The history of Islam concerns the political, social, economic, military, and cultural developments of the Islamic civilization. Most historians believe that Islam originated in Mecca and Medina at the start of the 7th century CE. Muslims regard Islam as a return to the original faith of the Abrahamic prophets, such as Adam, Noah, Abraham, Moses, David, Solomon, and Jesus, with the submission (Islām) to the will of God.
The Abbasid Caliphate was the third caliphate to succeed the Islamic prophet Muhammad. It was founded by a dynasty descended from Muhammad's uncle, Abbas ibn Abd al-Muttalib, from whom the dynasty takes its name. They ruled as caliphs for most of the caliphate from their capital in Baghdad in modern-day Iraq, after having overthrown the Umayyad Caliphate in the Abbasid Revolution of 750 CE (132 AH). The Abbasid Revolution had its origins and first successes in the easterly region of Khorasan, far from the bases of Umayyad power in Syria and Iraq. The Abbasid Caliphate first centered its government in Kufa, modern-day Iraq, but in 762 the caliph Al-Mansur founded the city of Baghdad, near the ancient Babylonian capital city of Babylon and Persian city of Ctesiphon. Baghdad became the center of science, culture, and invention in what became known as the Golden Age of Islam. This, in addition to housing several key academic institutions, including the House of Wisdom, as well as a multiethnic and multi-religious environment, garnered it an international reputation as the "Centre of Learning".
The Fatimid Caliphate was an Ismaili Shi'a caliphate extant from the tenth to the twelfth centuries AD. Spanning a large area of North Africa, it ranged from the Atlantic Ocean in the west to the Red Sea in the east. The Fatimids, a dynasty of Arab origin, trace their ancestry to Muhammad's daughter Fatima and her husband, ‘Ali b. Abi Talib, the first Shi‘a imam. The Fatimids were acknowledged as the rightful imams by different Isma‘ili communities as well as by denominations in many other Muslim lands and adjacent regions. Originating during the Abbasid Caliphate, the Fatimids conquered Ifriqiya and established the city of al-Mahdiyya. The Ismaili dynasty ruled territories across the Mediterranean coast of Africa and ultimately made Egypt the center of the caliphate. At its height, the caliphate included—in addition to Egypt—varying areas of the Maghreb, Sudan, Sicily, the Levant, and the Hijaz.
The Mosque of al-Hakim, nicknamed al-Anwar, is a historic mosque in Cairo, Egypt. It is named after Al-Hakim bi-Amr Allah (985–1021), the sixth Fatimid caliph and 16th Ismaili Imam. Construction of the mosque was originally started by Caliph al-'Aziz, the son of al-Mu'izz and the father of al Hakim, in 990 AD. It was completed in 1013 by al-Hakim, which is why it is named after him.
Islamic art is a part of Islamic culture and encompasses the visual arts produced since the 7th century CE by people who lived within territories inhabited or ruled by Muslim populations. Referring to characteristic traditions across a wide range of lands, periods, and genres, Islamic art is a concept used first by Western art historians in the late 19th century. Public Islamic art is traditionally non-representational, except for the widespread use of plant forms, usually in varieties of the spiralling arabesque. These are often combined with Islamic calligraphy, geometric patterns in styles that are typically found in a wide variety of media, from small objects in ceramic or metalwork to large decorative schemes in tiling on the outside and inside of large buildings, including mosques. Other forms of Islamic art include Islamic miniature painting, artefacts like Islamic glass or pottery, and textile arts, such as carpets and embroidery.
Following the Islamic conquest in 639, Lower Egypt was ruled at first by governors acting in the name of the Rashidun Caliphs and then the Umayyad Caliphs in Damascus, but in 747 the Umayyads were overthrown. Throughout Islamic rule, Askar was named the capital and housed the ruling administration. The conquest led to two separate provinces all under one ruler: Upper and Lower Egypt. These two very distinct regions were governed by the military and followed the demands handed down by the governor of Egypt and imposed by the heads of their communities.
Kufa, also spelled Kufah, is a city in Iraq, about 170 kilometres (110 mi) south of Baghdad, and 10 kilometres (6.2 mi) northeast of Najaf. It is located on the banks of the Euphrates River. The estimated population in 2003 was 110,000. Currently, Kufa and Najaf are joined into a single urban area that is mostly commonly known to the outside world as 'Najaf'.
Kiswa is the cloth that covers the Kaaba in Mecca, Saudi Arabia. It is draped annually on the 9th day of the month of Dhu al-Hijjah, the day pilgrims leave for the plains of Mount Arafat during the Hajj. A procession traditionally accompanies the kiswa to Mecca, a tradition dating back to the 12th century. The term kiswa has multiple translations, with common ones being 'robe' or 'garment'. Due to the iconic designs and the quality of materials used in creating the kiswa, it is considered one of the most sacred objects in Islamic art, ritual, and worship.
Kufic script is a style of Arabic script that gained prominence early on as a preferred script for Quran transcription and architectural decoration, and it has since become a reference and an archetype for a number of other Arabic scripts. It developed from the Arabic alphabet in the city of Kufa, from which its name is derived. Kufic script is characterized by angular, rectilinear letterforms and its horizontal orientation. There are many different versions of Kufic script, such as square Kufic, floriated Kufic, knotted Kufic, and others. The artistic styling of Kufic led to its use in a non-Arabic context in Europe, as decoration on architecture, known as pseudo-Kufic.
