Time Further Out | ||||
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Studio album by | ||||
Released | November 1961 | |||
Recorded | May & June 1961 | |||
Genre | Cool jazz, West Coast jazz | |||
Length | 37:02 | |||
Label | Columbia/Legacy | |||
Producer | Teo Macero | |||
The Dave Brubeck Quartet chronology | ||||
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Review scores | |
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Source | Rating |
Allmusic | ![]() ![]() ![]() ![]() ![]() |
Down Beat (Original Lp release) | ![]() ![]() ![]() ![]() ![]() |
The Penguin Guide to Jazz Recordings | ![]() ![]() ![]() ![]() |
Time Further Out (subtitled Miró Reflections) is a jazz studio album by the Dave Brubeck Quartet released by Columbia Records in November 1961. It features the "classic" lineup of the quartet: pianist and leader Dave Brubeck, alto saxophonist Paul Desmond, bassist Eugene Wright, and drummer Joe Morello. The album was recorded by engineer Fred Plaut and produced by Teo Macero.
Time Further Out continues the Quartet's exploration of unusual time signatures that began on their 1959 album Time Out . The tracks are ordered by the number of beats per bar: "It's a Raggy Waltz" and "Bluette" are in 3
4; "Charles Matthew Hallelujah", a tribute to Brubeck's newborn son, is in 4
4; "Far More Blue" and "Far More Drums" are in 5
4; "Maori Blues" is in 6
4; "Unsquare Dance" is in 7
4; "Bru's Boogie Woogie" is in 8
8; and "Blue Shadows in the Street" is in 9
8. The time signature of each song is listed on the cover of the album (where they are referred to as "tempos").
Echoing its predecessor Time Out (whose cover featured a painting by S. Neil Fujita), Time Further Out also features a piece of abstract modern art on its cover, this time by the surrealist Catalan artist Joan Miró. The work depicted on the cover is Miró's 1925 painting Calculation. [4] In his liner notes, Brubeck says the album is a "jazz interpretation" of the painting, and was conceived as a "blues suite".
All pieces composed by Dave Brubeck.
Side one
Side two
In the United States, the album peaked at #8 on the Billboard 200. [5] On the Billboard Hot 100 singles chart, "Unsquare Dance" peaked at #74. [5]
David Warren Brubeck was an American jazz pianist and composer. Often regarded as a foremost exponent of cool jazz, Brubeck's work is characterized by unusual time signatures and superimposing contrasting rhythms, meters, and tonalities.
Paul Desmond was an American jazz alto saxophonist and composer and proponent of cool jazz. He was a member of the Dave Brubeck Quartet and composed that group's biggest hit, "Take Five".
Joseph Albert Morello was an American jazz drummer best known for serving as the drummer for pianist Dave Brubeck, as part of the Dave Brubeck Quartet, from 1957 to 1972, including during the quartet's "classic lineup" from 1958 to 1968, which also included alto saxophonist Paul Desmond and bassist Eugene Wright. Morello's facility for playing unusual time signatures and rhythms enabled that group to record a series of albums that explored them. The most notable of these was the first in the series, the 1959 album Time Out, which contained the hit songs "Take Five" and "Blue Rondo à la Turk". In fact, "Take Five", the album's biggest hit was specifically written by Desmond as a way to showcase Morello's ability to play in 5
4 time.
At Carnegie Hall is a jazz live album by the Dave Brubeck Quartet. It was recorded at the famed Carnegie Hall in New York City on Friday, February 22, 1963. Critic Thom Jurek described it as "one of the great live jazz albums of the 1960s". Critic Jim Santella wrote, "This is timeless music from a classic ensemble. Goosebumps are guaranteed."
"Take Five" is a jazz standard composed by Paul Desmond. It was first recorded in 1959 and is the third track on Time Out by the Dave Brubeck Quartet. Frequently covered by a variety of artists, the track is the biggest-selling jazz song of all time and a Grammy Hall of Fame inductee.
Time Out is a studio album by the American jazz group the Dave Brubeck Quartet, released in 1959 on Columbia Records. Recorded at Columbia's 30th Street Studio in New York City, it is based upon the use of time signatures that were unusual for jazz such as 9
8, 6
4 and 5
4. The album is a subtle blend of cool and West Coast jazz.
Triple metre is a musical metre characterized by a primary division of 3 beats to the bar, usually indicated by 3 (simple) or 9 (compound) in the upper figure of the time signature, with 3
4, 3
8 and 9
8 being the most common examples. The upper figure being divisible by three does not of itself indicate triple metre; for example, a time signature of 6
8 usually indicates compound duple metre, and similarly 12
8 usually indicates compound quadruple metre.
