Roy Fox Lichtenstein was an American pop artist. During the 1960s, along with Andy Warhol, Jasper Johns, and James Rosenquist, he became a leading figure in the new art movement. His work defined the premise of pop art through parody. Inspired by the comic strip, Lichtenstein produced precise compositions that documented while they parodied, often in a tongue-in-cheek manner. His work was influenced by popular advertising and the comic book style. His artwork was considered to be "disruptive". He described pop art as "not 'American' painting but actually industrial painting". His paintings were exhibited at the Leo Castelli Gallery in New York City.
Keith Allen Haring was an American artist whose pop art emerged from the New York City graffiti subculture of the 1980s. His animated imagery has "become a widely recognized visual language". Much of his work includes sexual allusions that turned into social activism by using the images to advocate for safe sex and AIDS awareness. In addition to solo gallery exhibitions, he participated in renowned national and international group shows such as documenta in Kassel, the Whitney Biennial in New York, the São Paulo Biennial, and the Venice Biennale. The Whitney Museum held a retrospective of his art in 1997.
Josef Albers was a German-born artist and educator. The first living artist to be given a solo show at MoMA and at the Metropolitan Museum of Art in New York, he taught at the Bauhaus and Black Mountain College, headed Yale University's department of design, and is considered one of the most influential teachers of the visual arts in the twentieth century.
30 Rockefeller Plaza is a skyscraper that forms the centerpiece of Rockefeller Center in the Midtown Manhattan neighborhood of New York City. Completed in 1933, the 66-story, 850 ft (260 m) building was designed in the Art Deco style by Raymond Hood, Rockefeller Center's lead architect. 30 Rockefeller Plaza was known for its main tenant, the Radio Corporation of America (RCA), from its opening in 1933 until 1988 and then for General Electric until 2015, when it was renamed for its current owner, Comcast. The building also houses the headquarters and New York studios of television network NBC; the headquarters is sometimes called 30 Rock, a nickname that inspired an NBC sitcom of the same name. The tallest structure in Rockefeller Center, the building is the 28th tallest in New York City and the 60th tallest in the United States.
The Times Square–42nd Street station is a major New York City Subway station complex located under Times Square, at the intersection of 42nd Street, Seventh Avenue, and Broadway, in Midtown Manhattan. The complex allows free transfers between the IRT 42nd Street Shuttle, the BMT Broadway Line, the IRT Broadway–Seventh Avenue Line and the IRT Flushing Line, as well as to the IND Eighth Avenue Line one block west at 42nd Street–Port Authority Bus Terminal. The complex is served by the 1, 2, 3, 7, N and Q trains at all times, the W train during weekdays; the R and 42nd Street Shuttle (S) trains at all times except late nights; and <7> trains during rush hours in the peak direction. A free passageway from the shuttle platform to the 42nd Street–Bryant Park/Fifth Avenue station, served by the 7, <7>, B, D, F, <F>, and M trains, is open during the day from 6 a.m. to 12 a.m.
Axa Equitable Center is an office skyscraper at 787 Seventh Avenue, between 51st and 52nd Streets, in the Midtown Manhattan neighborhood of New York City. Completed in 1986 and designed by Edward Larrabee Barnes, the building measures 752 feet (229 m) tall with 54 stories. Equitable Center West was developed by the Equitable Life Assurance Society adjacent to Equitable's existing skyscraper at 1285 Avenue of the Americas.
The Great Wall of Los Angeles is a mural designed by Judith Baca and executed with the help of over 400 community youth and artists coordinated by the Social and Public Art Resource Center (SPARC). The mural, on the concrete sides of the Tujunga Wash in the San Fernando Valley was Baca's first mural and SPARC's first public art project. Under the official title of The History of California, it was listed on the National Register of Historic Places in 2017.
