Historically, a kiosk was a small garden pavilion open on some or all sides common in Persia, the Indian subcontinent, and in the Ottoman Empire from the 13th century onward. Today, several examples of this type of kiosk still exist in and around the Topkapı Palace in Istanbul, and they can be seen in Balkan countries.
The Topkapı Palace, or the Seraglio, is a large museum and library in the east of the Fatih district of Istanbul in Turkey. From the 1460s to the completion of Dolmabahçe Palace in 1856, it served as the administrative center of the Ottoman Empire, and was the main residence of its sultans.
The Süleymaniye Mosque is an Ottoman imperial mosque located on the Third Hill of Istanbul, Turkey. The mosque was commissioned by Suleiman the Magnificent and designed by the imperial architect Mimar Sinan. An inscription specifies the foundation date as 1550 and the inauguration date as 1557, although work on the complex probably continued for a few years after this.
The Rüstem Pasha Mosque is an Ottoman mosque located in the Hasırcılar Çarşısı in the Tahtakale neighborhood of the Fatih district of Istanbul, Turkey, near the Spice Bazaar. Named after Rüstem Pasha, who served as Grand Vizier of the Ottoman Empire under Sultan Suleiman I, it was designed by the Ottoman imperial architect Mimar Sinan and completed in around 1563.
The Selimiye Mosque is an Ottoman imperial mosque, located in the city of Edirne, Turkey. It was commissioned by Sultan Selim II and was built by the imperial architect Mimar Sinan between 1568 and 1575. It was considered by Sinan to be his masterpiece and is one of the highest achievements of Islamic architecture as a whole and Ottoman architecture in particular.
Ottoman architecture is an architectural style or tradition that developed under the Ottoman Empire over a long period, undergoing some significant changes during its history. It first emerged in northwestern Anatolia in the late 13th century and developed from earlier Seljuk Turkish architecture, with influences from Byzantine and Iranian architecture along with other architectural traditions in the Middle East. Early Ottoman architecture experimented with multiple building types over the course of the 13th to 15th centuries, progressively evolving into the classical Ottoman style of the 16th and 17th centuries. This style was a mixture of native Turkish tradition and influences from the Hagia Sophia, resulting in monumental mosque buildings focused around a high central dome with a varying number of semi-domes. The most important architect of the classical period is Mimar Sinan, whose major works include the Şehzade Mosque, Süleymaniye Mosque, and Selimiye Mosque. The second half of the 16th century also saw the apogee of certain Ottoman decorative arts, most notably in the use of Iznik tiles.
Turkish art refers to all works of visual art originating from the geographical area of what is present day Turkey since the arrival of the Turks in the Middle Ages. Turkey also was the home of much significant art produced by earlier cultures, including the Hittites, Ancient Greeks, and Byzantines. Ottoman art is therefore the dominant element of Turkish art before the 20th century, although the Seljuks and other earlier Turks also contributed. The 16th and 17th centuries are generally recognized as the finest period for art in the Ottoman Empire, much of it associated with the huge Imperial court. In particular the long reign of Suleiman the Magnificent from 1520 to 1566 brought a combination, rare in any ruling dynasty, of political and military success with strong encouragement of the arts.
Iznik pottery, or Iznik ware, named after the town of İznik in Anatolia where it was made, is a decorated ceramic that was produced from the last quarter of the 15th century until the end of the 17th century. Turkish stylization is a reflection of Chinese porcelain.
Gülhane Park is a historical urban park in the Eminönü district of Istanbul, Turkey; it is adjacent to and on the grounds of the Topkapı Palace. The south entrance of the park sports one of the larger gates of the palace. It is the oldest and one of the most expansive public parks in Istanbul.
The Şehzade Mosque is a 16th-century Ottoman imperial mosque located in the district of Fatih, on the third hill of Istanbul, Turkey. It was commissioned by Suleiman the Magnificent as a memorial to his son Şehzade Mehmed who died in 1543. It is sometimes referred to as the "Prince's Mosque" in English. The mosque was one of the earliest and most important works of architect Mimar Sinan and is one of the signature works of Classical Ottoman architecture.
