Throw (grappling)

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Throw
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In martial arts, a throw is a grappling technique that involves off-balancing or lifting an opponent, and throwing them to the ground, in Japanese martial arts referred to as nage-waza, 投げ技, "throwing technique". Throws are a subset of takedown (grappling). Certain throwing techniques called sacrifice throws (sutemi-waza, 捨身技, "sacrifice technique") involve putting oneself in a potentially disadvantageous position, such as on the ground, in order to execute a throw.

Contents

Types of throws

There are several major types of throw, among Asian martial arts, Judo has the most developed throwing techniques and throws are considered its specialty.

Most throws are named by describing the circumvention point of the throw (e.g., hip throw, shoulder throw, wrist throw etc.), or the nature of effect of the throw on the opponent (e.g., heaven and earth throw, valley drop, body drop) with variations being given descriptive names. The names used here are attributed to Jujutsu throws (and hence judo/Aikido throws) are descriptions in Japanese. It is conventional for the Japanese to name their throws in this manner, and many western martial art dojos have given English names to the throws feeling that it is easier for English speaking students to remember the names of throws if they can associate the throws by the descriptive nature of the throw name.

In Judo, throws are divided into six categories—hand techniques, leg techniques, hip techniques, shoulder techniques, as well as sacrifice throws to the rear and side.

Shoulder and back throws

A shoulder throw involves throwing an opponent over the shoulder. A shoulder throw which lifts the opponent from the ground is in Japanese referred to as seoi-nage (背負い投げ, "Back Throw"), while a throw which involves upsetting the opponent’s balance and pulling the opponent over the shoulder is referred to as seoi-otoshi (背負落とし, "Back Drop"). [1] Seoi-nage is one of the most used throws in judo competition. One study indicated that approximately 56% of judokas implemented the technique. [2]

A common shoulder throw is judo's ippon seoinage ("Single-Handed Back Throw") [3] or the similar flying mare in wrestling. [4]

Leg throws, reaps, and trips

In a leg reap, the attacker uses one of their legs to reap one or both of their opponent's legs off the ground. Generally the opponent's weight is placed on the leg that is reaped away. This coupled with the attacker controlling the opponent's body with their hands causes the opponent to fall over. Common leg reaps are judo's Ouchi Gari, Kouchi Gari, Osoto Gari, and Kosoto Gari. There are similar techniques in wrestling, including the inside and outside trips.

Somewhat similar to leg reaps involve a hooking or lifting action with the attacking leg instead of a reaping action. The border between the two types of throw can be unclear, and many throws will exhibit characteristics of both reaps and trips, however, the difference is that a reap is one smooth move, like that of a scythe, whereas a hook is pulling the opponents leg up first, and then swinging it away. Common leg trips are hooking variations of Ouchi Gari and Osoto Gari along with Kosoto Gake, referred to as inside and outside trips in Western wrestling.

Sacrifice throw depicted in a fencing manual written in 1459 by Hans Talhoffer for his own personal reference and illustrated by Michel Rotwyler. Ms.Thott.290.2o 057v.jpg
Sacrifice throw depicted in a fencing manual written in 1459 by Hans Talhoffer for his own personal reference and illustrated by Michel Rotwyler.

Sacrifice throws

Sacrifice throws require the thrower to move into a potentially disadvantageous position in order to be executed, such as falling to the ground. The momentum of the falling body adds power to the throw and requires comparatively little strength, compared to the effect. In Judo (as well as in other martial arts), these throws are called sutemi waza and are further divided into rear (ma sutemi waza) and side (yoko sutemi waza) throws. In Judo, these throws are limited to a specific grade and higher due to the element of danger that is placed upon both the uke (receiver) and the tori (thrower). [5]

Hip throws

A hip throw involves using the thrower's hip as a pivot point, by placing the hip in a lower position than an opponent's center of gravity. There are several types of hip throws such as O Goshi, which is often taught first to novices. Hip throws in Judo are called Koshi Waza, and in Aikido or Sumo they are called koshinage.

