This article includes a list of general references, but it remains largely unverified because it lacks sufficient corresponding inline citations . (February 2012) (Learn how and when to remove this template message)
|Products||Magazines, pulp magazines|
Thrilling Publications, also known as Beacon Magazines[ citation needed ] (1936–37), Better Publications (1937–43) and Standard Magazines (1943–55), was a pulp magazine publisher run by Ned Pines, publishing such titles as Startling Stories and Thrilling Wonder Stories .
Pines became the president of Pines Publications in 1928. Pines folded most of his magazines in 1955 but continued to lead the company until 1961.
Pines' cover artists included Earle K. Bergey, John Parker, George Rozen, and Rudolph Belarski.
In 1942 Pines started Popular Library, a paperback publishing house, and devoted himself to that company after closing his other ventures. Popular reprinted materials from the pulps.[ citation needed ]
This section does not cite any sources . (February 2014) (Learn how and when to remove this template message)
This section does not cite any sources . (February 2014) (Learn how and when to remove this template message)
Pulp magazines were inexpensive fiction magazines that were published from 1896 to the late 1950s. The term pulp derives from the cheap wood pulp paper on which the magazines were printed. In contrast, magazines printed on higher-quality paper were called "glossies" or "slicks". The typical pulp magazine had 128 pages; it was 7 inches (18 cm) wide by 10 inches (25 cm) high, and 0.5 inches (1.3 cm) thick, with ragged, untrimmed edges.
Murray Leinster was a nom de plume of William Fitzgerald Jenkins, an American writer of science fiction. He wrote and published more than 1,500 short stories and articles, 14 movie scripts, and hundreds of radio scripts and television plays.
Nick Carter is a fictional character who began as a dime novel private detective in 1886 and has appeared in a variety of formats over more than a century. The character was first conceived by Ormond G. Smith and created by John R. Coryell. Carter headlined his own magazine for years, and was then part of a long-running series of novels from 1964 to 1990. Films were created based on Carter in France, Czechoslovakia and Hollywood. Nick Carter has also appeared in many comic books and in radio programs.
Men's adventure is a genre of magazine that was published in the United States from the 1940s until the early 1970s. Catering to a male audience, these magazines featured pin-up girls and lurid tales of adventure that typically featured wartime feats of daring, exotic travel or conflict with wild animals. These magazines were also colloquially called "armpit slicks", "men's sweat magazines" or "the sweats", especially by people in the magazine publishing or distribution trades.
Startling Stories was an American pulp science fiction magazine, published from 1939 to 1955 by publisher Ned Pines' Standard Magazines. It was initially edited by Mort Weisinger, who was also the editor of Thrilling Wonder Stories, Standard's other science fiction title. Startling ran a lead novel in every issue; the first was The Black Flame by Stanley G. Weinbaum. When Standard Magazines acquired Thrilling Wonder in 1936, it also gained the rights to stories published in that magazine's predecessor, Wonder Stories, and selections from this early material were reprinted in Startling as "Hall of Fame" stories. Under Weisinger the magazine focused on younger readers and, when Weisinger was replaced by Oscar J. Friend in 1941, the magazine became even more juvenile in focus, with clichéd cover art and letters answered by a "Sergeant Saturn". Friend was replaced by Sam Merwin Jr. in 1945, and Merwin was able to improve the quality of the fiction substantially, publishing Arthur C. Clarke's Against the Fall of Night, and several other well-received stories.
Wonder Stories was an early American science fiction magazine which was published under several titles from 1929 to 1955. It was founded by Hugo Gernsback in 1929 after he had lost control of his first science fiction magazine, Amazing Stories, when his media company Experimenter Publishing went bankrupt. Within a few months of the bankruptcy, Gernsback launched three new magazines: Air Wonder Stories, Science Wonder Stories, and Science Wonder Quarterly.
Earle K. Bergey was an American artist and illustrator who painted cover art for thousands of pulp fiction magazines and paperback books. One of the most prolific pulp fiction artists of the 20th century, Bergey is recognized for creating the iconic cover of Gentlemen Prefer Blondes for Popular Library at the height of his career in 1948.
Leo Margulies was an American editor and publisher of science fiction and fantasy pulp magazines and paperback books.
Popular Publications was one of the largest publishers of pulp magazines during its existence, at one point publishing 42 different titles per month. Company titles included detective, adventure, romance, and Western fiction. They were also known for the several 'weird menace' titles. They also published several pulp hero or character pulps.
During and after the Second World War, Nazism became a key driving force behind Allied propaganda, as well as the development of the superhero during the Golden Age of comics. Ideas regarding what the Third Reich could have possibly implemented, if it had not failed to achieve any of its goals on a permanent basis, have helped to fuel various films, books and comics from 1939 to the present day. In almost all fictional use of Nazis, both during and after the war years, the Nazis are portrayed as a continuation of their actions from the 1930s and 1940s – cold-hearted, ruthless and evil. They are often stereotypically portrayed as wearing monocles and black uniforms similar to those of the Schutzstaffel.