The Pearl Kiosk was a mansion directly located at the banks of the Bosphorus and served as a pleasure building for the Ottoman sultan. It was built in 1590 by the grand vizier Koca Sinan Pasha.
The Yavuz Selim Mosque, also known as the Selim I Mosque and the Yavuz Sultan Selim Mosque is a 16th-century Ottoman imperial mosque located at the top of the 5th hill of Istanbul, Turkey, in the neighborhood of Çukurbostan, overlooking the Golden Horn. Its size and geographic position make it a familiar landmark on the Istanbul skyline.
Sokollu Mehmed Pasha Mosque is a 16th-century Ottoman mosque in the Kadırga neighborhood in Fatih district, Istanbul, Turkey. It was commissioned jointly by the grand vizier Sokollu Mehmed Pasha and his wife İsmihan Sultan. It was designed by the imperial architect Mimar Sinan and completed in 1571/2. The mosque is noted for the fine quality of the Iznik tiles that decorate the interior walls.
The Kara Ahmed Pasha Mosque or Gazi Ahmed Pasha Mosque is a 16th-century Ottoman mosque near the city walls in Istanbul, Turkey. It was designed by the imperial architect Mimar Sinan and completed in around 1572.
Al-Adiliyah Mosque or Dukaginzâde Mehmed Pasha mosque was a külliye in Aleppo, located to the southwest of the Citadel, in "Al-Jalloum" district of the ancient city, few meters away from Al-Saffahiyah mosque. The mosque was endowed by the Dukakinzade Mehmed Pasha in 1556. Dukakinzade Mehmed Pasha was the Albanian-Ottoman governor-general of Aleppo from 1551 until 1553 when he was appointed as governor-general of Egypt. He died in 1557 and the mosque was not completed until 1565-66. It was considered one of the oldest mosques of the Ottoman period in Aleppo after the Khusruwiyah Mosque.
The Piyale Pasha Mosque, also known as the Tersane Mosque, is a 16th-century Ottoman mosque located in the Kasımpaşa neighborhood of the Beyoğlu district in Istanbul, Turkey.
Behram Pasha Mosque is a 16th-century Ottoman mosque located in the town of Diyarbakır in southeast Turkey. It was commissioned by the Ottoman governor-general Behram Pasha.
Saz style is a style of vegetal ornament and an associated art style from the 16th-century Ottoman Empire.
Early Ottoman architecture corresponds to the period of Ottoman architecture roughly up to the 15th century. This article covers the history of Ottoman architecture up to the end of Bayezid II's reign, prior to the advent of what is generally considered "classical" Ottoman architecture in the 16th century. Early Ottoman architecture was a continuation of earlier Seljuk and Beylik architecture while also incorporating local Byzantine influences. The new styles took shape in the capital cities of Bursa and Edirne as well as in other important early Ottoman cities such as Iznik. Three main types of structures predominated in this early period: single-domed mosques, "T-plan" buildings, and multi-domed buildings. Religious buildings were often part of larger charitable complexes (külliyes) that included other structures such as madrasas, hammams, tombs, and commercial establishments.
Decoration in Ottoman architecture takes on several forms, the most prominent of which include tile decoration, painted decoration, and stone carving. Beginning in the 14th century, early Ottoman decoration was largely a continuation of earlier Seljuk styles in Anatolia as well as other predominant styles of decoration found in Islamic art and architecture at the time. Over the course of the next few centuries, a distinctive Ottoman repertoire of motifs evolved, mostly floral motifs, such as rumî, hatayî, and saz styles. Calligraphic inscriptions, most characteristically in a thuluth script, were also a mainstay. From the 18th century onward, this repertoire became increasingly influenced by Western European art and architecture and went as far as directly borrowing techniques and styles from the latter.