The Emirate of Córdoba or Umayyad Emirate of Córdoba was a medieval Islamic kingdom in the Iberian Peninsula.
The Rashidun Caliphate was the first caliphate to succeed the Islamic prophet Muhammad. It was ruled by the first four successive caliphs of Muhammad after his death in 632 CE. During its existence, the empire was the most powerful economic, cultural, and military force in West Asia.
Fatimid art refers to artifacts and architecture from the Fatimid Caliphate (909–1171), an empire based in Egypt and North Africa. The Fatimid Caliphate was initially established in the Maghreb, with its roots in a ninth-century Shia Ismailist Many monuments survive in the Fatimid cities founded in North Africa, starting with Mahdia, on the Tunisian coast, the principal city prior to the conquest of Egypt in 969 and the building of al-Qahira, the "City Victorious", now part of modern-day Cairo. The period was marked by a prosperity amongst the upper echelons, manifested in the creation of opulent and finely wrought objects in the decorative arts, including carved rock crystal, lustreware and other ceramics, wood and ivory carving, gold jewelry and other metalware, textiles, books and coinage. These items not only reflected personal wealth, but were used as gifts to curry favour abroad. The most precious and valuable objects were amassed in the caliphal palaces in al-Qahira. In the 1060s, following several years of drought during which the armies received no payment, the palaces were systematically looted. The libraries largely destroyed, precious gold objects melted down, with a few of the treasures dispersed across the medieval Christian world. Afterwards Fatimid artifacts continued to be made in the same style, but were adapted to a larger populace using less precious materials.
The Blue Quran is an early Quranic manuscript written in Kufic script. The dating, location of origin, and patron of the Blue Quran are unknown and have been the subject of academic debate, though it is generally accepted that the manuscript was produced in the late 9th to mid 10th-century in either Kairouan, Tunisia or Cordoba in Umayyad Spain. The manuscript is among the most famous works of Islamic calligraphy, notable for its gold lettering on a rare indigo-colored parchment. Art historian Yasser Tabbaa wrote that the "evanescent effect" of the gold lettering on the blue parchment "appears to affirm the Mu'tazili belief in the created and mysterious nature of the Word of God."
The Fatimid architecture that developed in the Fatimid Caliphate (909–1167 CE) of North Africa combined elements of eastern and western architecture, drawing on Abbasid architecture, Byzantine, Ancient Egyptian, Coptic architecture and North African traditions; it bridged early Islamic styles and the medieval architecture of the Mamluks of Egypt, introducing many innovations.
Jawdhar, surnamed al-Ustadh, was a eunuch slave who served the Fatimid caliphs al-Qa'im, al-Mansur, and al-Mu'izz as chamberlain and de facto chief minister until his death. He was an extremely powerful figure in the Fatimid court, and was ranked immediately after the caliph and his designated heir. The accession of al-Mansur was probably due to Jawdhar's machinations, and he was placed in charge of keeping the new caliph's relatives under house arrest. He enjoyed close relations with the Kalbid emirs of Sicily, which enabled him to engage in profitable commerce with the island. Jawdhar accompanied al-Mu'izz during the migration of the court from Ifriqiya to Egypt, but died on the way at Barqa. His collected documents and letters were published after his death by his secretary as the Sirat al-Ustadh Jawdhar, and form one of the main historical sources for the governance of the Fatimid state in the period.
A robe of honour was a term designating rich garments given by medieval and early modern Islamic rulers to subjects as tokens of honour, often as part of a ceremony of appointment to a public post, or as a token of confirmation or acceptance of vassalage of a subordinate ruler. They were usually produced in government factories and decorated with the inscribed bands known as ṭirāz.
The Painting of the Six Kings is a fresco found on the wall of Qasr Amra, a desert castle of the Umayyad Caliphate located in modern-day Jordan. It depicts six rulers standing in two rows of three. Four of the six have inscriptions in Arabic and Greek identifying them as the Byzantine emperor, King Roderic of Spain, the Sasanian emperor, and the King of Aksum. The painting, now substantially damaged, is thought to be from between 710 and 750, commissioned by the Umayyad caliph or someone in his family. It is one of the most famous frescoes in the Qasr Amra complex.
The recorded history of the Arabs begins in the mid-ninth century BC, which is the earliest known attestation of the Old Arabic language. Tradition holds that Arabs descend from Ishmael, the son of Abraham. The Syrian Desert is the home of the first attested "Arab" groups, as well other Arab groups that spread in the land and existed for millennia.
Arabic miniatures are small paintings on paper, usually book or manuscript illustrations but also sometimes separate artworks that occupy entire pages. The earliest example dates from around 690 AD, with a flourishing of the art from between 1000 and 1200 AD in the Abbasid caliphate. The art form went through several stages of evolution while witnessing the fall and rise of several Islamic caliphates. Arab miniaturists absorbed Chinese and Persian influences brought by the Mongol destructions, and at last, got totally assimilated and subsequently disappeared due to the Ottoman occupation of the Arab world. Nearly all forms of Islamic miniatures owe their existences to Arabic miniatures, as Arab patrons were the first to demand the production of illuminated manuscripts in the Caliphate, it wasn't until the 14th century that the artistic skill reached the non-Arab regions of the Caliphate.
Wali al-Ahd is the Arabic and Islamic term for a designated heir of a ruler, or crown prince.
