Rabbits are small mammals in the family Leporidae, which is in the order Lagomorpha. They are familiar throughout the world as a wild prey animal, a domesticated form of livestock, and a pet, having a widespread effect on ecologies and cultures. The most widespread rabbit genera are Oryctolagus and Sylvilagus. The former, Oryctolagus, includes the European rabbit, Oryctolagus cuniculus, which is the ancestor of the hundreds of breeds of domestic rabbit and has been introduced on every continent except Antarctica. The latter, Sylvilagus, includes over 13 wild rabbit species, among them the cottontails and tapetis. Wild rabbits not included in Oryctolagus and Sylvilagus include several species of limited distribution, including the pygmy rabbit, volcano rabbit, and Sumatran striped rabbit.
Hares and jackrabbits are mammals belonging to the genus Lepus. They are herbivores, and live solitarily or in pairs. They nest in slight depressions called forms, and their young are able to fend for themselves shortly after birth. The genus includes the largest lagomorphs. Most are fast runners with long, powerful hind legs, and large ears that dissipate body heat. Hare species are native to Africa, Eurasia and North America. A hare less than one year old is called a "leveret". A group of hares is called a "husk", a "down", or a "drove".
The fleur-de-lis, also spelled fleur-de-lys, is a common heraldic charge in the (stylized) shape of a lily. Most notably, the fleur-de-lis (⚜️) is depicted on the traditional coat of arms of France that was used from the High Middle Ages until the French Revolution in 1792, and then again in brief periods in the 19th century. This design still represents France and the House of Bourbon in the form of marshalling in the arms of Spain, Quebec, and Canada — for example.
A crescent shape is a symbol or emblem used to represent the lunar phase in the first quarter, or by extension a symbol representing the Moon itself.
A portcullis is a heavy, vertically closing gate typically found in medieval fortifications. It consists of a latticed grille made of wood and/or metal, which slides down grooves inset within each jamb of the gateway.
Tinctures are the colours, metals, and furs used in heraldry. Nine tinctures are in common use: two metals, or and argent ; the colours gules (red), azure (blue), vert (green), sable (black), and purpure (purple); and the furs ermine, which represents the winter fur of a stoat, and vair, which represents the fur of a red squirrel. The use of other tinctures varies depending on the time period and heraldic tradition in question.
The coat of arms of Romania was adopted in the Romanian Parliament on 10 September 1992 as a representative coat of arms for Romania. The current coat of arms is based on the lesser coat of arms of interwar Kingdom of Romania, which was designed in 1921 by the Transylvanian Hungarian heraldist József Sebestyén from Cluj, at the request of King Ferdinand I of Romania, it was redesigned by Victor Dima. As a central element, it shows a golden aquila holding a cross in its beak, and a mace and a sword in its claws. It also consists of the three colors which represent the colors of the national flag. The coat of arms was augmented on 11 July 2016 to add a representation of the Steel Crown of Romania.
In heraldry, a charge is any emblem or device occupying the field of an escutcheon (shield). That may be a geometric design or a symbolic representation of a person, animal, plant, object, building, or other device. In French blazon, the ordinaries are called pièces, and other charges are called meubles.
The double-headed eagle is an iconographic symbol originating in the Bronze Age. A heraldic charge, it is used with the concept of an empire. Most modern uses of the emblem are directly or indirectly associated with its use by the late Byzantine Empire, originally a dynastic emblem of the Palaiologoi. It was adopted during the Late Medieval to Early Modern period in the Holy Roman Empire, Albania and in Orthodox principalities, representing an augmentation of the (single-headed) eagle or Aquila associated with the Roman Empire. In a few places, among them the Holy Roman Empire and Russia, the motif was further augmented to create the less prominent triple-headed eagle.
