Highway 61 Revisited is the sixth studio album by American singer-songwriter Bob Dylan, released on August 30, 1965, by Columbia Records. Dylan continued the musical approach of his previous album Bringing It All Back Home (1965), using rock musicians as his backing band on every track of the album in a further departure from his primarily acoustic folk sound, except for the closing track, the 11-minute ballad "Desolation Row". Critics have focused on the innovative way Dylan combined driving, blues-based music with the subtlety of poetry to create songs that captured the political and cultural chaos of contemporary America. Author Michael Gray has argued that, in an important sense, the 1960s "started" with this album.
"Desolation Row" is a 1965 song by the American singer-songwriter Bob Dylan. It was recorded on August 4, 1965, and released as the closing track of Dylan's sixth studio album, Highway 61 Revisited. The song has been noted for its length (11:21) and surreal lyrics in which Dylan weaves characters into a series of vignettes that suggest entropy and urban chaos.
"Blind Willie McTell" is a song written and performed by American singer-songwriter Bob Dylan. Named for the blues singer of the same name, the song was recorded in the spring of 1983, during the sessions for Dylan's album Infidels; however, it was ultimately left off the album and did not receive an official release until 1991, when it appeared on The Bootleg Series Volumes 1–3 1961–1991. It was also later anthologized on Dylan (2007).
Infidels is the twenty-second studio album by American singer-songwriter Bob Dylan, released on October 27, 1983, by Columbia Records.
"Tangled Up in Blue" is a song by American singer-songwriter Bob Dylan, which was released as the opening track on his 15th studio album Blood on the Tracks (1975). The song was written by Dylan and produced by David Zimmerman, Dylan's brother. Released as a single, it reached No. 31 on the Billboard Hot 100. The song concerns relationships and contains different narrative perspectives. Dylan has altered the lyrics in subsequent performances, changing the point of view and details in the song.
"Visions of Johanna" is a song written and performed by Bob Dylan on his 1966 album Blonde on Blonde. Several critics have acclaimed "Visions of Johanna" as one of Dylan's highest achievements in writing, praising the allusiveness and subtlety of the language. Rolling Stone included "Visions of Johanna" on their list of the 500 Greatest Songs of All Time. In 1999, Sir Andrew Motion, Poet Laureate of the United Kingdom, listed it as the greatest song lyric ever written.
Shot of Love is the twenty-first studio album by American singer-songwriter Bob Dylan, released on August 12, 1981, by Columbia Records. It is considered to be Dylan's last of a trilogy of Christian albums. Arrangements are rooted more in rock, and less in gospel than Dylan's two previous albums.
Empire Burlesque is the twenty-third studio album by American singer-songwriter Bob Dylan, released on June 10, 1985 on Columbia Records. Self-produced, the album peaked at No. 33 in the U.S. and No. 11 in the UK.
Under the Red Sky is the twenty-seventh studio album by American singer-songwriter Bob Dylan, released on September 10, 1990, by Columbia Records. It was produced by Don Was, David Was, and Dylan.
The Bootleg Series Vol. 5: Bob Dylan Live 1975, The Rolling Thunder Revue is a live album by Bob Dylan released by Columbia Records in 2002. The third installment in the ongoing Bob Dylan Bootleg Series on Legacy Records, it documents the Rolling Thunder Revue led by Dylan prior to the release of the album Desire. Until the release of this album, the only official live documentation of the Rolling Thunder Revue was Hard Rain, recorded during the less critically well received second leg of the tour.
Bob Dylan is an American singer-songwriter. Generally regarded as one of the greatest songwriters ever, Dylan has been a major figure in popular culture over his 60-year career. He rose to prominence in the 1960s, when his songs "Blowin' in the Wind" (1963) and "The Times They Are a-Changin'" (1964) became anthems for the civil rights and antiwar movements. Initially modeling his style on Woody Guthrie's folk songs, Robert Johnson's blues, and what he called the "architectural forms" of Hank Williams's country songs, Dylan added increasingly sophisticated lyrical techniques to the folk music of the early 1960s, infusing it "with the intellectualism of classic literature and poetry". His lyrics incorporated political, social, and philosophical influences, defying pop music conventions and appealing to the burgeoning counterculture.
"Ain't Talkin" is a song written and performed by the American singer-songwriter Bob Dylan, appearing as the tenth and final track on his 2006 album Modern Times. As with most of Dylan's 21st century output, he produced the song himself under the pseudonym Jack Frost.
"You're a Big Girl Now" is a song by Bob Dylan, released on his 15th studio album, Blood on the Tracks, in 1975. It is one of five songs on the album that Dylan initially recorded in New York City in September 1974 and then re-recorded in Minneapolis in December that year. The latter recording, made on December 27, 1974, became the album track.
"When the Ship Comes In" is a folk music song by Bob Dylan, released on his third album, The Times They Are a-Changin', in 1964.
"Watching the River Flow" is a blues rock song by American singer Bob Dylan. Produced by Leon Russell, it was written and recorded during a session in March 1971 at the Blue Rock Studio in New York City. The collaboration with Russell formed in part through Dylan's desire for a new sound—after a period of immersion in country rock music—and for a change from his previous producer.
The Bootleg Series Vol. 9: The Witmark Demos: 1962–1964 is a compilation album by American singer-songwriter Bob Dylan, containing demo recordings he made for his first two publishing companies, Leeds Music and M. Witmark & Sons, from 1962 to 1964. The seventh installment of the ongoing Bob Dylan Bootleg Series, it was released on October 19, 2010 on Legacy Records.
"Santa-Fe" is a song that was recorded by Bob Dylan and the Band in the summer or fall of 1967 in West Saugerties, New York. It was recorded during the sessions that would in 1975 be released on The Basement Tapes but was not included on that album. These sessions took place in three phases throughout the year, at a trio of houses, and "Santa-Fe" was likely put on tape in the second of these, at a home of some of the Band members, known as Big Pink. The composition, which has been characterized as a "nonsense" song, was copyrighted in 1973 with lyrics that differ noticeably from those on the recording itself.
"Heart of Mine" is a song by Bob Dylan that appeared on his 1981 album Shot of Love. Recorded on May 15, 1981, it was released as a single, and reached No. 8 in Norway. A live version of the composition was released on Biograph in 1985.
"On a Night Like This" is a song written by Bob Dylan and recorded in November 1973. It first appeared on Dylan's 14th studio album, Planet Waves, as the opening track. It was also released as the lead single from the album and reached #44 on the Billboard Hot 100 The song later appeared on several Dylan compilation albums including Biograph, in 1985, and Dylan, in 2007.
"Wigwam" is a song by Bob Dylan that was released on his 1970 album Self Portrait. It was a hit single that reached the Top 10 in several countries worldwide. The song's basic track, including "la-la" vocals, was recorded in early March 1970 in New York City. Later that month, producer Bob Johnston had brass instrument overdubs added to the track; these were recorded in Nashville, Tennessee at a session without Dylan present.
