In Jainism, a Tirthankara (IAST : tīrthaṅkara; lit. ' ford-maker') is a saviour and supreme preacher of the dharma (righteous path). [1] The word tirthankara signifies the founder of a tirtha , [2] a fordable passage across saṃsāra , the sea of interminable birth and death. According to Jains, tirthankaras are the supreme preachers of dharma, who have conquered saṃsāra on their own and made a path for others to follow. [3] After understanding the true nature of the self or soul, the Tīrthaṅkara attains kevala jnana (omniscience). A Tirthankara provides a bridge for others to follow them from saṃsāra to moksha (liberation). [4]
In Jain cosmology, the wheel of time is divided into two halves, Utsarpiṇī , the ascending time cycle, and avasarpiṇī , the descending time cycle (said to be current now). In each half of the cycle, exactly 24 tirthankaras grace this part of the universe. There have been infinitely many tirthankaras in the past. [5] The first tirthankara in the present cycle (Hunda Avsarpini) was Rishabhanatha, who is credited with formulating and organising humans to live in a society harmoniously. The 24th and last tirthankara of the present half-cycle was Mahavira (599 BC–527 BC). [6] [7] [8] History records the existence of Mahavira and his predecessor, Parshvanatha, the 23rd tirthankara. [9]
A tirthankara organises the sangha , a fourfold order of male and female monastics, srāvakas (male followers) and śrāvikās (female followers). [10]
The tirthankara's teachings form the basis for the Jain canons. The inner knowledge of tirthankara is believed to be perfect and identical in every respect, and their teachings contain no contradictions. The degree of elaboration varies according to society's spiritual advancement and purity during their period of leadership. The higher the level of society's spiritual advancement and purity of mind, the lower the elaboration required.
While Jains document and revere tirthankaras, their grace is said to be available to all living beings regardless of religion. [11]
Tīrthaṅkaras are arihants who, after attaining kevala jñāna (pure infinite knowledge), [12] preach the dharma . An Arihant is also called Jina (victor), one who has conquered inner enemies such as anger, attachment, pride, and greed. [4] They dwell exclusively within the realm of their soul and are entirely free of kashayas , inner passions, and personal desires. As a result of this, unlimited siddhis , or spiritual powers, are readily available to them, which they use exclusively for living beings' spiritual elevation. Through darśana , divine vision, and deshna , divine speech, they help others attain kevalajñana and moksha (final liberation).
The word tirthankara signifies the founder of a tirtha , a fordable passage across saṃsāra , the sea of interminable births and deaths. [13] [14] [15] [16] Tirthankaras are variously called "Teaching Gods", "Ford-Makers", "Crossing Makers", and "Makers of the River-Crossing". [17] [16]
Jain texts propound that a special type of karma , the tīrthaṅkara nama-karma, raises a soul to the supreme status of a Tīrthaṅkara. The Tattvartha Sutra , a major Jain text, lists 16 observances that lead to the bandha (bondage) of this karma: [18]
Five auspicious events called Pañca kalyāṇaka mark every tirthankara's life: [19]
After attaining kevalajñāna, the tirthankara preaches the path to liberation in the samavasarana. According to Jain texts, devas (heavenly beings) erect the heavenly pavilion where devas, humans, and animals assemble to hear the tirthankara. [23] A samavasarana is a three-level structure. The lowest level, made of rajat (silver), is the parking space for vehicles. The second is the svarna (gold) level. All animals reside in the svarna level, while the highest level, made of precious gems, is reserved for various important figures, such as kings and their families, the devas and the ascetics. Humans and animals hear a tirthankara's speech in their language. It is believed that during this speech, there is no unhappiness for miles around the site. [24]