Christopher Brubeck is an American musician and composer, both in jazz and classical music. As a musician, he mainly plays bass guitar, bass trombone, and piano. The son of jazz pianist and composer Dave Brubeck, he joined his father and brothers Darius and Daniel in 1972 to form the New Brubeck Quartet. He later formed the Brubeck Brothers Quartet.
"Blue Rondo à la Turk" is a jazz standard composition by Dave Brubeck. It appeared on the album Time Out in 1959. It is written in 9
8 time, with one side theme in 4
4, and the choice of rhythm was inspired by the Turkish aksak time signatures. It was originally recorded by the Dave Brubeck Quartet with Dave Brubeck on piano, Paul Desmond on alto saxophone, Eugene Wright on bass, and Joe Morello on drums.
"Unsquare Dance" is a composition by jazz pianist Dave Brubeck that was released as a single in 1961. Included on Brubeck's album Time Further Out, the piece reached No. 93 on the Cash Box chart on December 16, 1961.
Take Five Live is a 1962 live album by American jazz singer Carmen McRae with pianist Dave Brubeck, focusing on interpretations of his songs. This was McRae's second album with Brubeck; their first, Tonight Only with the Dave Brubeck Quartet, was released in 1961.
Time Changes is a 1964 album by The Dave Brubeck Quartet, based upon the use of time signatures that were unusual in jazz music.
Bernstein Plays Brubeck Plays Bernstein is a 1961 studio album by The Dave Brubeck Quartet. Its title refers to the fact that it consists of both a Brubeck composition conducted by Leonard Bernstein and Bernstein compositions played by the Dave Brubeck Quartet. The title is also an echo of Dave Brubeck's 1956 solo debut album, Brubeck Plays Brubeck.
Time In is a 1966 studio album by Dave Brubeck, the last of Brubeck's 'Time' series.
Countdown—Time in Outer Space is a studio album released by the Dave Brubeck Quartet in 1962 on Columbia LP record CS 8575 (stereo) and CL 1775 (mono). The front cover features the 1959 painting Orange and Black Wall by Franz Kline. In Australia the album appeared on the Coronet label. It was re-released, for the first time in digital format, in 2004 as part of a compact disc collection titled Dave Brubeck: For All Time. It was again released as part of the box set The Dave Brubeck Quartet: the Columbia Studio Albums Collection 1955-1966. Both CD re-releases feature a bonus track titled "Fatha".
Brother, the Great Spirit Made Us All is a 1974 studio album by Dave Brubeck accompanied by his sons Darius, Chris and Dan.
Buried Treasures is a 1967 live album by Dave Brubeck and his quartet, recorded during their tour of Mexico. It was released in 1998. A second live album recorded on their tour, Bravo! Brubeck!, was released in July 1967.
Jazz: Red Hot and Cool is a jazz live album by The Dave Brubeck Quartet. It was recorded during one 1954 and two 1955 performances at the Basin Street East club in New York City. Released originally in 1955, this album was remastered and reissued in 2001, while adding two tracks that were not included in the original album.
Jazz Impressions of Eurasia is a studio album by pianist Dave Brubeck and his quartet recorded after, and inspired by, their 1958 world tour sponsored by the American state department during which they played 80 concerts in 14 countries, including Turkey, Iran, Iraq, India, Pakistan, and Afghanistan, over three months. In the liner notes to the album, Brubeck notes that "These sketches of Eurasia have been developed from random musical phrases I jotted down in my notebook as we chugged across the fields of Europe, or skimmed across the deserts of Asia, or walked in the alleyways of an ancient bazaar. ... I tried to create an impression of a particular locale by using some of the elements of their folk music within the jazz idiom." The album was recorded in July and August 1958 at the Columbia 30th St. Studios in New York.
Across Your Dreams: Frederica von Stade Sings Brubeck is a studio crossover album. It exists in two versions. The first, released by Crofut Productions in 1995, is a 63-minute CD performed by von Stade with Edward Arron, Frank Brown, Joel Brown, Chris Brubeck, Dan Brubeck, Bill Crofut and Mark Vinci. The second, released by Telarc in 1996, is a 58-minute CD performed by the same artists and von Stade's elder daughter, Jenny Elkus.