Hotel Astor was a hotel on Times Square in the Midtown Manhattan neighborhood of New York City. Built in 1905 and expanded in 1909–1910 for the Astor family, the hotel occupied a site bounded by Broadway, Shubert Alley, and 44th and 45th Streets. Architects Clinton & Russell designed the hotel as a 11-story Beaux-Arts edifice with a mansard roof. It contained 1,000 guest rooms, with two more levels underground for its extensive "backstage" functions, such as the wine cellar.
Golden Artist Colors, or simply Golden, is an U.S. manufacturing company that focuses on paints used in fine art, decoration, and crafts. Based in New Berlin, New York, the company produces a line of acrylic paints that includes some recreations of historic pigments. Golden also manufactures the 'Williamsburg' line of artists' oil paints, QoR watercolors, as well as lines of decorative and architectural paints and mediums.
Doyers Street is a 200-foot-long (61 m) street in the Chinatown neighborhood of Manhattan in New York City. It is one block long with a sharp bend in the middle. The street runs south and then southeast from Pell Street to the intersection of Bowery, Chatham Square, and Division Street. Doyers Street contains several restaurants, barber shops, and hair stylists, as well as the Chinatown branch of the United States Postal Service. The Nom Wah Tea Parlor opened at 13 Doyers Street in 1920, and is still in operation; other longstanding business include Ting's Gift Shop at 18 Doyers which opened in 1957.
Tom Christopher is an American painter known for his expressionist urban paintings and murals, mostly of New York City. Christopher began as a commercial artist, and has become a painter with worldwide galleries and exhibitions.
Mural with Blue Brushstroke is a 1986 mural painting by Roy Lichtenstein that is located in the atrium of the Equitable Tower in New York City. The mural was the subject of the book Roy Lichtenstein: Mural With Blue Brushstroke. The mural includes highlights of Lichtenstein's earlier works.
Mermaid is a 1979 outdoor sculpture by Roy Lichtenstein, composed of concrete, steel, polyurethane, enamel, palm tree, and water. It is located in Miami Beach at the Fillmore Miami Beach at Jackie Gleason Theater. Measuring 640 cm × 730 cm × 330 cm, it is his first public art commission according to some sources, although others point to a temporary pavilion that predates this work. It is also the second piece of public art in the city of Miami Beach. Since the sculpture was installed, it has been restored several times, and the theater that it accompanies has been restored and renamed twice.
Thirteen Most Wanted Men was a large mural created by Andy Warhol for the New York State Pavilion at the 1964 World's Fair at Flushing Meadows, New York. The mural was painted over with silver paint before the fair opened, probably due to official objections, but other reasons have been suggested.
Crying Girl is the name of two different works by Roy Lichtenstein: a 1963 offset lithograph on lightweight, off-white wove paper and a 1964 porcelain enamel on steel.
Masterpiece is a 1962 pop art painting by Roy Lichtenstein that uses his classic Ben-Day dots and narrative content contained within a speech balloon. In 2017, the painting sold for $165 million.
Crak! is a 1963 pop art lithograph by Roy Lichtenstein in his comic book style of using Ben-Day dots and a text balloon. It was used in marketing materials for one of Lichtenstein's early shows. It is one of several of his works related to military art and monocular vision.
The Broad is a contemporary art museum on Grand Avenue in Downtown Los Angeles. The museum is named for philanthropists Eli and Edythe Broad, who financed the $140 million building that houses the Broad art collections. It offers free general admission to its permanent collection galleries. However, not all of its events are free and admission prices may vary by exhibit and/or by event. It opened on September 20, 2015.
Grand Central Terminal, one of the main railroad stations in New York City, features public art by a variety of artists. Through its status as a transportation and architectural icon, the terminal has also been depicted in many works of art.
Tokyo Brushstroke I and II, or Tokyo Brushstrokes, refers to two 1994 aluminum sculptures by Roy Lichtenstein. Copies are installed outside Shinjuku I-Land Co, Ltd., in Tokyo, Japan, and at the Parrish Art Museum in Watermill, New York.