Popular Library was a New York paperback book company established in 1942 by Leo Margulies and Ned Pines, who at the time were major pulp magazine and newspaper publishers. The company's logo of a pine tree was a tribute to Pines, and another Popular Library signature visual was a reduced black-and-white copy of the front cover on the title page.
Everett Raymond Kinstler was an American artist, whose official portraits include Presidents Gerald Ford and Ronald Reagan. He was also a pulp and comic book artist, whose work appeared mainly in the 1940s and 1950s.
Standard Comics was a comic book imprint of American publisher Ned Pines, who also published pulp magazines and paperback books. Standard in turn was the parent company of two comic-book lines: Better and Nedor Publishing Collectors and historians sometimes refer to them collectively as "Standard/Better/Nedor".
The following is a list of works by Johnston McCulley (1883–1958). Stories featuring his more popular pulp fiction characters, including Zorro, have been allotted independent lists. These lists are presented chronologically. The list of his other works is presented alphabetically.
Fantastic Story Quarterlywas a pulp science fiction magazine, published from 1950 to 1955 by Best Books, a subsidiary imprint of Standard Magazines. The name was changed with the Summer 1951 issue to Fantastic Story Magazine. It was launched to reprint stories from the early years of the science fiction pulp magazines, and was initially intended to carry no new fiction, though in the end every issue contained at least one new story. It was sufficiently successful for Standard to launch Wonder Story Annual as a vehicle for more science fiction reprints, but the success did not last. In 1955 it was merged with Standard's Startling Stories. Original fiction in Fantastic Story included Gordon R. Dickson's first sale, "Trespass", and stories by Walter M. Miller and Richard Matheson.
Captain Future was a science fiction pulp magazine launched in 1940 by Better Publications, and edited initially by Mort Weisinger. It featured the adventures of Captain Future, a super-scientist whose real name was Curt Newton, in every issue. All but two of the novels in the magazine were written by Edmond Hamilton; the other two were by Joseph Samachson. The magazine also published other stories that had nothing to do with the title character, including Fredric Brown's first science fiction sale, "Not Yet the End". Captain Future published unabashed space opera, and was, in the words of science fiction historian Mike Ashley, "perhaps the most juvenile" of the science fiction pulps to appear in the early years of World War II. Wartime paper shortages eventually led to the magazine's cancellation: the last issue was dated Spring 1944.
Wonder Story Annual was a science fiction pulp magazine which was launched in 1950 by Standard Magazines. It was created as a vehicle to reprint stories from early issues of Wonder Stories, Startling Stories, and Wonder Stories Quarterly, which were owned by the same publisher. It lasted for four issues, succumbing in 1953 to competition from the growing market for paperback science fiction. Reprinted stories included Twice in Time, by Manly Wade Wellman, and "The Brain-Stealers of Mars", by John W. Campbell.
Science-fiction and fantasy magazines began to be published in the United States in the 1920s. Stories with science-fiction themes had been appearing for decades in pulp magazines such as Argosy, but there were no magazines that specialized in a single genre until 1915, when Street & Smith, one of the major pulp publishers, brought out Detective Story Magazine. The first magazine to focus solely on fantasy and horror was Weird Tales, which was launched in 1923, and established itself as the leading weird fiction magazine over the next two decades; writers such as H.P. Lovecraft, Clark Ashton Smith and Robert E. Howard became regular contributors. In 1926 Weird Tales was joined by Amazing Stories, published by Hugo Gernsback; Amazing printed only science fiction, and no fantasy. Gernsback included a letter column in Amazing Stories, and this led to the creation of organized science-fiction fandom, as fans contacted each other using the addresses published with the letters. Gernsback wanted the fiction he printed to be scientifically accurate, and educational, as well as entertaining, but found it difficult to obtain stories that met his goals; he printed "The Moon Pool" by Abraham Merritt in 1927, despite it being completely unscientific. Gernsback lost control of Amazing Stories in 1929, but quickly started several new magazines. Wonder Stories, one of Gernsback's titles, was edited by David Lasser, who worked to improve the quality of the fiction he received. Another early competitor was Astounding Stories of Super-Science, which appeared in 1930, edited by Harry Bates, but Bates printed only the most basic adventure stories with minimal scientific content, and little of the material from his era is now remembered.
Thomas Albert Curry (1900–1976), better known as Tom Curry, was an American pulp fiction writer who began writing crime and detective stories but went on to become one of the more prolific western writers in the genre.
Rudolph Belarski was an American graphic artist known for his cover art depicting aerial combat for magazines such as Wings, Dare Devil Aces, and War Birds. He also drew science fiction covers for Argosy in the 1930s and covers for mystery and detective novels.
|Wikimedia Commons has media related to Thrilling Publications .|