Tiberio di Tito (1573–1627) was an Italian painter. He was born in Florence. He was the son and pupil of the late-Mannerist painter Santi di Tito. He specialized in portrait painting, including small pencil portraits, on which he was much employed by Cardinal Leopoldo de' Medici.
Pompeo Girolamo Batoni was an Italian painter who displayed a solid technical knowledge in his portrait work and in his numerous allegorical and mythological pictures. The high number of foreign visitors travelling throughout Italy and reaching Rome during their "Grand Tour" made the artist specialize in portraits. Batoni won international fame largely thanks to his customers, mostly British of noble origin, whom he portrayed, often with famous Italian landscapes in the background. Such Grand Tour portraits by Batoni were in British private collections, thus ensuring the genre's popularity in Great Britain. One generation later, Sir Joshua Reynolds would take up this tradition and become the leading English portrait painter. Although Batoni was considered the best Italian painter of his time, contemporary chronicles mention his rivalry with Anton Raphael Mengs.
Antonello da Messina, properly Antonello di Giovanni di Antonio, but also called Antonello degli Antoni and Anglicized as Anthony of Messina, was an Italian painter from Messina, Sicily, active during the Early Italian Renaissance. His work shows strong influences from Early Netherlandish painting although there is no documentary evidence that he ever travelled beyond Italy. Giorgio Vasari credited him with the introduction of oil painting into Italy. Unusually for a south Italian artist of the Renaissance, his work proved influential on painters in northern Italy, especially in Venice.
Tito Schipa was an Italian tenor, considered the greatest tenore di grazia and one of the most popular tenors of the century.
Francesco Hayez was an Italian painter, the leading artist of Romanticism in mid-19th-century Milan, renowned for his grand historical paintings, political allegories, and exceptionally fine portraits.
Lorenzo di Credi was an Italian Renaissance painter and sculptor, known for his paintings on religious subjects. He first influenced Leonardo da Vinci and then in turn was greatly influenced by him.
Santi di Tito was one of the most influential and leading Italian painters of the proto-Baroque style – what is sometimes referred to as "Counter-Maniera" or Counter-Mannerism.
Agnolo di Cosimo, usually known as Bronzino or Agnolo Bronzino, was an Italian Mannerist painter from Florence. His sobriquet, Bronzino, may refer to his relatively dark skin or reddish hair.
Lorenzo Lippi was an Italian painter and poet.
Bernardino Poccetti, also known as Barbatelli, was an Italian Mannerist painter and printmaker of etchings.
The year 1573 in art involved some significant events and new works.
Events from the year 1602 in art.
Events from the year 1627 in art.
The year 1593 in art involved some significant events and new works.
Events from the year 1603 in art.
Andrea Boscoli was an Italian painter of the Renaissance.
The year 1536 in art involved some significant events and new works.
Ettore Tito was an Italian artist particularly known for his paintings of contemporary life and landscapes in Venice and the surrounding region. He trained at the Accademia di Belle Arti in Venice and from 1894 to 1927 was the Professor of Painting there. Tito exhibited widely and was awarded the Grand Prize in painting at the 1915 Panama–Pacific International Exposition in San Francisco. In 1926 he was made a member of the Royal Academy of Italy. Tito was born in Castellammare di Stabia in the province of Naples and died in Venice, the city which was his home for most of his life.
Baldassare Estense was an Italian painter.
Francesco Tito was an Italian painter, mainly of portraits and genre scenes in a Neoclassic style.
Tito Conti was an Italian painter, mainly of genre costume or historical subjects.
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