Tiberio d'Assisi

Last updated
Concession of the Indulgence, Basilica of Santa Maria degli Angeli, Assisi, Italy. S.M.degli.Angeli042.jpg
Concession of the Indulgence, Basilica of Santa Maria degli Angeli, Assisi, Italy.

Tiberio d'Assisi (circa 1470-1524) [1] was an Italian painter of the Renaissance period, active in the early 16th century. He painted in the style of Pietro Perugino. He is also known as Tiberio Diatelevi or Tiberio di Assisi

Italy republic in Southern Europe

Italy, officially the Italian Republic, is a country in Southern and Western Europe. Located in the middle of the Mediterranean Sea, Italy shares open land borders with France, Switzerland, Austria, Slovenia and the enclaved microstates San Marino and Vatican City. Italy covers an area of 301,340 km2 (116,350 sq mi) and has a largely temperate seasonal and Mediterranean climate. With around 61 million inhabitants, it is the fourth-most populous EU member state and the most populous country in Southern Europe.

Renaissance cultural movement that spanned the period roughly from the 14th to the 17th century

The Renaissance is a period in European history, covering the span between the 14th and 17th centuries and marking the transition from the middle ages to modernity. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the middle ages.

Pietro Perugino Italian Renaissance painter of the Umbrian school

Pietro Perugino, born Pietro Vannucci, was an Italian Renaissance painter of the Umbrian school, who developed some of the qualities that found classic expression in the High Renaissance. Raphael was his most famous pupil.

He painted a Madonna in the church of S. Martino, near Trevi; a Madonna and five scenes from the life of St. Francis (1512), in the church of San Francesco in Montefalco; a St. Sebastian for the church of San Fortunato in Montefalco; a Madonna in S. Domenico in Assisi, and Scenes from the life of St. Francis in Basilica of Santa Maria degli Angeli in the same city (1518). Fresco work was discovered in Castel Ritaldi. [2]

Trevi, Umbria Comune in Umbria, Italy

Trevi is an ancient town and comune in Umbria, Italy, on the lower flank of Monte Serano overlooking the wide plain of the Clitunno river system. It is 10 km (6 mi) SSE of Foligno and 20 km (12 mi) north of Spoleto.

Montefalco Comune in Umbria, Italy

Montefalco is a town and comune in the central part of the Italian province of Perugia (Umbria), on an outcrop of the Colli Martani above the flood plain of the Clitunno river, 7 km (4 mi) SE of Bevagna, 11 km (7 mi) SW of Foligno, and 9 km (5.5 mi) NW of Trevi.

Assisi Comune in Umbria, Italy

Assisi is a town and comune of Italy in the Province of Perugia in the Umbria region, on the western flank of Monte Subasio.

Related Research Articles

Domenico Ghirlandaio Italian Renaissance painter from Florence

Domenico Ghirlandaio was an Italian Renaissance painter born in Florence. Ghirlandaio was part of the so-called "third generation" of the Florentine Renaissance, along with Verrocchio, the Pollaiolo brothers and Sandro Botticelli. Ghirlandaio led a large and efficient workshop that included his brothers Davide Ghirlandaio and Benedetto Ghirlandaio, his brother-in-law Bastiano Mainardi from San Gimignano, and later his son Ridolfo Ghirlandaio. Many apprentices passed through Ghirlandaio's workshop, including the famous Michelangelo. Ghirlandaio's particular talent lay in his ability to posit depictions of contemporary life and portraits of contemporary people within the context of religious narratives, bringing him great popularity and many large commissions.

Pietro Lorenzetti Italian painter

Pietro Lorenzetti was an Italian painter, active between c.1306 and 1345. Together with his younger brother Ambrogio, he introduced naturalism into Sienese art. In their artistry and experiments with three-dimensional and spatial arrangements, the brothers foreshadowed the art of the Renaissance.

