Tiempo de revancha | |
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![]() Spanish language theatrical poster | |
Directed by | Adolfo Aristarain |
Written by | Adolfo Aristarain |
Produced by | Héctor Olivera Luis O. Repetto |
Starring | Federico Luppi Haydée Padilla Julio De Grazia Ulises Dumont Aldo Barbero Enrique Liporace Arturo Maly Rodolfo Ranni |
Cinematography | Horacio Maira |
Edited by | Eduardo López |
Music by | Emilio Kauderer |
Production company | |
Distributed by | Aries Cinematográfica Argentina Televicine International |
Release date |
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Running time | 112 min. |
Country | Argentina |
Language | Spanish |
Tiempo de revancha (English language: Time for Revenge) is a 1981 Argentine crime drama film written and directed by Adolfo Aristarain and starring Federico Luppi, Julio De Grazia, Haydée Padilla and Ulises Dumont. It was produced by Héctor Olivera and Luis O. Repetto. The music was composed by Emilio Kauderer. The film premiered in Argentina on July 30, 1981, and won 10 awards, including the Silver Condor for Best Film and Best Film (ex aequo) in the Montréal World Film Festival. [1]
Tiempo de revancha is not only considered as a classic in Latin American cinema and a cult film, but also as a powerful allegory that deals directly with Argentina's last civil-military dictatorship, which was still ruling the country when it was released. [2]
It was selected as the fifth greatest Argentine film of all time in a poll conducted by the Museo del Cine Pablo Ducrós Hicken in 1984, while it ranked 9th in the 2000 edition. [3] In a new version of the survey organized in 2022 by the specialized magazines La vida util, Taipei and La tierra quema, presented at the Mar del Plata International Film Festival, the film reached the 3 position. [4]
Pedro Bengoa, an ex-union organizing demolition worker, and Bruno Di Toro, an old friend of his, decide to blackmail the corrupt company they work for. They set up a fake accident in a copper pit, in which Di Toro pretends to have been struck mute as a consequence of an explosion, and Pedro would corroborate his story. During the explosion things don't go as planned and Di Toro loses his life, leaving Pedro to continue the plan on his own, still pretending to be mute. However, when the company finally agrees to a financial settlement, Pedro refuses to accept; he now wants only justice, and his case goes to the courts. This event changes Pedro's life forever.
Adolfo Aristarain is an Argentine film director and screenwriter who is famous for his filmic sophistication and subtle examination of issues of political oppression. Variety has deemed him "a master filmmaker."
Federico Luppi was an Argentine-Spanish film, TV, radio and theatre actor. He won numerous awards throughout his acting career, including a Concha de Plata at the San Sebastian International Film Festival.
Such Is Life is a 1939 Argentine melodrama film directed by Francisco Múgica and starring Enrique Muiño, Elías Alippi, Enrique Serrano and Sabina Olmos. Based on a successful play by Nicolás de las Llanderas and Arnaldo Malfatti, it focuses on the history of a bourgeois family from Buenos Aires from the beginning of the 20th century to the present.
Ulises Dumont was a prolific Argentine film actor, credited with over 80 appearances in film and countless others in theatre and television from 1964 until his death in 2008.
Outside the Law is a 1937 Argentine thriller film directed and written by Manuel Romero. The film premiered on 12 May 1940 in the United States. The film starred José Gola, Luis Arata, Roberto Blanco, and Irma Córdoba
Autumn Sun is a 1996 Argentine drama film directed by Eduardo Mignogna and starring Norma Aleandro and Federico Luppi. It was written by Mignogna and Santiago Carlos Oves. Lita Stantic was the executive producer.
The Phantom Lady is a 1945 Argentine film directed by Luis Saslavsky. At the 1946 Argentine Film Critics Association Awards the film won Silver Condor Awards for Best Film, Best Director, Best Adapted Screenplay and Best Music. It is based on a seventeenth-century comedy with the same name by Pedro Calderón de la Barca, translated as The Phantom Lady. However, the film alters the play considerably - the plot is heavily rewritten, and the style of dialogue is completely changed. Calderon's comedy is written in verse, while the screenplay of the film is in prose and contains scenes not found in the play. The final scene includes a fierce storm from which the hero rescues the heroine and declares his love for her, a scene added to the film.
