Arabic Calligraphy is the artistic practice of handwriting and calligraphy based on the Arabic alphabet. It is known in Arabic as khatt, derived from the word 'line', 'design', or 'construction'. Kufic is the oldest form of the Arabic script.
Islamic calligraphy is the artistic practice of handwriting and calligraphy, in the languages which use Arabic alphabet or the alphabets derived from it. It includes Arabic, Persian, Ottoman, Afghan, Pakistan and Indian calligraphy. It is known in Arabic as khatt Arabi, which translates into Arabic line, design, or construction.
Naskh is a smaller, round script of Islamic calligraphy. Naskh is one of the first scripts of Islamic calligraphy to develop, commonly used in writing administrative documents and for transcribing books, including the Qur’an, because of its easy legibility. Naskh was standardized by Ibn Muqla as one of the six primary scripts of Islamic calligraphy in the 10th century CE.
Muhaqqaq is one of the main six types of calligraphic script in Arabic. The Arabic word muḥaqqaq (محقَّق) means "consummate" or "clear", and originally was used to denote any accomplished piece of calligraphy.
Sheikh Hamdullah (1436–1520), born in Amasya, Ottoman Empire, was a master of Islamic calligraphy.
Hijazi script, also Hejazi, literally "relating to Hejaz", is the collective name for a number of early Arabic scripts that developed in the Hejaz region of the Arabian Peninsula, which includes the cities of Mecca and Medina. This type of script was already in use at the time of the emergence of Islam.
Mashq is one of the oldest calligraphic forms of the Arabic script. At the time of the emergence of Islam, this type of writing was likely already in use in various parts of the Arabian Peninsula. It is first attested during the reign of caliph Umar, making it one of the earliest forms of Arabic script, along with Hijazi and Kufic. It was used in most texts produced during the first and second centuries after the Hijra.
Hattat Aziz Efendi was an Ottoman calligrapher.
Hâfiz Osman (1642–1698) was an Ottoman calligrapher noted for improving the script and for developing a layout template for the hilye which became the classical approach to page design.
The term hilya (Arabic حلية, Turkish: hilye denotes both a visual form in Ottoman art and a religious genre of Ottoman Turkish literature, each dealing with the physical description of Muhammad. Hilya literally means "ornament".
Mustafa Râkim (1757–1826), was an Ottoman calligrapher. He extended and reformed Hâfiz Osman's style, placing greater emphasis on technical perfection, which broadened the calligraphic art to encompass the Sülüs script as well as the Nesih script.
Ahmed Karahisari (1468–1566) was an Ottoman calligrapher.
İsmail Zühdi Efendi was an Ottoman calligrapher. “Efendi” is a title of nobility, so this name can also be rendered İsmail Zühdi.
Mahmud Celaleddin Efendi was an Ottoman calligrapher.
Kazasker Mustafa Izzet Efendi, was an Ottoman composer, neyzen, poet and statesman best known for his calligraphy.
Mehmed Shevki Efendi, was a prominent Ottoman calligrapher. He is known for his Thuluth-Naskh works, and his style developed into the Shevki Mektebi school, which many contemporary calligraphers in the style take as a reference.
Sami Efendi (1858-1912), was an Ottoman calligrapher.
Yesarizade Mustafa Izzet Efendi was an Ottoman calligrapher.
Suyolcuzade Mustafa Eyyubi was a 17th-century Ottoman calligrapher.
