Tin Machine Live: Oy Vey, Baby | ||||
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Live album by | ||||
Released | 2 July 1992 | |||
Recorded | 20 November 1991 – 11 February 1992 | |||
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Genre | Rock | |||
Length | 49:17 | |||
Label | London | |||
Producer | Reeves Gabrels, Max Bisgrove, Tom Dubé, Dave Bianco, David Bowie | |||
Tin Machine chronology | ||||
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David Bowie chronology | ||||
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Tin Machine Live: Oy Vey, Baby is a live album by Anglo-American rock band Tin Machine, originally released by London Records on 2 July 1992. The album includes songs, all from the band's two albums, recorded between 20 November 1991 and 11 February 1992 from five different venues on the North American and Asian legs of Tin Machine's It's My Life Tour. The maligned album title was intended as a pun on U2's 1991 album Achtung Baby . Oy Vey, Baby has received negative reviews, with many criticising the performances. It failed to chart in both the UK and the US. It was accompanied by a concert video of the same title, which was filmed at The Docks, Hamburg on October 24, 1991. Following its release, Tin Machine disbanded and Bowie quickly resumed his solo career with Black Tie White Noise (1993).
Tin Machine, composed of English singer-songwriter David Bowie, American guitarist Reeves Gabrels and American brothers Tony Fox and Hunt Sales on bass and drums, respectively, supported Tin Machine II with a seven-month tour called the It's My Life Tour, which started in October 1991 and ran through February 1992. Reviews for the shows were mixed, with some complaining over the lack of Bowie's older hits. The setlist for the tour included most of Tin Machine and all of Tin Machine II, with covers including the Pixies' "Debaser", Neil Young's "I've Been Waiting for You" and the Moody Blues' "Go Now". [1]
Tin Machine Live: Oy Vey, Baby solely contains tracks from the band's two records, including an eight-minute rendition of the Hunt Sales-sung "Stateside" and a twelve-minute version of "Heaven's in Here". The album was recorded at five different venues. According to biographer Nicholas Pegg, "I Can't Read" was taped on 20 November 1991 at the Orpheum Theatre in Boston; "Stateside" and "Heaven's in Here" were recorded at the Academy in New York City in late November; "Amazing" and "You Belong in Rock n' Roll" followed on 7 December at the Riviera in Chicago; "If There Is Something" and "Goodbye Mr. Ed" followed in February 1992 at NHK Hall in Tokyo; "Under the God" was taped the same month at Kouseinenkin Kaikan in Sapporo. The album's mix was overseen by Gabrels and tour engineer Max Bisgrove. [2]
The title, suggested by Hunt Sales, was intended as a pun on U2's 1991 album Achtung Baby . Plans for a second live album (reportedly titled Use Your Wallet, another Sales pun, this time on Guns N' Roses 1991 albums Use Your Illusion I and II ) were shelved. Gabrels later stated that the title was "a play on the fat that there are no original ideas". Both the title and cover artwork were panned by reviewers. [2] Tin Machine Live: Oy Vey, Baby was released by London Records on 2 July 1992 on different LP and CD formats, with the catalogue numbers 828 3281 and 828 3282, respectively. [2] [3] It became the first album Bowie released since his 1967 self-titled album to fail to chart in the UK; [2] it also didn't chart in the US. [4] Following its release, Tin Machine disbanded and Bowie quickly resumed his solo career with Black Tie White Noise (1993). [1] [5]
Tin Machine Live: Oy Vey, Baby has received negative reviews from music critics. All Music Guide's Mark Allender gave the album two stars out of five, finding that the songs did not translate well to a live setting. [6] Paul Mathur for Melody Maker declared that with the album, Bowie "ceases to exist as an artist of any worth whatsoever". [7] Pegg laments that the album suffered due to "ugly, indistinct packaging", "an unspeakably misconceived title", and an unimaginative playlist that included an 8-minute version of the "dreaded" "Stateside", all of which combined to lackluster sales and poor reviews. Still, he reserved some good judgement for the release ("it's not actually a bad album"). [2] James Perone calls it Tin Machine's least essential album and "among the least essential handful of albums associated with Bowie", [6] while David Buckley similarly calls it the least essential album of Bowie's entire career. [7] Stephen Thomas Erlewine of AllMusic called the album "not enough to rescue the batch of underdeveloped songs that form the backbone of the record". [8] Despite the negative reviews, Gabrels considered Oy Vey Baby Tin Machine's best release, telling Buckley: "That band was really about being a live band. It was a garage band on steroids with a big budget!" [7]
All tracks are written by David Bowie and Reeves Gabrels except where noted.
