Thru the Moebius Strip | |
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Directed by | Glenn Chaika Kelvin Lee |
Written by | Jim Cox |
Produced by | Raymond Neoh David Kirschner Jun Aida |
Starring | Jonathan Taylor Thomas Chris Marquette Mark Hamill Michael Dorn Andrea Leon Peri Gilpin Kellie Martin Daniel Davis Dee Bradley Baker John DeMita Kevin McDonald Jim Romanovich |
Edited by | Bob Bender Lois Freeman-Cox |
Music by | Nathan Lanier Olivier Lliboutry |
Release date |
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Running time | 87 minutes |
Country | China |
Language | Mandarin |
Budget | ¥156 million RMB (US$20 million) |
Box office | ¥3.650 million RMB (China) |
Thru the Moebius Strip (Chinese :魔比斯环; pinyin :móbǐsī huán) is a 2005 Chinese computer-animated science fiction adventure film made in Mainland China.
The story is about the coming of age of a 14-year-old boy who grew up refusing to accept the loss of his father. He reaches the planet Raphicca 27.2 million light years away to find that his father is a prisoner in a kingdom of giant aliens who believe in magic and a medieval code of chivalry. In the midst of a raging battle between good and evil, Jac rescues his father, his new-found family of aliens, the planet of Raphicca, and ultimately, the universe.
The film was produced in Shenzhen, China by the Institute of Digital Media Technology (IDMT). [1] The project began with 200 animators in 2000 and grew to employ more than 400 by the end of production. Unlike traditional Chinese films, the movie was dubbed into English first. Previewed at the Second International Animation and Cartoon Festival at Hangzhou, China on April 27 and May 3, 2006, [2] The film was based on an original story and designs by Jean "Moebius" Giraud. [3]
Name | English dubbing actor |
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Narrator | Andrea Miller |
Young Jac | Michelle Ruff |
Simon Weir | Mark Hamill |
Caroline Weir | Peri Gilpin |
Young Ragis | Daisy Torme |
Shepway | Jean Simmons |
Jac Weir | Chris Marquette |
Allana | Kellie Martin |
Prince Ragis | Jonathan Taylor Thomas |
King Tor | Michael Dorn |
The film earned ¥3.650 million RMB at the Chinese box office. [4]
The film premiered at the Cannes Film Festival in 2005 and received good reviews for the animation work. [5] However film critics have emphasized that the story was mostly catered to the west with eastern elements added in, making it difficult to satisfy any group of audience in any one particular region.
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