Jainism postulates that time has no beginning or end. It moves like the wheel of a cart. The wheel of time is divided into two halves, Utsarpiṇī (ascending half cycle) and Avasarpiṇī (descending half cycle). 24 tirthankaras are born in each half of this cycle. In Jain tradition, the tirthankaras were royal in their final lives, and Jain texts record details of those lives. Their clan and families are also among those recorded in legendary stories. According to Jain canons, Rishabhanatha, the first tirthankara, [13] founded the Ikshvaku dynasty, [25] from which 21 other tirthankaras rose over time. Two tirthankaras – Munisuvrata, the 20th, and Neminatha, the 22nd – belonged to the Harivamsa dynasty. [26]
In Jain tradition, the 20 tirthankaras attained moksha on Mount Shikharji, in the present Indian state of Jharkhand. [27] Rishabhanatha attained nirvana on Mount Ashtāpada (Mount Kailash), Vasupujya in Champapuri, Bihar, Neminatha on Mount Girnar, Gujarat, and Mahavira, the last tirthankara, at Pawapuri, near modern Patna. Twenty-one of the tirthankaras are said to have attained moksha in the kayotsarga (standing meditation posture), while Rishabhanatha, Neminatha, and Mahavira are said to have done so in the Padmasana (lotus position). [17]
In chronological order, the names, emblems and colours of the 24 tirthankaras of this age are: [1] [28] [29] [30]
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The next 24 tirthankaras, who will be born in utsarpinī age, are:
No. | Name | Previous human birth |
---|---|---|
1 | Padmanabha | King Shrenika [32] |
2 | Surdev | Mahavira's uncle Suparshva |
3 | Suparshva | King Kaunik's son king Udayin |
4 | Svamprabh | The ascetic Pottil |
5 | Sarvanubhuti | Śrāvaka Dridhayadha |
6 | Devshruti | Kartik's Shreshti |
7 | Udaynath | Shravak Shamkha |
8 | Pedhalputra | Shravak Ananda |
9 | Pottil | Shravak Sunand |
10 | Shatak | Sharavak Shatak |
11 | Suvrat | Satyaki of Mahabharata |
12 | Amam | Krishna |
13 | Shrinishkashay | Satyaki Rudhra |
14 | Nishpulak | Krishna's brother Balbhadra also known as Balrama |
15 | Nirmam | Shravika Sulsa |
16 | Chitragupta | Krishna's brother's mother Rohini Devi |
17 | Samadhinath | Revati Gathapatni |
18 | Samvarnath | Sharavak Shattilak |
19 | Yashodhar | Rishi Dwipayan |
20 | Vijay | Karna of Mahabharata |
21 | Malladev | Nirgranthaputra or Mallanarada |
22 | Devachandra | Shravak Ambadh |
23 | Anantvirya | Shravak Amar |
24 | Bhadrakat | Swati |
A tīrthaṅkara is represented either in the lotus position (Padmasana) or in the meditation Khadgasana ( Kayotsarga ) posture. [33] [34] The latter, which is similar to the military standing at attention, is a difficult posture to hold for long and is preferred by Jains because it minimizes the amount of the body in contact with the earth, and thus the risk to sentient creatures living in or on it. If seated, they are usually depicted seated with their legs crossed in front, the toes of one foot resting upon the knee of the other leg, and the right hand lying over the left in the lap. [1]
Tirthankara images have no distinctive facial features, clothing, or (mostly) hairstyles, and are differentiated based on the symbol or emblem (Lanchhana) belonging to each tirthanakara except Parshvanatha. Statues of Parshvanatha have a snake crown. The first Tirthankara, Rishabha, is identifiable by the locks of hair falling on his shoulders. Sometimes Suparshvanath is shown with a small snake-hood. The symbols are marked in the centre or the corner of the statue's pedestal. The Jain sects Digambara and Śvetāmbara have different depictions of idols. Digambara images are naked without any ornamentation, whereas Śvetāmbara ones are clothed and decorated with temporary ornaments. [35] The images are often marked with Srivatsa on the chest and Tilaka on the forehead. [36] Srivatsa is one of the ashtamangala (auspicious symbols), which sometimes resembles fleur-de-lis, an endless knot, a flower, or a diamond-shaped symbol. [37]
The bodies of tirthankara statues are exceptionally consistent throughout over 2,000 years of the historical record. The bodies are rather slight, with very wide shoulders and a narrow waist. Even more than is usual in Indian sculpture, the depiction takes relatively little interest in accurate depiction of musculature and bones but is interested in modeling outer surfaces as broad swelling forms. The ears are extremely elongated, alluding to the heavy earrings the figures wore in their early lives before they took the path to enlightenment, when most were wealthy, if not royal.
