Tide | ||||
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Studio album by | ||||
Released | Early November 1970 [1] | |||
Recorded | March 16, April 23-24 and 29, 1970 May 8, 20 and 22, 1970 | |||
Studio | Van Gelder Studio, Englewood Cliffs | |||
Genre | Jazz, bossa nova | |||
Length | 35:49original LP 57:00 CD reissue | |||
Label | A&M SP 3031 | |||
Producer | Creed Taylor | |||
Antônio Carlos Jobim chronology | ||||
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Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Tide is the sixth album by Antônio Carlos Jobim, released in 1970 on A&M Records and arranged by Deodato.
All tracks written by Antônio Carlos Jobim except where noted.
Bonus tracks on CD reissue
Strings
Antônio Carlos Brasileiro de Almeida Jobim, also known as Tom Jobim, was a Brazilian composer, pianist, songwriter, arranger and singer. Widely considered as one of the great exponents of Brazilian music, Jobim internationalized bossa nova and, with the help of important American artists, merged it with jazz in the 1960s to create a new sound with remarkable popular success. As such he is sometimes known as the "father of bossa nova".
Eumir Deodato de Almeida is a Brazilian pianist, composer, arranger, and record producer, primarily in jazz but who has been known for his eclectic melding of genres, such as pop, rock, disco, rhythm and blues, classical, Latin and bossa nova.
The Composer of Desafinado, Plays is the first album by Antônio Carlos Jobim. Released in 1963, the album features a dozen instrumentals arranged by Claus Ogerman, whose work would mark the beginning of a lifelong musical relationship with Jobim. Of these twelve songs, nearly all of them are jazz standards. The opening track "The Girl from Ipanema" is believed to be the second most recorded song in history behind The Beatles' "Yesterday," and a recording of the song by Astrud Gilberto and Stan Getz became a worldwide hit in 1964.
Love, Strings and Jobim is a 1966 album by various Brazilian artists who play new Brazilian songs by various composers. Because Antonio Carlos Jobim is pictured on the cover and mentioned in the title, he has been and continues to be credited to be the performing artist on the album. Jobim does not appear on the album except as a composer. The original Brazilian title of this album is "Tom Jobim Apresenta" and it appeared on the Elenco label.
Wave is the fifth studio album by Brazilian jazz musician Antônio Carlos Jobim, released in 1967 on A&M Records. Recorded in the US with American musicians, it peaked at number 114 on the Billboard 200 chart, as well as number 5 on the Jazz Albums chart.
Stone Flower is the sixth studio album by Antônio Carlos Jobim. Recorded in March, April, and May 1970 by Rudy Van Gelder at Van Gelder Studios and produced by Creed Taylor, the album was released in 1970 on CTI Records.
Jobim is the self-titled seventh album by Antônio Carlos Jobim. It was released in 1973. In Brazil, it was released as Matita Perê without the additional English version of Águas de Março.
Urubu is the tenth album by Antônio Carlos Jobim.
Deodato 2 is a 1973 album of Brazilian keyboardist Eumir Deodato. It features noted session guitarist John Tropea on 4 tracks and virtuoso bassist Stanley Clarke on one song, "Skyscrapers". His version of George Gershwin's "Rhapsody in Blue" was used in Pontiac commercials during the early-1970s. The song reached #48 in Canada in 1973.
Cannonball's Bossa Nova is a 1962 album by jazz musician Julian "Cannonball" Adderley. First released on Riverside in 1963, the album was reissued on Capitol Records several times with different covers and titles.
Prelude is the eighth studio album by Brazilian keyboardist Eumir Deodato, released in 1973. With the signature track "Also Sprach Zarathustra (2001)", Prelude would become the most successful recording for Deodato and CTI Records.
The Return of the Prodigal Son is an album by jazz saxophonist Stanley Turrentine consisting of two sessions recorded for the Blue Note label in 1967 and arranged by Duke Pearson featuring McCoy Tyner.
I Don't Care Who Knows It is an album by American pianist and arranger Duke Pearson featuring performances recorded between 1968 and 1970. The album was released on the Blue Note label in 1996.
Hi-Fly is a studio album by American jazz pianist Horace Parlan, featuring performances recorded in 1978 and released on the Danish-based SteepleChase label. The album was produced using direct to disc recording and the CD reissue included alternate takes of all six tracks.
I Love Brazil! is a 1977 studio album by Sarah Vaughan, accompanied by prominent Brazilian musicians Milton Nascimento, Dori Caymmi and Antônio Carlos Jobim.
Gilberto with Turrentine is an album by Brazilian samba and bossa nova singer Astrud Gilberto and American saxophonist Stanley Turrentine featuring performances recorded in 1971 released on the CTI label.
Bossa Nova: New Brazilian Jazz is an album by Argentine composer, pianist and conductor Lalo Schifrin recorded in 1962 and released on the Audio Fidelity label. The album was released during the height of the popularity of bossa nova music in the early 1960s and was one of Schifrin's earliest solo albums after leaving Dizzy Gillespie's band.
Big Band Bossa Nova is a 1962 album by saxophonist Stan Getz with the Gary McFarland Orchestra. The album was arranged and conducted by Gary McFarland and produced by Creed Taylor for Verve Records. This was Stan's second bossa nova album for Verve following Jazz Samba, his very successful collaboration with guitarist Charlie Byrd.
This is a list of published recordings of Antônio Carlos Jobim.
Do the Bossa Nova with Herbie Mann is an album by American jazz flautist Herbie Mann recorded in 1962 for the Atlantic label.