gamgee tells Galadriel he only "saw a star through your fingers". [lower-alpha 1] It has been noted that "Adamant" means both a type of stone, usually a diamond, and "stubbornly resolute", a description that equally well suits the quality of Galadriel's resistance to Sauron. [8]

Nenya's power gave preservation, protection, and possibly concealment from evil because "there is a secret power here that holds evil from the land". However, the facts that Orcs from Moria entered Lothlórien after The Fellowship of the Ring and Lothlórien itself had suffered previous attacks from Sauron's Orcs sent from Dol Guldur indicate that the power of the Ring did not constitute military prowess. It was said that, protected as it was by Nenya, Lothlórien would not have fallen unless Sauron had personally come to attack it. Galadriel used these powers to create and sustain Lothlórien, but the Ring also increased in her the longing for the Sea and her desire to return to the Undying Lands.

With the Ring's power gone, the magic and beauty of Lothlórien faded, along with the extraordinary mallorn trees (save the one that Samwise Gamgee grew in Hobbiton). Lothlórien was gradually depopulated, until by the time Arwen came there to die in the Fourth Age, it was deserted and in ruin.

Vilya

The third Ring, Vilya, was made of gold and adorned with a "great blue stone", probably a sapphire. The name is derived from the Quenya vilya, "air". [T 11] It is also called the Ring of Air, the Ring of Firmament, or the Blue Ring. [T 8]

Vilya was the mightiest of these three Rings, as mentioned in the ending chapter in The Return of the King . The exact power of Vilya is not stated, though The Silmarillion states that Celebrimbor had forged the Three to heal and to preserve, rather than to enhance the strengths of each individual bearer as the Seven, Nine, and the lesser Rings did. [T 8]

When Sauron laid waste to Eregion, Vilya was sent to the Elven-king Gil-galad far away in Lindon, where it was later given to Elrond, who bore it through the later years of the Second Age and all of the Third. Vilya's power of healing may have been particularly strong; Elrond is recognised as the greatest healer in Middle-earth at the time of the Quest. [T 12] The Ring may have had the power to control minor elements, given that Elrond was able to summon a torrent of water as the Nazgûl attempted to capture Frodo and the One Ring.

Analysis

Gwyneth Hood, writing in Mythlore , explores two Catholic elements in the story of the Three Rings: the angelic and sacrificial aspects of the elves in the War of the Ring. To the hobbits of the Fellowship of the Ring, the elven Ring-bearers appear as angelic messengers, offering wise counsel. To save Middle-earth, they have to accept the plan to destroy the One Ring, and with it, the power of the Three Rings, which embody much of their own power. Hood notes that while Gandalf as one of the supernatural Maiar sent from Valinor is "remarkably unlike an elf", [9] out of the wielders of the Three Rings he is the character who most closely combines the angelic and the sacrificial. [9] The poet W. H. Auden, an early supporter of Lord of the Rings, wrote in the Tolkien Journal that good triumphs over evil in the War of the Ring, but the Three Rings lose their power, as Galadriel had prophesied: "If you succeed, then our power is diminished, and Lothlórien will fade, and the tide of time will sweep it away". [10] Hood further writes that Tolkien was suggesting technology such as the making of Rings of Power is in itself neither good nor evil; both the Elves and Sauron (with his armies of orcs) use that technology, as they also both make and wear swords and mail armour, and shoot with bows. [9]

Hood notes, too, that the elves use the power of their Rings benevolently, in sharp contrast to Sauron's domineering intentions for the One Ring. Galadriel uses her Ring to create a kind of Earthly Paradise in Lothlórien. [11] Alexis Levitin, writing in the Tolkien Journal, adds that the power for good in the Three Rings is limited in scope, not being usable for war or for dominating others; it can be used for purposes such as to protect a place such as Rivendell or Lothlórien, or to heal. [12]

Commentators such as Kevin Aldrich and David Brin have pointed out that the Elves made the Three Rings to try to halt the passage of time, or as Tolkien had Elrond say, "to preserve all things unstained". This was seen most clearly in Lothlórien, which was free of both evil and the passage of time. [13] [14]

Notes

  1. This appears in many editions as "finger"—which sounds more magical, since it suggests that her finger has somehow become transparent—but The Treason of Isengard , ch. 13, note 34, mentions it as an error.

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History of Arda

In J. R. R. Tolkien's legendarium, the history of Arda, also called the history of Middle-earth, began when the Ainur entered Arda, following the creation events in the Ainulindalë and long ages of labour throughout Eä, the fictional universe. Time from that point was measured using Valian Years, though the subsequent history of Arda was divided into three time periods using different years, known as the Years of the Lamps, the Years of the Trees and the Years of the Sun. A separate, overlapping chronology divides the history into 'Ages of the Children of Ilúvatar'. The first such Age began with the Awakening of the Elves during the Years of the Trees and continued for the first six centuries of the Years of the Sun. All the subsequent Ages took place during the Years of the Sun. Most Middle-earth stories take place in the first three Ages of the Children of Ilúvatar.

Magic in Middle-earth is the use of supernatural power in J. R. R. Tolkien's fictional Middle-earth. Tolkien distinguishes ordinary magic from witchcraft, the latter always deceptive, stating that either type could be used for good or evil. Both sides used magic in the War of the Ring.