Sculptures with four heads are not uncommon in early sculpture, but unlike the comparable Hindu images, these represent four different tirthanakaras, not four aspects of the same deity. Multiple extra arms are avoided in tirthanakara images, though their attendants or guardians may have them. [38]
The first Tirthankara, Rishabhanatha is mentioned in Hindu texts like the Rigveda, [39] Vishnupurana, and Bhagwata Purana. [40] The Yajurveda mentions the name of three Tīrthaṅkaras: Ṛiṣhabha, Ajitnātha and Ariṣṭanemi. [41] The Bhāgavata Purāṇa includes legends about the Tirthankaras, particularly Rishabha. [42] Yoga Vasishta, Chapter 15 of Vairagya Khanda, Sloka 8, gives the saying of Rama:
I am not Rama. I have no desire for material things. Like Jina I want to establish peace within myself. [43]
Champat Rai Jain, a 20th-century Jain writer, claimed that the "Four and Twenty Elders" mentioned in the Book of Revelation (the final book of the Christian Bible) are "Twenty-four Tirthankaras". [44]
Jainism, also known as Jain Dharma, is an Indian religion. Jainism traces its spiritual ideas and history through the succession of twenty-four tirthankaras, with the first in the current time cycle being Rishabhadeva, whom the tradition holds to have lived millions of years ago, the twenty-third tirthankara Parshvanatha, whom historians date to the 9th century BCE, and the twenty-fourth tirthankara Mahavira, around 600 BCE. Jainism is considered an eternal dharma with the tirthankaras guiding every time cycle of the cosmology. Central to understanding Jain philosophy is the concept of bhedvigyān, or the clear distinction in the nature of the soul and non-soul entities. This principle underscores the innate purity and potential for liberation within every soul, distinct from the physical and mental elements that bind it to the cycle of birth and rebirth. Recognizing and internalizing this separation is essential for spiritual progress and the attainment of samyak darshan or self realization (atma-anubhuti), which marks the beginning of the aspirant's journey towards liberation. The three main pillars of Jainism are ahiṃsā (non-violence), anekāntavāda (non-absolutism), and aparigraha (asceticism).
Mahavira, also known as Vardhamana, was the 24th Tirthankara of Jainism. He was the spiritual successor of the 23rd Tirthankara Parshvanatha. Mahavira was born in the early 6th century BCE to a royal Kshatriya Jain family of ancient India. His mother's name was Trishala and his father's name was Siddhartha. According to the second chapter of the Śvētāmbara Ācārāṅga Sūtra, Siddhartha and his family were devotees of Parshvanatha. Mahavira abandoned all worldly possessions at the age of about 30 and left home in pursuit of spiritual awakening, becoming an ascetic. Mahavira practiced intense meditation and severe austerities for twelve and a half years, after which he attained Kevala Jnana (omniscience). He preached for 30 years and attained moksha (liberation) in the 6th century BCE, although the year varies by sect.
Shikharji, also known as Sammet or Sammed Shikharji, is one of the holiest pilgrimage sites for Jains, in Giridih district, Jharkhand. It is located on Parasnath hill, the highest mountain in the state of Jharkhand. It is the most important Jain Tirtha, for it is the place where twenty of the twenty-four Jain tirthankaras along with many other monks attained Moksha. It is one of the seven principal pilgrimage destinations along with Girnar, Pawapuri, Champapuri, Dilwara, Palitana and Ashtapad Kailash.
Parshvanatha, or Pārśva and Pārasanātha, was the 23rd of 24 Tirthankaras of Jainism. Parshvanatha is one of the earliest Tirthankara who is acknowledged as a historical figure. The Jain sources place him between the 9th and 8th centuries BCE whereas historians consider that he lived in the 8th century BCE.
In Jainism, godliness is said to be the inherent quality of every soul. This quality, however, is subdued by the soul's association with karmic matter. All souls who have achieved the natural state of unlimited bliss, unlimited knowledge, unlimited power and unlimited perception are regarded as God in Jainism. Jainism rejects the idea of a creator deity responsible for the manifestation, creation, or maintenance of this universe. Instead, souls who have reached Heaven for their merits and deeds influence the Universe for a fixed period until they undergo reincarnation and continue the cycle of enlightenment. According to Jain doctrine, the universe and its constituents have always existed. All constituents and actions are governed by universal natural laws and "perfect soul".
Bahubali was the son of Rishabhanatha and the brother of the chakravartin Bharata. He is a revered figure in Jainism. He is said to have meditated motionless for 12 years in a standing posture (kayotsarga), with climbing plants having grown around his legs. After his 12 years of meditation, he is said to have attained omniscience.
