Related Research Articles
José Sabogal was a Peruvian painter and muralist who was "the most renowned early supporter" and thus a leader in the artistic indigenist movement of his country. As Daniel Balderston, Mike Gonzalez, and Ana M. López assert, Sabogal "became Peru's militant indigenist and aesthetic nationalist, and led this movement for the next thirty years.
Peruvian art has its origin in the Andean civilizations. These civilizations rose in the territory of modern Peru before the arrival of the Spanish.
María de Mater O'Neill is a Puerto Rican artist, designer and educator.
Darío Escobar is a Guatemalan artist.
Cundo Bermúdez, born Secundino (Cundo) Bermúdez y Delgado, was a Cuban painter. Born in Havana, Cuba, he died of a heart attack in his Westchester home on October 30, 2008.
Saidel Brito is a prominent Cuban artist specializing in drawing, sculpture, installation and photography.
Gastón Ugalde is considered the father of contemporary bolivian art and was the recipient of the prestigious Konex Award in 2002 along with Oscar Niemeyer. Ugalde was named "the most important living Bolivian artist" by the Konex Foundation in Argentina and was also referred to as the "Andean Warhol" by art critics. Ugalde was also known as "the enfant terrible" of the Bolivian Art Scene.
Jorge Piqueras was a visual artist born in Peru and with Peruvian and Spanish nationality. Jorge Piqueras is recognized as one of the most important Peruvian artists of the twentieth century. Among contemporary Latin American artists, he stands out as a pioneer in geometric painting, as well as for his distinctive sculptural production. Piqueras’ work covers a wide range of materials and media, including sculpture, painting, collage, photography and assemblage.
Lilia Carrillo García was a Mexican painter from the Generación de la Ruptura, which broke with the Mexican School of Painting of the early 20th century. She was trained in the traditional style but her work began to evolve away from it after studying in Paris in the 1950s. While she and husband abstract artist Manuel Felguérez struggled to get their work accepted, even selling Mexican handcrafts and folk art to survive, she eventually had her canvas work exhibited at large venues in Mexico City and various cities in the world. Her work was part of the inaugural exhibition of the Museo de Arte Moderno in Mexico City in 1964. After her death in 1974, her work received honors from the Palacio de Bellas Artes and has been exhibited in various venues.
Antonio García Vega is a Mexican artist and member of the Salón de la Plástica Mexicana. He began exhibiting his work while still in school in the early 1970s and continues to do so, often working with his brother Mauricio García Vega. He works in mixed media to paint various forms of expression. His early work was mostly fantastic, with elements of eroticism but his later work has been darker as a means of expressing his own feelings and moods. His work has mostly been exhibited in Mexico, often in conjunction with other artists including a 2010 exhibition with his brother at various venues.
Olga Dondé was a Mexican artist involved in various fields but best known her still life pieces. She was a self-taught painter, who worked for two years until she decided to enter works in a show in 1968. From then she had about 100 showings of her work, including more than forty individual exhibitions in Mexico, the United States, South Americana and Europe. She also founded artistic organizations, an art gallery and a publishing house. Dondé’s work was recognized by admission in the Salón de la Plástica Mexicana, among other honors and her work continues to be shown and honored after her death.
Herlinda Sánchez Laurel was a Mexican artist and art professor at the Universidad Nacional Autónoma de México. Her career has been recognized by membership in the Salón de la Plástica Mexicana, and awards from the state of Baja California, the Palacio de Bellas Artes and the International Coordination of Women in Art among others.
María Teresa Burga Ruiz was a multimedia artist whose conceptual art works during the late 1960s and 1970s position her as a precursor of media art, technology-based art, and installation art in Peru.
Bernardo Rivero Arenazas was born in 1889 in Callao, Peru and died in Lima in 1965. He is considered one of the greatest Peruvian painters of the early 20th century and one of the pioneers of Peruvian painting. The Law and Political Science Faculty of the Universidad de San Martín de Porres includes Rivero as part of the great masters of the Peruvian painted art and states that between 1890 and 1935 a generation of painters was born, distinguished for their great versatility in the aesthetic field.
Teobaldo Nina Mamani is a painter and teacher. Originally from Moquegua, Peru, Nina attended school at Esc. Bellas Artes in Lima under the tutelage of Ángel Cuadros. Nina has won multiple awards for his work, including but not limited to Premio de Dibujo de Esc. Bellas Artes. Segundo Premio Mitchell y Cía. Mención Honrosa and X Concurso Nacional de Artistas Jóvenes ICPNA.
Cecilia Paredes is a Peruvian-born multimedia artist residing in Philadelphia. Her primary themes include the power of nature, femininity, and migration, which have been subjects of many of her shows. She frequently utilizes natural elements, often recycled waste materials and primarily organic ones, in her installations. One of her best-known works is "Paisajes" in which she camouflages herself and uses her own figure as a canvas for body painting.
Priscilla Monge is a Costa Rican artist. She is one of the best-known female artists from Central America.
Sonia Gutiérrez is an artist specializing in drawings, oil paintings, and print making. Her artwork is known for focusing on issues and events occurring in Colombia, particularly as a response to the political climate during the 1970s. Because of the political tone she took in her art, she was exiled from Colombia in the mid 1990s.
Gloria Gómez-Sánchez (1921–2007), born Gloria Benvenuto Reffray de Gómez-Sánchez, was a Peruvian artist who formed part of the experimental scene in Lima during the late 1960s. Her practice moved through diverse trends and genres, including Pop art, informalism, happenings, and conceptual art.
Zenobia Galar is a Dominican painter.
References
- 1 2 3 4 Hillstrom, Laurie Collier; Hillstrom, Kevin (1999). Contemporary women artists. Detroit: St. James Press.
- ↑ "Latin American art | History, Artists, Works, & Facts – Postindependence, c. 1820–the present". Encyclopedia Britannica. Retrieved 2018-03-24.
- ↑ "Perfiles / Tilsa Tsuchiya Castillo | Asociación Peruano Japonesa". www.apj.org.pe (in Spanish). Retrieved 2018-03-24.
- ↑ Theran, Susan (1999-11-29). Leonard's Price Index of Latin American Art at Auction. Springer. ISBN 9781349150847.
- ↑ "Tsuchiya, Tilsa". Oxford Art Online: Benezit Dictionary of Artists. 31 October 2011. doi:10.1093/benz/9780199773787.article.B00185968 . Retrieved 14 April 2020.
- ↑ Scott, John F. "Latin American Art". Britannica Academic. Retrieved 14 April 2020.
- ↑ Encyclopedia of Latin American history and culture. Kinsbruner, Jay,, Langer, Erick Detlef (Second ed.). Detroit: Charles Scribner's Sons. 2008. ISBN 9780684315904. OCLC 232116446.
{{cite book}}: CS1 maint: others (link) - ↑ Marissa Del Toro. "Contesting Categories of the 'Fantastic' and 'Surreal': A Visual Reading of Tilsa Tsuchiya's and Francisco Toledo's Multidimensional and Complex Artistic Vision." M.A. thesis, University of Texas, San Antonio, 2016.
- ↑ Day, Holliday T.; Sturges, Hollister; Art, Indianapolis Museum of (1987). Art of the Fantastic: Latin America, 1920–1987. Indianapolis Museum of Art. ISBN 9780936260198.
- ↑ Latin American Women Artists: 1915–1995. Milwaukee Art Museum. 1994. ISBN 9780944110508.