God Reward You is a 1948 Argentine drama film directed by Luis César Amadori and starring Arturo de Córdova and Zully Moreno. It won the Silver Condor Award for Best Film, given by the Argentine Film Critics Association in 1949 for the best picture of the previous year.
Los isleros is a 1951 Argentine film directed by Lucas Demare. It was entered into the 1951 Cannes Film Festival. It won the Silver Condor Award for Best Film.
The Hand in the Trap is a 1961 Argentine film directed by Leopoldo Torre Nilsson and starring Francisco Rabal, Elsa Daniel and Leonardo Favio. It was entered into the 1961 Cannes Film Festival, where it won the FIPRESCI Prize.
Este es el romance del Aniceto y la Francisca, de cómo quedó trunco, comenzó la tristeza y unas pocas cosas más…, or simply El Romance del Aniceto y la Francisca, is a 1967 Argentine romantic drama film directed and written by Leonardo Favio, based on the short story El cenizo by Jorge Zuhair Jury, Favio's older brother. The film stars Federico Luppi, Elsa Daniel, María Vaner and Edgardo Suárez.
A King and His Movie is a 1986 Argentine comedy drama film, directed by Carlos Sorín, and written by Sorín and Jorge Goldenberg. The movie features Ulises Dumont and Julio Chávez, among others.
A Place in the World is a 1992 drama film co-written, co-produced and directed by Adolfo Aristarain, and starring Federico Luppi. It stars José Sacristán, Federico Luppi, Leonor Benedetto and Cecilia Roth.
Sur (South) is a 1988 Argentine drama film written and directed by Fernando E. Solanas. The film features Susú Pecoraro, Miguel Ángel Solá, Philippe Léotard, Lito Cruz, Ulises Dumont among others.
Pajarito Gómez is a 1965 Argentine comedy film directed by Rodolfo Kuhn. It was entered into the 15th Berlin International Film Festival. It was also selected as the Argentine entry for the Best Foreign Language Film at the 38th Academy Awards, but was not accepted as a nominee. The film is a satire of the promotional machine behind the Argentine pop stars of the 1960s.
Tangos, the Exile of Gardel is an Argentine-French film released on 20 March 1986, directed by Fernando Solanas, starring Marie Laforêt, Miguel Ángel Solá and Philippe Leotard. The film was selected as the Argentine entry for the Best Foreign Language Film at the 59th Academy Awards, but was not accepted as a nominee.
Last Days of the Victim is a 1982 Argentine crime thriller film directed by Adolfo Aristarain and starring Federico Luppi. It was written by Aristarain and José Pablo Feinmann, and based on Feinmann's classic novel of the same name. The film was selected as the Argentine entry for the Best Foreign Language Film at the 55th Academy Awards, but was not accepted as a nominee.
His Best Student is a 1944 Argentine biographical drama film directed by Lucas Demare and starring Enrique Muiño and Ángel Magaña. It was released in Buenos Aires on 22 May 1944. The film won many awards, including the award for best film of the year.
Savage Pampas is a 1945 Argentine historical film directed by Lucas Demare and Hugo Fregonese and starring Francisco Petrone, Luisa Vehil and Domingo Sapelli. The film's sets were designed by Germán Gelpi. The film is set in the nineteenth century in the Dry Pampas, when it represented a frontier between Argentinian-controlled territory and areas still largely inhabited by Indians before the Conquest of the Desert extended Argentine control southwards. In 1966, Fregonese remade the film in English under the same title.
The 100 Greatest Films of Argentine Cinema, also known as the Survey of Argentine cinema, are a series of opinion polls carried out to establish a list of the greatest films of Argentine cinema of all time. The original survey was carried out by the Museo del Cine Pablo Ducrós Hicken in the years 1977, 1984, 1991 and 2000. In 2022, a new edition was held, organized by the film magazines La vida útil, Taipei and La tierra quema, with support from INCAA, the Mar del Plata International Film Festival, the FestiFreak International Film Festival of La Plata, the Casa de la Cultura of General Roca and the Museo del Cine Pablo Ducrós Hicken.