Benozzo Gozzoli Italian painter

Benozzo Gozzoli was an Italian Renaissance painter from Florence. He is best known for a series of murals in the Magi Chapel of the Palazzo Medici-Riccardi, depicting festive, vibrant processions with fine attention to detail and a pronounced International Gothic influence. The chapel's fresco cycle reveals a new Renaissance interest in nature with its realistic depiction of landscapes and vivid human portraits. Gozzoli is considered one of the most prolific fresco painters of his generation. While he was mainly active in Tuscany, he also worked in Umbria and Rome.

Lo Spagna Italian painter

Lo Spagna, "the Spaniard" in Italian, was a painter of the High Renaissance, active in central Italy. His name was Giovanni di Pietro, but he was known as Lo Spagna because he was born in Spain. After Raphael, he was a main pupil and follower of the Umbrian painter Perugino, whose style his paintings develop. He should not be confused with Pietro di Giovanni D'Ambrogio, the brother of the Siennese painter Vecchietta in Siena.

Pier Antonio Mezzastris was an Italian painter of the Quattrocento, painting in a somewhat provincial style for the time.

Basilica of Saint Francis of Assisi Church in Assisi, Italy

The Basilica of Saint Francis of Assisi is the mother church of the Roman Catholic Order of Friars Minor Conventual in Assisi, a town in the Umbria region in central Italy, where Saint Francis was born and died. It is a Papal minor basilica and one of the most important places of Christian pilgrimage in Italy. With its accompanying friary, Sacro Convento, the basilica is a distinctive landmark to those approaching Assisi. It has been a UNESCO World Heritage site since 2000.

Taddeo di Bartolo Italian painter

Taddeo di Bartolo, also known as Taddeo Bartoli, was an Italian painter of the Sienese School during the early Renaissance. He is among the artists profiled in Vasari's biographies of artists or Vite. Vasari claims he is the uncle of Domenico di Bartolo.

Ventura Salimbeni Italian painter

Ventura di Archangelo Salimbeni was an Italian Counter-Maniera painter and printmaker highly influenced by the vaghezza and sensual reform of Federico Barocci.

Papal Basilica of Saint Mary of the Angels in Assisi Church in Assisi, Italy

The Basilica of Saint Mary of the Angels is a Papal minor basilica situated in the plain at the foot of the hill of Assisi, Italy, in the frazione of Santa Maria degli Angeli.

Master of Saint Francis Italian painter

The Master of Saint Francis was an anonymous Italian painter, perhaps of Pisan origin though probably trained in Umbria, working between 1250–1280. His work embodies an important aspect of the contact between Italian and Byzantine art of this period.

Ognissanti, Florence church in Florence

The chiesa di San Salvatore di Ognissanti or more simply chiesa di Ognissanti, is a Franciscan church located on the piazza of the same name in central Florence, region of Tuscany, Italy. Founded by the lay order of the Umiliati, the church was dedicated to all the saints and martyrs, known and unknown.

Matteo Rosselli Italian painter

Matteo Rosselli was an Italian painter of the late Florentine Counter-Mannerism and early Baroque. He is best known however for his highly populated grand-manner historical paintings.

Bernardino Lanini or Lanino was an Italian painter of the Renaissance period, active mainly in Milan.

Cesare Mariani Italian painter

Cesare Mariani was an Italian painter and architect of the late-19th century, active in Rome and Ascoli Piceno.

Aurelio Lomi Italian painter

Aurelio Lomi was an Italian painter of the late-Renaissance and early-Baroque periods, active mainly in his native town of Pisa, Tuscany.

Giovanni Giacomo Barbelli was an Italian painter of the Baroque period, active in Brescia.

San Bernardino (Verona)

San Bernardino is a church in Verona, northern Italy. The church, in Gothic style, was built from 1451 to 1466.

Giotto Italian painter and architect

Giotto di Bondone, known mononymously as Giotto and Latinised as Giottus, was an Italian painter and architect from Florence during the Late Middle Ages. He worked during the Gothic/Proto-Renaissance period.

Meo di Pero, also called Meo di Piero was an Italian painter active in Siena in a Gothic style. He worked in the studio of Cristoforo di Bindoccio. All the latter paintings are generally co-attributed to Meo, since no independent work is known.