The Talbot was a type of hunting hound common in England during the Middle Ages. It is depicted in art of the period as small to medium-sized, white in colour, with short legs, large powerful feet, a deep chest with a slender waist, long drooping ears, and a very long curled tail. It is shown in one well-known example at Haddon Hall with a fierce facial expression. It is now extinct, but is believed to be an ancestor of the modern Beagle and Bloodhound. It is uncertain whether it was a scenthound, a sighthound, or a dog used for digging out quarry, nor is it known what type of quarry it hunted, whether deer, fox, boar, etc.
In heraldry and heraldic vexillology, a blazon is a formal description of a coat of arms, flag or similar emblem, from which the reader can reconstruct the appropriate image. The verb to blazon means to create such a description. The visual depiction of a coat of arms or flag has traditionally had considerable latitude in design, but a verbal blazon specifies the essentially distinctive elements. A coat of arms or flag is therefore primarily defined not by a picture but rather by the wording of its blazon. Blazon is also the specialized language in which a blazon is written, and, as a verb, the act of writing such a description. Blazonry is the art, craft or practice of creating a blazon. The language employed in blazonry has its own vocabulary, grammar and syntax, which becomes essential for comprehension when blazoning a complex coat of arms.
Hasloch is a community in the Main-Spessart district in the Regierungsbezirk of Lower Franconia (Unterfranken) in Bavaria, Germany and a member of the Verwaltungsgemeinschaft of Kreuzwertheim. Hasloch has a population close to 1,400.
The coat of arms of Munster consists of three gold crowns on a blue field. Similar crowns were included on the arms of Ireland before being superseded by the golden harp in the 16th century.
The Dunhuang map or Dunhuang Star map is one of the first known graphical representations of stars from ancient Chinese astronomy, dated to the Tang dynasty (618–907). Before this map, much of the star information mentioned in historical Chinese texts had been questioned. The map provides a graphical verification of the star observations, and are part of a series of pictures on one of the Dunhuang manuscripts. The astronomy behind the map is explained in an educational resource posted on the website of the International Dunhuang Project, where much of the research on the map has been done. The Dunhuang Star map is to date the world's oldest complete preserved star atlas.
The wild boar and boar's head are common charges in heraldry.
The coat of arms of the Holy See combines two crossed keys and a tiara, used as the official emblem of the Holy See, and by extension the wider Catholic Church. These forms have origins attested from the 14th century. The combination of one gold and one silver key is a somewhat later development.
Susan Whitfield is a British scholar, currently Professor in Silk Road Studies at the Sainsbury Institute for the Study of Japanese Arts and Cultures (SISJAC), University of East Anglia. She previously worked at the British Library in London, England. She specialises in the history and archaeology of the Silk Road but has also written on human rights and censorship in China.
Rabbits and hares (Leporidae) are common motifs in the visual arts, with variable mythological and artistic meanings in different cultures. The rabbit as well as the hare have been associated with moon deities and may signify rebirth or resurrection. They may also be symbols of fertility or sensuality, and they appear in depictions of hunting and spring scenes in the Labours of the Months.
The heads of humans and other animals are frequently occurring charges in heraldry. The blazon, or heraldic description, usually states whether an animal's head is couped, erased, or cabossed. Human heads are often described in much greater detail, though some of these are identified by name with little or no further description.
Chinese auspicious ornaments in textile and clothing refers to any form of Chinese auspicious ornaments, which are used to decorate various forms of Chinese textile and clothing, fashion accessories, and footwear in China since the ancient times. Chinese auspicious ornaments form part of Chinese culture and hold symbolic meanings. In ancient China, auspicious ornaments were often either embroidered or woven into textile and clothing. They are also used on religious and ritual clothing and in Xifu, Chinese opera costumes. Auspicious symbols and motifs continue to be used in present-day China in industries, such as home textiles and clothing; they are also used in modern design packaging and interior design. Some of these Chinese auspicious ornaments were also adopted by European countries during the era of Chinoiserie, where they became decorative patterns on fashionable chinoiserie fashion and textiles.