Pick-ups

Pickup throw on the left. Bas-relief at Angkor Wat (12th century) in Cambodia. Angkor Wat bas-reliefs (9730525742).jpg
Pickup throw on the left. Bas-relief at Angkor Wat (12th century) in Cambodia.
Pickup throw on the left. Bas-relief at Angkor Wat (12th century) in Cambodia. Angkor Wat bas-reliefs (9727705343).jpg
Pickup throw on the left. Bas-relief at Angkor Wat (12th century) in Cambodia.

Pickups involve lifting the opponent off the ground and then bringing them down again. Common pick-ups are lifting variations of the double leg takedown, Judo's Te Guruma or sukui nage (both classified as hand throws Ganseki otoshi ) and the suplex from wrestling, in which the attacker lifts their opponents body vertically and throws the opponent over their own center of gravity while executing a back fall (usually accompanied by a back arch). Variations of the suplex are common in most forms of wrestling and sometimes used in mixed martial arts competition. In Judo, the ura-nage throw is a version of the suplex, but it is classified as a sacrifice throw.

Bas-relief of pickup throw at Prambanan(9th century) in Indonesia. Candi Prambanan - 104 Wrestling, Visnu Temple (12042016654).jpg
Bas-relief of pickup throw at Prambanan(9th century) in Indonesia.

List of throws

Some of the more common throwing techniques are listed below. This is not an exhaustive list and the techniques may be referred to by other names in different styles. An English translation and a common Japanese equivalent are given.

See also

Related Research Articles

<span class="mw-page-title-main">Takedown (grappling)</span> Martial arts technique

In martial arts and combat sports, a takedown is a technique that involves off-balancing an opponent and bringing them to the ground with the attacker landing on top. The process of quickly advancing on an opponent and attempting a takedown is known as shooting for a takedown, or simply shooting. Takedowns are usually distinguished from throws by amplitude and impact, where the purpose of a throw is to outright eliminate the opponent while purpose of a takedown is to bring the opponent down on the ground, assume a dominant position and then proceed to finish them with jointlocks, chokeholds or ground and pound. In rulesets of many sports such as Judo and Sambo, a well executed throw will end the match while the match will continue on the ground if a takedown is used instead. Takedowns are featured in all forms of wrestling and Judo.

<span class="mw-page-title-main">Nage-no-kata</span> Martial arts forms/techniques

Nage-no-kata is one of the two randori-no-kata of Kodokan Judo. It is intended as an illustration of the various concepts of nage-waza that exist in judo, and is used both as a training method and as a demonstration of understanding.

<span class="mw-page-title-main">Seoi nage</span> Judo technique

Seoi nage is a throw in judo. It is one of the traditional forty throws of judo as developed by Jigoro Kano. It belongs to the first group, Dai Ikkyo, of the traditional throwing list, Gokyo, of Kodokan Judo. It is also part of the current official throws of Kodokan Judo. It is classified as a hand technique, te-waza, and is the second throw performed in the Nage-no-kata. Seoi nage literally means "over the back throw", but has also been translated as a "shoulder throw", as the opponent or uke is thrown over the thrower or tori's shoulder.

<span class="mw-page-title-main">Osotogari</span> Judo technique

Osotogari (大外刈) is one of the original 40 throws of Judo as developed by Jigoro Kano. It belongs to the first group, Dai Ikkyo, of the traditional throwing list, Gokyo, of Kodokan Judo. It is also included in the current 67 Throws of Kodokan Judo. It is classified as a foot technique, Ashi-Waza.

