Tito Angelini (1806–1878) was an Italian sculptor and leader of the Academy of Fine Arts in Naples, where he was born and died.
His father, Costanzo Angelini, born in Aquila in 1771, was educated in Rome and became a Neapolitan citizen, member of the Royal Academy of Fine Arts, and professor of design there. [1]
His studies in Rome led to an influence by the pre-eminent Neoclassic sculptors of his day, Canova and the Danish Thorvaldsen. He is said to have become master of the academy during Napoleonic occupation of Italy. Afterwards, he was to share duties with Giuseppe Cammarano. [2]
He befriended Pietro Tenerani, Luigi Pampaloni, and Lorenzo Bartolini during his travels, but was mainly active in Naples, where he became Professor of Design. He completed the works of La Clemenza e L'Immacolata for the chapel of the Palazzo Reale of Naples. He also completed the funereal monument for Lucia Migliaccio for the church of San Ferdinando, and the monuments to Saverio Mercadante and Giuseppe Mazzini and the statue of Sant'Ambrogio for the church of San Francesco in Gaeta. His works are also to be seen in museums in Naples and Campagna. Among his pupils was Salvatore Albano.
Other works can be found at the Royal Palace of Caserta, for example the reliefs in the Alexander Room or the statues in the Throne room. [3]
Corrado Giaquinto was an Italian Rococo painter.
Antonio Corradini was an Italian Rococo sculptor from Venice. He is best known for his illusory veiled depictions of human body, where the contours of the face and bodies beneath the veil are discernible.
Domenico Morelli was an Italian painter, who mainly produced historical and religious works. Morelli was immensely influential in the arts of the second half of the 19th century, both as director of the Accademia di Belle Arti in Naples, but also because of his rebelliousness against institutions: traits that flourished into the passionate, often patriotic, Romantic and later Symbolist subjects of his canvases. Morelli was the teacher of Vincenzo Petrocelli and Ulisse Caputo.
Piazza Dante is a large public square in Naples, Italy, named after the poet Dante Alighieri. The square is dominated by a 19th-century statue of the poet Dante, sculpted by Tito Angelini.
Giuseppe Mazzuoli was an Italian sculptor working in Rome in the Bernini-derived Baroque style. He produced many highly accomplished sculptures of up to monumental scale but was never a leading figure in the Roman art world.
Luca Beltrami was an Italian architect and architectural historian, known particularly for restoration projects.
Giuseppe Mancinelli was an Italian painter.
Giuseppe Cammarano was an Italian painter and leader of the Academy of Arts in his birthplace of Sciacca, Sicily.
Camillo Guerra was an Italian painter, active mainly in Naples, Italy.
Salvatore Fergola was an Italian painter, mainly of landscapes or vedute in and around his native Naples. He is considered an exponent of the School of Posillipo.
Costanzo Angelini was an Italian painter, engraver, and restorer of the Neoclassical style.
Modesto Parlatore was an Italian sculptor and architect.
Giuseppe Antonio Sorbilli was an Italian sculptor.
Uriele Vitolo was an Italian sculptor.
Tommaso Solari was an Italian sculptor active in a Romantic-style.
Angelo Maria Mazzia was an Italian painter. He was son of the painter Francesco Mazzia.
Gennaro Maldarelli was an Italian painter of the Neoclassic style.
Mariano Rossi was an Italian painter, persisting in what had become an anachronistic Rococo style amid an ascendant neoclassical environment. His placement legions of figures in a complex scenography and quadrature recalls the work of Pietro da Cortona.
Francesco Jerace was an Italian sculptor.
Gennaro Calì was an Italian sculptor.