No. | Title | Writer(s) | Recording dates and location | Length |
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1. | "If There Is Something" | Bryan Ferry | 17 February 1992 in Tokyo | 3:55 |
2. | "Amazing" | 7 December 1991 in Chicago | 4:06 | |
3. | "I Can't Read" | 20 November 1991 in Boston | 6:25 | |
4. | "Stateside" | Bowie, Hunt Sales | 27 or 29 November 1991 in New York | 8:11 |
5. | "Under the God" | Bowie | 10 or 11 February 1992 in Sapporo | 4:05 |
6. | "Goodbye, Mr. Ed" | Bowie, Hunt Sales, Tony Sales | 17 February 1992 in Tokyo | 3:31 |
7. | "Heaven's in Here" | Bowie | 27 or 29 November 1991 in New York | 12:05 |
8. | "You Belong in Rock n' Roll" | 7 December 1991 in Chicago | 6:59 | |
Total length: | 47:17 |
According to biographer Nicholas Pegg: [9]
Musicians
Producers
Bowie hired Austrian directors Rudi Dolezal and Hannes Rossacher to film a concert video during the It's My Life Tour. It was shot at a single show at The Docks, Hamburg on 24 October 1991. It intersperses concert footage with fans and backstage banter and features both monochrome and colour segments. The video runtime is 88 minutes and was distributed by PolyGram in the UK. Pegg notes the video as a substantial improvement over the live album, showcasing more enjoyment for the viewer, although he notes that it offers "the best and worst" of the band's live performances. [10]
All tracks are written by David Bowie and Reeves Gabrels except where noted.
No. | Title | Writer(s) | Length |
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1. | "Bus Stop" | ||
2. | "Sacrifice Yourself" | Bowie, Hunt Sales, Tony Sales | |
3. | "Goodbye Mr. Ed"" | Bowie, Hunt Sales, Tony Sales | |
4. | "I Can't Read" | ||
5. | "Baby Universal" | ||
6. | "You Can't Talk" | ||
7. | "Go Now" | Larry Banks, Milton Bennett | |
8. | "Under The God" | Bowie | |
9. | "Betty Wrong" | ||
10. | "Stateside" | Bowie, Hunt Sales | |
11. | "I've Been Waiting For You" | Neil Young | |
12. | "You Belong in Rock n' Roll" | ||
13. | "One Shot" | Bowie, Gabrels, Hunt Sales, Tony Sales | |
14. | "If There Is Something" | Bryan Ferry | |
15. | "Heaven's In Here" | Bowie | |
16. | "Amlapura" | ||
17. | "Crack City" | Bowie, Gabrels, Hunt Sales, Tony Sales |
Earthling is the 21st studio album by English musician David Bowie. It was released on 3 February 1997 through RCA Records in the United Kingdom, Virgin Records in the United States, and Arista Records/BMG in other territories. Mostly self-produced by Bowie, it was primarily recorded from August to October 1996 at New York City's Looking Glass Studios following the conclusion of the Outside Tour. Bowie composed the tracks with Reeves Gabrels and Mark Plati, who are credited as co-producers, with Mike Garson, Gail Ann Dorsey and Zack Alford providing overdubs later. Outtakes from the sessions were later issued on the Is It Any Wonder? EP in 2020.
Reeves Gabrels is an American guitarist, songwriter and record producer. A member and guitarist of British band the Cure since 2012, Gabrels worked with David Bowie from 1987 to 1999, and was a member of the band Tin Machine. He has lived in New York, Boston, London, Los Angeles, Nashville, and New York's Hudson Valley. His Nashville-based band since 2007, Reeves Gabrels & His Imaginary Friends, features Gabrels on guitar and vocals.
Black Tie White Noise is the 18th studio album by English musician David Bowie, released on 5 April 1993 through Savage Records in the United States and Arista Records in the United Kingdom. The album was conceived following the disbandment of Bowie's rock band Tin Machine and his marriage to Somalian model Iman. It was recorded throughout 1992 between studios in Montreux, Los Angeles and New York City, with production handled by Bowie and Nile Rodgers, who previously co-produced 1983's Let's Dance. The two expressed enjoyment in the project initially, although Rodgers voiced dissatisfaction in later decades. The record features numerous guest appearances, including pianist Mike Garson and guitarist Mick Ronson, who had not worked with Bowie since the mid-1970s.
Tin Machine were a British–American hard rock supergroup formed in 1988, notable for being fronted by English singer-songwriter David Bowie. The band consisted of Bowie on lead vocals, sax, and guitar; Reeves Gabrels on guitar and vocals; Tony Fox Sales on bass and vocals; and Hunt Sales on drums and vocals. Tony and Hunt had previously performed alongside Bowie as part of Iggy Pop's backing band during his 1977 tour for The Idiot. Kevin Armstrong played additional guitar and keyboards on the band's first studio album and first tour, and American guitarist Eric Schermerhorn played on the second tour and live album Tin Machine Live: Oy Vey, Baby (1992).
