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Nueva canción is a left-wing social movement and musical genre in Latin America and the Iberian peninsula, characterized by folk-inspired styles and socially committed lyrics. Nueva canción is widely recognized to have played a profound role in the pro-democracy social upheavals in Portugal, Spain and Latin America during the 1970s and 1980s, and was popular amongst socialist organizations in the region.
Víctor Lidio Jara Martínez was a Chilean teacher, theater director, poet, singer-songwriter and communist political activist. He developed Chilean theater by directing a broad array of works, ranging from locally produced plays to world classics, as well as the experimental work of playwrights such as Ann Jellicoe. He also played a pivotal role among neo-folkloric musicians who established the Nueva Canción Chilena movement. This led to an uprising of new sounds in popular music during the administration of President Salvador Allende.
Quilapayún are a folk music group from Chile and among the longest lasting and most influential ambassadors of the Nueva Canción Chilena movement and genre. Formed during the mid-1960s, the group became inseparable with the revolution that occurred in the popular music of the country under the Popular Unity Government of Salvador Allende.
Eduardo Guillermo Carrasco Pirard is a Chilean musician, university professor of philosophy, author, and one of the founders of the Chilean folk music group Quilapayún - and the group's musical director from 1969 to 1989.
Los Miserables is a Chilean punk rock band formed in the early 1990s shortly after the demise of the military regime of Augusto Pinochet. The band is known for its songs charged with strong left-wing political ideas and anti-establishment commentary. The band has clearly presented itself as activist in its work with major participation in political events, international charity concerts, human rights events, and volunteer work in impoverished Chilean communities. The band has modeled itself in some ways after the famed Chilean band Los Prisioneros, who left a void after their initial break-up in 1990.
Quilapayún is the self-titled debut album released by the Chilean musical group Quilapayún in 1966.
Santa María de Iquique, cantata popular is a cantata composed in 1969 by the Chilean composer Luis Advis Vitaglich, combining elements of both classical and folkloric/indigenous musical traditions to produce what became known as a popular cantata and one of Quilapayún’s most acclaimed and popular music interpretation. The theme of the cantata is a historical industrial dispute that ended with the massacre of miners in the northern Chilean city of Iquique in 1907. The reading is impeccably executed by the Chilean actor Hector Duvauchelle, who captures the increasingly tense struggle between the miners and their exploiters in the narrative. Instrumental interludes and songs empower the progression of the story leading to a final song which voices the miners demand for an end to exploitation with visions of an egalitarian and free world.
Pongo en tus manos abiertas is the fourth studio album recorded by the Chilean singer-songwriter Víctor Jara with musicians from Quilapayún in June, 1969. It was the third album released by the DICAP record label.
Guillermo "Willy" Oddó Parraguez was a Chilean musician and engineer known as a leading vocalist in the Chilean folk music ensemble, Quilapayún between 1967 and 1987.
Rodolfo Parada Lillo is a Chilean musician, composer, engineer and anthropologist. Parada joined Quilapayún in 1968, which made the group into a sextet - the formation which recorded the “Cantata Santa María de Iquique. Upon joining the group he became the major solo voice of the ensemble (e.g. in “Dicen que la patria es…”, “Por que los pobres no tienen”, “Plegaria a un labrador”, “Vamos mujer”. A fan of the “chanson française” he decided to reduce his activity as a student leader while the group was at its popularity peak during the Salvador Allende Government. He first composed “Ausencia” for the group in their “Quilapayún 5” album with assistance from Eduardo Carrasco.
¡El Pueblo Unido Jamás Será Vencido! is a music album released by the Chilean folk group Quilapayún in 1975.
Canciones folklóricas de América, is the third studio album by Víctor Jara, and Quilapayún in 1968, on the label EMI Odeon. Jara for the album sales, received his first silver album. The album cover that shows a peaceful and colorful design of birds in the jungle, was designed by the Larrea brothers.
"Arriba en la Cordillera" is a song by the Chilean singer-songwriter Patricio Manns released as single in 1965 and included in the 1966 album "Entre Mar y Cordillera".
Patricio Castillo is a Chilean musician and former member of the Chilean folk music group Quilapayún.
Rafael Manríquez was a Chilean journalist, singer, guitarist, composer and producer born in Santiago.
Manifiesto is the ninth solo studio album from Chilean songwriter Víctor Jara. It was edited after his death, using as a base the songs written for the album Tiempos que cambian , that was left unfinished.
Nueva canción chilena was a movement and genre of Chilean music incorporating strong political and social themes, taking influences from traditional or folk music of Chile. The movement was to spread throughout Latin America during the 1960s and 1970s, in what is called "Nueva canción" sparking the renewal in traditional folk music and playing a key role in political movements in the region.
María Francesca Ancarola Saavedra is a Chilean singer and songwriter. Ancarola's musical style is a mix of folk and jazz, with social justice themes, and she is considered a part of the Chilean New Song movement.
La Nueva Canción Chilena was the second album recorded in exile in Italy by Inti-Illimani in 1974. It is their first album known also with a progressive numeration linked with the band name, in this case Inti-Illimani 2.
El derecho de vivir en paz is the sixth official single released by Chilean singer-songwriter Víctor Jara as a solo artist. It was written by Jara in 1969, as he worked in the "Vietrock" play by Megan Terry. The song was released in 1971 by the Jota Jota label and was included in the El derecho de vivir en paz album, released later that year.
References
- ↑ ":::::: L e t r a s d e C h i l e :::::: - Antonio Larrea: El fotógrafo de la Nueva Canción Chilena". Archived from the original on 2012-04-26. Retrieved 2011-12-28.
- ↑ "Tiempos que cambian (Víctor Jara) [1974]".
- ↑ "Archived copy" (PDF). Archived from the original (PDF) on 2012-04-26. Retrieved 2012-01-03.
{{cite web}}: CS1 maint: archived copy as title (link) - ↑ "Diario la Nación - noticias de Chile y el mundo - Carátulas con fundamento". Archived from the original on 2016-03-04. Retrieved 2012-01-03.
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