Aphrodite is an ancient Greek goddess associated with love, lust, beauty, pleasure, passion, and procreation. She was syncretized with the Roman goddess Venus. Aphrodite's major symbols include myrtles, roses, doves, sparrows, and swans. The cult of Aphrodite was largely derived from that of the Phoenician goddess Astarte, a cognate of the East Semitic goddess Ishtar, whose cult was based on the Sumerian cult of Inanna. Aphrodite's main cult centers were Cythera, Cyprus, Corinth, and Athens. Her main festival was the Aphrodisia, which was celebrated annually in midsummer. In Laconia, Aphrodite was worshipped as a warrior goddess. She was also the patron goddess of prostitutes, an association which led early scholars to propose the concept of "sacred prostitution" in Greco-Roman culture, an idea which is now generally seen as erroneous.
In the ancient Greek myths, ambrosia, the food or drink of the Greek gods, is often depicted as conferring longevity or immortality upon whoever consumed it. It was brought to the gods in Olympus by doves and served either by Hebe or by Ganymede at the heavenly feast.
In ancient Greek religion and mythology, Artemis is the goddess of the hunt, the wilderness, wild animals, nature, vegetation, childbirth, care of children, and chastity. She was heavily identified with Selene, the personification of the Moon, and Hecate, another lunar deity, and was thus regarded as one of the most prominent lunar deities in mythology, alongside the aforementioned two. She would often roam the forests of Greece, attended by her large entourage, mostly made up of nymphs, some mortals, and hunters. The goddess Diana is her Roman equivalent.
In ancient Greek mythology and religion, Eos is the personification of the dawn, who rose each morning from her home at the edge of the river Oceanus to deliver light and disperse the night. In Greek tradition and poetry she is characterized as a goddess with a great sexual appetite, who took numerous lovers for her own satisfaction and bore them several children. Like her Roman counterpart Aurora and Rigvedic Ushas, Eos continues the name of an earlier Indo-European dawn goddess, Hausos. Eos, or her earlier Proto-Indo-European (PIE) ancestor, also shares several elements with the love goddess Aphrodite, perhaps signifying Eos's influence on her or otherwise a common origin for the two goddesses. In surviving tradition, Aphrodite is the culprit behind Eos' numerous love affairs, having cursed the goddess with insatiable lust for mortal men.
Rhea or Rheia is a mother goddess in ancient Greek religion and Greek mythology, the Titaness daughter of the earth goddess Gaia and the sky god Uranus, himself a son of Gaia. She is the older sister of Cronus, who was also her consort, and the mother of the five eldest Olympian gods Hestia, Demeter, Hera, Poseidon and Zeus, and the king of the Underworld, Hades.
In ancient Greek religion and mythology, Helios is the god and personification of the Sun. His name is also Latinized as Helius, and he is often given the epithets Hyperion and Phaethon. Helios is often depicted in art with a radiant crown and driving a horse-drawn chariot through the sky. He was a guardian of oaths and also the god of sight. Though Helios was a relatively minor deity in Classical Greece, his worship grew more prominent in late antiquity thanks to his identification with several major solar divinities of the Roman period, particularly Apollo and Sol. The Roman Emperor Julian made Helios the central divinity of his short-lived revival of traditional Roman religious practices in the 4th century AD.
In ancient Greek mythology and religion, Selene is the personification of the Moon. Also known as Mene, she is traditionally the daughter of the Titans Hyperion and Theia, and sister of the sun god Helios and the dawn goddess Eos. She drives her moon chariot across the heavens. Several lovers are attributed to her in various myths, including Zeus, Pan, and the mortal Endymion. In post-classical times, Selene was often identified with Artemis, much as her brother, Helios, was identified with Apollo. Selene and Artemis were also associated with Hecate and all three were regarded as moon and lunar goddesses, but only Selene was regarded as the personification of the Moon itself. Her Roman equivalent is Luna.
Nyx is the Greek goddess and personification of night. A shadowy figure, Nyx stood at or near the beginning of creation and mothered other personified deities, such as Hypnos (Sleep) and Thanatos (Death), with Erebus (Darkness). She is the first child of Chaos. She is typically portrayed as either a winged goddess with a dark cloud halo or dressed in black surrounded by dark mist. Her Roman equivalent is Nox.
In Greek mythology, Theia, also called Euryphaessa "wide-shining", is one of the twelve Titans, the children of the earth goddess Gaia and the sky god Uranus. She is the Greek goddess of sight and vision, and by extension the goddess who endowed gold, silver and gems with their brilliance and intrinsic value. Her brother-consort is Hyperion, a Titan and god of the sun, and together they are the parents of Helios, Selene, and Eos. She seems to be the same with Aethra, the consort of Hyperion and mother of his children in some accounts. Like her husband, Theia features scarcely in myth, being mostly important for the children she bore, though she appears in some texts and rare traditions.