Tin Machine is the debut studio album by Anglo-American hard rock band Tin Machine, released on 22 May 1989 by EMI America Records. The band consisted of English singer-songwriter David Bowie, American guitarist Reeves Gabrels and brothers Tony Fox and Hunt Sales on bass and drums, respectively, while Englishman Kevin Armstrong acted as an additional guitarist. The project was spearheaded by Bowie, who felt disconnected in his career by 1987 and looked to reinvent himself. After meeting Gabrels through his Glass Spider Tour, the two agreed to work together and would collaborate frequently for the next decade. Bowie hired the Sales brothers, neither of whom he had worked with since the 1970s, after a meeting in Los Angeles, while English producer Tim Palmer was hired to co-produce.
Tin Machine II is the second and final studio album by Anglo-American rock group Tin Machine, released on 2 September 1991 by Victory Music in association with London Records. The band, composed of English singer-songwriter David Bowie, Reeves Gabrels on guitar and brothers Tony Fox and Hunt Sales on bass and drums, respectively, recorded it in Sydney, Australia in late 1989 at the conclusion of the Tin Machine Tour. After Bowie completed his solo Sound+Vision Tour in late 1990, recording resumed in Los Angeles, California until March 1991. The production was handled by Tin Machine and Tim Palmer, who produced their eponymous debut studio album (1989), with additional production by Hugh Padgham on "One Shot". While the album musically retains a hard rock sound, the songs are more melodic compared to its predecessor, with lyrics focusing on love.
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"Under the God" is the first official single released by Tin Machine, taken from their eponymous debut album in June 1989.
"Tin Machine" is the song from which the band Tin Machine took their name, a track from their debut album, also of the same name. It was released as a single in September 1989, as a double A-side with a live cover of Bob Dylan’s “Maggie's Farm”.
"Prisoner of Love" is a song by Tin Machine taken from their eponymous debut album. It was issued as their third single in October 1989.
"You Belong in Rock n' Roll" is a song by Tin Machine, released ahead of their second album in August 1991. The song was the band’s first release on Victory Records, which was distributed by London Records in the UK.
"Baby Universal" is a song by Tin Machine, released as the second single from their Tin Machine II album in October 1991.
Tony Fox Sales is an American rock musician and composer. Normally on bass guitar, Sales and his brother, Hunt Sales, have worked with Todd Rundgren, Iggy Pop, and in Tin Machine with David Bowie.
"Look Back in Anger" is a song written by English artists David Bowie and Brian Eno for the album Lodger (1979). It concerns "a tatty 'Angel of Death'", and features a guitar solo by Carlos Alomar.
"I Can't Read" is a song written by David Bowie and Reeves Gabrels for Tin Machine on their debut album in 1989. The song was subsequently re-recorded by Bowie and Gabrels together in 1997, and performed live during Bowie's concerts in the late 1990s.
"I've Been Waiting for You" is a song written by Neil Young, which he recorded for his 1968 debut solo album. In a song review for AllMusic, critic Matthew Greenwald described it as "One of the most powerful and well-crafted songs from Neil Young's self-titled solo debut ... A very strong and engaging melody is set against a striking, descending guitar riff, which serves as the song's hook."
The Tin Machine Tour was a concert tour headlined by Anglo-American hard rock band Tin Machine. The tour commenced on 14 June 1989, following a performance of "Heaven's in Here" at the International Music Awards in New York City on 31 May 1989. It comprised 12 performances in six countries in venues with a capacity of 2,000 or less. Joined onstage by Kevin Armstrong, Tin Machine performed the entirety of their eponymous debut album with the exception of "Video Crime," augmented with cover version of songs from Bob Dylan and Johnny Kidd & The Pirates.
The It's My Life Tour was a concert tour headlined by Anglo-American hard rock band Tin Machine. The tour commenced on 5 October 1991 after two warm-up shows, one press show and three trade-industry shows, visiting twelve countries and concluding after sixty-nine performances, a larger outing than their first tour in 1989. The band purposefully booked intimate venues of a few thousand seats or less so that they could focus on the music without any theatrical trappings, a stark change from Bowie's previous Glass Spider and Sound+Vision tours. Bowie also wanted to avoid playing larger venues and arenas lest his fans show up "hoping I'd be doing old songs or something. We don't want that feeling at all."
"Heaven's in Here" is the lead track from the eponymous debut album by the Anglo-American hard rock band Tin Machine. Written by David Bowie, it was released as a promotional lead single from the album in 1989.
"One Shot" is the second track from the album Tin Machine II by Tin Machine. It was released as the third single from the album, making it their sixth single overall, and the last single released by the band.