Rishabhanatha, also Rishabhadeva, Rishabha or Ikshvaku, is the first tirthankara of Jainism. He was the first of twenty-four teachers in the present half-cycle of time in Jain cosmology and called a "ford maker" because his teachings helped one cross the sea of interminable rebirths and deaths. The legends depict him as having lived millions of years ago. He was the spiritual successor of Sampratti Bhagwan, the last Tirthankara of the previous time cycle. He is also known as Ādinātha, as well as Adishvara, Yugadideva, Prathamarajeshwara and Nabheya. He is also known as Ikshvaku, establisher of the Ikshvaku dynasty. Along with Mahavira, Parshvanath, Neminath, and Shantinath, Rishabhanatha is one of the five Tirthankaras that attract the most devotional worship among the Jains.
In Jainism, Samavasarana or Samosharana is the divine preaching hall of the Tirthankara, stated to have more than 20,000 stairs in it. The word samavasarana is derived from two words, sama, meaning general and avasara, meaning opportunity. It is an important feature in Jain art. The Samavasarana seems to have replaced the original Jain stupa as an object of worship.
Jain cosmology is the description of the shape and functioning of the Universe (loka) and its constituents according to Jainism. Jain cosmology considers the universe as an uncreated entity that has existed since infinity with neither beginning nor end. Jain texts describe the shape of the universe as similar to a man standing with legs apart and arms resting on his waist. This Universe, according to Jainism, is broad at the top, narrow at the middle and once again becomes broad at the bottom.
In Jainism, the term Ganadhara is used to refer the chief disciple of a Tirthankara. In samavasarana, the Tīrthankara sat on a throne without touching it. Around, the Tīrthankara sits the Ganadharas. According to Digambara tradition, only a disciple of exceptional brilliance and accomplishment (riddhi) is able to fully assimilate, without doubt, delusion, or misapprehension, the anekanta teachings of a Tirthankara. The presence of such a disciple is mandatory in the samavasarana before Tirthankara delivers his sermons. Ganadhara interpret and mediate to other people the divine sound (divyadhwani) which the Jains claim emanates from Tirthankara's body when he preaches.
Digambara is one of the two major schools of Jainism, the other being Śvetāmbara (white-clad). The Sanskrit word Digambara means "sky-clad", referring to their traditional monastic practice of neither possessing nor wearing any clothes.
Jain sculptures or Jain idols are the images depicting Tirthankaras. These images are worshiped by the followers of Jainism. The sculpture can depict any of the twenty-four tirthankaras with images depicting Parshvanatha, Rishabhanatha, or Mahāvīra being more popular. Jain sculptures are an example of Jain art. There is a long history of construction of Jain sculptures. Early examples include Lohanipur Torsos which has been regarded to be from the Maurya period, and images from the Kushan period from Mathura.
Panch Kalyanaka are the five chief auspicious events that occur in the life of tirthankara in Jainism. They are commemorated as part of many Jain rituals and festivals.
Jainism and Hinduism are two ancient Indian religions. There are some similarities and differences between the two religions. Temples, gods, rituals, fasts and other religious components of Jainism are different from those of Hinduism.
In Jainism, Bharata was the first chakravartin of the Avasarpini. He was the eldest son of Rishabhanatha, the first tirthankara. The ancient name of India was named "Bhāratavarsha" or "Bhārata" or "Bharata-bhumi" after him. He had two sons from his chief-empress Subhadra, named Arkakirti and Marichi. He is said to have conquered all six parts of the world and to have engaged in a fight with Bahubali, his brother, to conquer the last remaining city of the world.
Jain festivals occur on designated days of the year. Jain festivals are either related to life events of Tirthankara or they are performed with intention of purification of soul.
Marudevī was the mother of the first Jain Tirthankara, Rishabhanatha and the queen of King Nabhi. According to the Śvetāmbara canon, she was the first person to have attained Moksha in the current Avasarpiṇī.
Avasarpiṇī, is the descending half of the cosmic time cycle in Jainism and the one in which the world is said to be at present. According to Jain texts the Avasarpiṇī is marked by a decline in goodness and religion. The ascending half of the cycle is called Utsarpiṇī, which is marked by the ascent of goodness and religion.
Digamber Jain Bada Mandir Hastinapur is a Jain temple complex located in Hastinapur, Uttar Pradesh. It is the oldest Jain temple in Hastinapur dedicated to Shantinatha, the 16th Jain Tirthankara.
The Kumbharia Jain temples is a group of five Jain temples in the Kumbhariya, Banaskantha district in Gujarat, India. Constructed from 1062 to 1231 CE during the reign of the Chaulukya dynasty, they are noted for their elaborate architecture.
This article incorporates text from this source, which is in the public domain.
This article incorporates text from this source, which is in the public domain.
This article incorporates text from this source, which is in the public domain.