Anchises was a member of the royal family of Troy in Greek and Roman legend. He was said to have been the son of King Capys of Dardania and Themiste, daughter of Ilus, who was son of Tros. He is most famous as the father of Aeneas and for his treatment in Virgil's Aeneid. Anchises' brother was Acoetes, father of the priest Laocoön.
In Greek mythology, Geras, also written Gēras, was the god of old age. He was depicted as a tiny, shriveled old man. Gēras's opposite was Hebe, the goddess of youth. His Roman equivalent was Senectus. He is known primarily from vase depictions that show him with the hero Heracles; the mythic story that inspired these depictions has been lost.
In Etruscan Religion and mythology, Thesan is the Etruscan goddess of the dawn, divination, and childbirth and was associated with the generation of life. Romans identified her with their Aurora and Mater Matuta and Greeks with Eos and Leucothea. In Etruria, she received offerings together with the sun god Usil in the liber linteus. She was especially worshipped at Caere's harbour of Pyrgi, where a temple was dedicated to her and a singular series of ‘‘daybreak antefixes’’ was excavated.
Hebe, in ancient Greek religion and mythology, often given the ephitet Ganymeda , is the goddess of youth or the prime of life. She was the cupbearer for the gods and goddesses of Mount Olympus, serving their nectar and ambrosia. She also was worshipped as the goddess of forgiveness or mercy at Sicyon.
Aurōra is the Latin word for dawn, and the goddess of dawn in Roman mythology and Latin poetry. Like Greek Eos and Rigvedic Ushas, Aurōra continues the name of an earlier Indo-European dawn goddess, Hausos.
The Aethiopis, also spelled Aithiopis, is a lost epic of ancient Greek literature. It was one of the Epic Cycle, that is, the Trojan cycle, which told the entire history of the Trojan War in epic verse. The story of the Aethiopis comes chronologically immediately after that of the Homeric Iliad, and is followed by that of the Little Iliad. The Aethiopis was sometimes attributed by ancient writers to Arctinus of Miletus. The poem comprised five books of verse in dactylic hexameter.
In Greek mythology, Memnon was a king of Aethiopia and son of Tithonus and Eos. As a warrior he was considered to be almost Achilles' equal in skill. During the Trojan War, he brought an army to Troy's defense and killed Antilochus, Nestor's son, during a fierce battle. Nestor challenged Memnon to a fight, but Memnon refused, being there was little honor in killing the aged man. Nestor then pleaded with Achilles to avenge his son's death. Despite warnings that soon after Memnon fell so too would Achilles, the two men fought. Memnon drew blood from Achilles, but Achilles drove his spear through Memnon's chest, sending the Aethiopian army running. The death of Memnon echoes that of Hector, another defender of Troy whom Achilles also killed out of revenge for a fallen comrade, Patroclus.
"Tithonus" is a poem by the Victorian poet Alfred, Lord Tennyson (1809–92), originally written in 1833 as "Tithon" and completed in 1859. It first appeared in the February edition of the Cornhill Magazine in 1860. Faced with old age, Tithonus, weary of his immortality, yearns for death. The poem is a dramatic monologue with Tithonus addressing his consort Eos, the goddess of the dawn.
In Greek mythology, Ganymede or Ganymedes is a divine hero whose homeland was Troy. Homer describes Ganymede as the most beautiful of mortals and tells the story of how he was abducted by the gods to serve as Zeus's cup-bearer in Olympus.
[Ganymedes] was the loveliest born of the race of mortals, and therefore
the gods caught him away to themselves, to be Zeus' wine-pourer,
for the sake of his beauty, so he might be among the immortals.
Dialogues of the Gods are 25 miniature dialogues mocking the Homeric conception of the Greek gods written in the Attic Greek dialect by the Syrian author Lucian of Samosata. There are 25 dialogues in total. The work was translated into Latin c. 1518 by Livio Guidolotto, the apostolic assistant of Pope Leo X.
The Tithonus poem, also known as the old age poem or the New Sappho, is a poem by the archaic Greek poet Sappho. It is part of fragment 58 in Eva-Maria Voigt's edition of Sappho. The poem is from Book IV of the Alexandrian edition of Sappho's poetry. It was first published in 1922, after a fragment of papyrus on which it was partially preserved was discovered at Oxyrhynchus in Egypt; further papyrus fragments published in 2004 almost completed the poem, drawing international media attention. One of very few substantially complete works by Sappho, it deals with the effects of ageing. There is scholarly debate about where the poem ends, as four lines previously thought to have been part of the poem are not found on the 2004 papyrus.