<span class="mw-page-title-main">Kosoto gake</span> Judo technique

Kosoto Gake (小外掛), sometimes known as "minor outer hook", the English translation, is one of the original 40 throws of Judo as developed by Jigoro Kano. It belongs to the third group, Sankyo, of the traditional throwing list, Gokyo, of Kodokan Judo. It is also part of the current 67 Throws of Kodokan Judo. It is classified as a foot technique, Ashi-waza. It is often used as a counter-throw to tai-otoshi, after having stepped over the leg. To perform the technique, the tori grabs uke using one of several compatible grips - the traditional example being the sleeve collar grip. He then steps forwards diagonally to place all of uke's weight on the foot tori wishes to reap. This leg is reaped by wrapping the leg around his leg from the outside and plucking the ankle or calf upward with the back of tori's own ankle or calf respectively. Because the weight was planted on this foot due to off-balancing uke, tori can make him fall. If uke's weight is not on the leg being swept, uke will remain stable and be able to keep his balance. This should all be done in a fluid motion so that uke's weight is moving backwards whilst the leg is being reaped, otherwise it will be too heavy to lift although the throw can still work sometimes from this position.

<span class="mw-page-title-main">Yoko guruma</span> Judo technique

Yoko Guruma (横車), is one of the original 40 throws of judo as developed by Jigoro Kano. It belongs to the fifth group, Gokyo, of the traditional throwing list, Gokyo, of Kodokan Judo. It is also part of the current 67 throws of Kodokan Judo. It is classified as a side sacrifice technique, Yoko-sutemi. This technique is considerably difficult to perform, and can be used as either a direct attack or a counter. In classical study of nage-waza, it is preferable to use it as a counter throw to seoi-nage.

Seoi Otoshi (背負落) is one of the preserved throwing techniques, Habukareta Waza, of Judo. It belonged to the fifth group, Gokyo, of the 1895 Gokyo no Waza lists. It is categorized as a hand technique, Te-waza.

<span class="mw-page-title-main">Osoto otoshi</span> Judo technique

Osoto Otoshi (大外落) is one of the preserved throwing techniques, Habukareta Waza, of Judo. It belonged to the fourth group, Yonkyo, of the 1895 Gokyo no Waza lists. It is categorized as a foot technique, Ashi-waza.

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Gonosen-no-kata is a judo kata that focuses on counter-attacks to throwing techniques. It is not an officially recognized kata of judo, but its importance is attested to by its inclusion in Kawaishi's The complete seven katas of judo. Writing in the early post-war period, Kawaishi described the kata as being practiced less in Japan than in Europe.

Practice of Kaeshi no Kata is almost entirely limited to Great-Britain, where until today it has been understood as a judo kata which, like the Gonosen-no-kata, focuses on counter-attacks to throwing techniques. The kata was commonly explained as being an older form than Gonosen-no-kata, that was passed onto Ōtani Masutarō from Tani Yukio.

The Nage-waza ura-no-kata is a judo kata that, like the Gonosen-no-kata, focuses on counter-attacks to throwing techniques. It was developed by Mifune Kyūzō, and is not an officially recognized Kodokan kata.

Aikido techniques are frequently referred to as waza 技. Aikido training is based primarily on two partners practicing pre-arranged forms (kata) rather than freestyle practice. The basic pattern is for the receiver of the technique (uke) to initiate an attack against the person who applies the technique—the 取り tori, or shite 仕手, also referred to as (投げ nage, who neutralises this attack with an aikido technique.

Karate's Nage waza is the set of techniques whereby the opponent is thrown to the ground. While typical students of karate focus most of their attention on learning striking techniques, karate throws are considered indispensable for self-defense and, although not always taught, are part of the classical art.

<span class="mw-page-title-main">An Ba-ul</span> South Korean judoka

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<span class="mw-page-title-main">Hifumi Abe</span> Japanese judoka

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References

  1. The Kodokan Judo Institute. Seoi-Otoshi (hand technique). www.kodokan.org . URL last accessed February 11, 2006.
  2. Weers, George. Skill Range of the Elite Judo Competitor. judoinfo.com. URL last accessed February 11, 2006.
  3. Judoinfo.com. ipponseoi. Accessed 2012-11-28.
  4. Chisholm, Hugh, ed. (1911). "Wrestling"  . Encyclopædia Britannica . Vol. 26 (11th ed.). Cambridge University Press. p. 845.
  5. Ohlenkamp, Neil (2006). Judo Unleashed. New Holland Publishers Ltd. p. 160. ISBN   0-07-147534-6. Archived from the original on 2007-09-13.

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