Elrond Half-elven is a fictional character in J. R. R. Tolkien's Middle-earth legendarium. Both of his parents, Eärendil and Elwing, were half-elven, having both Men and Elves as ancestors. He is the bearer of the elven-ring Vilya, the Ring of Air, and master of Rivendell, where he has lived for thousands of years through the Second and Third Ages of Middle-earth. He is introduced in The Hobbit, where he plays a supporting role, as he does in The Lord of the Rings and The Silmarillion.

In J. R. R. Tolkien's legendarium, Elves are a fictional race inhabiting Middle-earth in the remote past. Unlike Men and Dwarves, Elves are immortal. They appear in The Hobbit and in The Lord of the Rings, but their history is described more fully in The Silmarillion.

Galadriel Elf lady in J.R.R. Tolkiens legendarium

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In the fiction of J. R. R. Tolkien, Moria, also named Khazad-dûm, is an ancient subterranean complex in Middle-earth, comprising a vast labyrinthine network of tunnels, chambers, mines and halls under the Misty Mountains, with doors on both the western and the eastern sides of the mountain range. Moria is introduced in Tolkien's novel The Hobbit, and is a major scene of action in The Lord of the Rings.

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The One Ring, also called the Ruling Ring and Isildur's Bane, is a central plot element in J. R. R. Tolkien's The Lord of the Rings (1954–55). It first appeared in the earlier story The Hobbit (1937) as a magic ring that grants the wearer invisibility. Tolkien changed it into a malevolent Ring of Power and re-wrote parts of The Hobbit to fit in with the expanded narrative. The Lord of the Rings describes the hobbit Frodo Baggins's quest to destroy the Ring.

Sauron Primary antagonist in Tolkiens The Lord of the Rings

Sauron is the title character and the main antagonist, through the forging of the One Ring, of J. R. R. Tolkien's The Lord of the Rings, where he rules the land of Mordor and has the ambition of ruling the whole of Middle-earth. In the same work, he is identified as the "Necromancer" of Tolkien's earlier novel The Hobbit. In The Silmarillion, he is also described as the chief lieutenant of the first Dark Lord, Morgoth. Tolkien noted that the Ainur, the "angelic" powers of his constructed myth, "were capable of many degrees of error and failing", but by far the worst was "the absolute Satanic rebellion and evil of Morgoth and his satellite Sauron". Sauron appears most often as "the Eye", as if disembodied.

References

Primary

This list identifies each item's location in Tolkien's writings.
  1. Tolkien (1977) , "Of the Rings of Power and the Third Age": "Now these were the Three that had last been made, and they possessed the greatest powers"
  2. Tolkien (1980) : The original published edition of The Lord of the Rings states that Gil-galad and Círdan each received a Ring of Power, though in his subsequent works Gil-galad received both and later gave one to Círdan.
  3. 1 2 Tolkien (1980) , The History of Galadriel and Celeborn
  4. Carpenter (1981) , Letter #121 to Allen & Unwin , 13 July 1949
  5. Carpenter (1981) , Letter #154 to Naomi Mitchison, 25 September 1954
  6. Tolkien (1954) , book 2, ch. 7 "The Mirror of Galadriel"
  7. Carpenter (1981) , Letter #131 to Milton Waldman, late 1951
  8. 1 2 3 4 5 Tolkien (1977) , "Of the Rings of Power and the Third Age"
  9. Tolkien (1987) , entry "nar"
  10. Tolkien (1987) , entry "nen"
  11. Tolkien (1955) , "Writing", "The Fëanorian Letters"
  12. Tolkien 1954 , book 2, ch. 1, "Many Meetings"

Secondary

  1. 1 2 3 Fisher, Jason (2008). "Three Rings for—Whom Exactly? And Why?: Justifying the Disposition of the Three Elven Rings". Tolkien Studies . 5: 99–108. doi:10.1353/tks.0.0015.
  2. Hammond & Scull 2005, pp. 670–676.
  3. Hammond & Scull 2005, pp. 670–671.
  4. Köberl (2006) , p. 16
  5. Dickerson, Matthew (2013) [2007]. "Elves: Kindreds and Migrations". In Drout, Michael D. C. (ed.). J.R.R. Tolkien Encyclopedia . Routledge. pp. 152–154. ISBN   978-0-415-86511-1.
  6. 1 2 Bassham & Bronson (2013), pp. 23–25.
  7. Hammond & Scull 2005, pp. 675–676.
  8. Hammond & Scull 2005, p. 324.
  9. 1 2 3 Hood, Gwyneth (1993). "Nature and Technology: Angelic and Sacrificial Strategies in Tolkien's 'The Lord of the Rings'". Mythlore . article 2. 19 (4).CS1 maint: location (link)
  10. Auden, W. H. (1967). "Good and Evil in 'The Lord of the Rings'". Tolkien Journal. 3 (1): 5–8. JSTOR   26807102.
  11. Hood, Gwyneth (1995). "The Earthly Paradise in Tolkien's 'The Lord of the Rings'". Mythlore (80): 139–144.
  12. Levitin, Alexis (1970). "Power in 'The Lord of the Rings'". Tolkien Journal. article 4. 4 (3).CS1 maint: location (link)
  13. Aldrich, Kevin (1988). "The Sense of Time in J.R.R. Tolkien's 'The Lord of the Rings'". Mythlore . article 1. 15 (1).CS1 maint: location (link)
  14. Brin, David (2008). Through Stranger Eyes: Reviews, Introductions, Tributes & Iconoclastic Essays. Nimble Books. p. 37. ISBN   978-1-934840-39-9.

Sources