Antoine Houdar de la Motte was a French author.
Claude-Henri de Fusée, abbé de Voisenon was a French playwright and writer.
Bernard de Bury or Buri was a French musician and court composer of the late Baroque era.
André Cardinal Destouches was a French composer best known for the opéra-balletLes élémens.
Jean-Joseph de Mondonville, also known as Jean-Joseph Cassanéa de Mondonville, was a French violinist and composer. He was a younger contemporary of Jean-Philippe Rameau and enjoyed great success in his day. Pierre-Louis Daquin claimed, "If I couldn't be Rameau, there's no one I would rather be than Mondonville".
Jean-Paul Fouchécourt is a French tenor, mostly as an opera singer. He was born on 30 August 1958 at Blanzy in the Burgundy region. He is best known for singing French Baroque music, especially the parts called in French haute-contre, written for a very high tenor voice with no falsetto singing.
Acis et Galatée is an opera by Jean-Baptiste Lully. Unlike most of his operas, which are designated tragédies en musique, Lully called this work a pastorale-héroïque, because it was on a pastoral theme and had only three acts compared to the usual five. Otherwise, there is little musically or dramatically to distinguish it from Lully's tragédies.
Zaïs is an opera by Jean-Philippe Rameau first performed on 29 February 1748 at the Opéra in Paris. It takes the form of a pastorale héroïque in four acts and a prologue. The librettist was Louis de Cahusac.
Daphnis et Eglé is an opera by Jean-Philippe Rameau. It was due to appear on 30 October 1753 at Fontainebleau, but the performance was cancelled. It takes the form of a pastorale héroïque in one act. The librettist was Charles Collé.
Les fêtes de Paphos is an opéra-ballet in three acts by the French composer Jean-Joseph Cassanéa de Mondonville. The work was described as a ballet héroïque on the title page of the printed score. Each act had a different librettist. Les fêtes de Paphos was first performed at the Académie royale de musique in Paris on 9 May 1758 and was a popular success. Mondonville recycled material from two of his previous operas for the first two acts, namely Erigone (1747) and Vénus et Adonis (1752), both originally composed for Madame de Pompadour's Théâtre des Petits Cabinets.
François-Augustin de Paradis de Moncrif was a French writer and poet, of a family originally of Scots origin. He was appointed historiographer royal to Louis XV of France. His parody of owlishly pedantic scholarship, Histoire des chats, and the protection of the house of Orléans gained him entry to the Académie française. Maurepas records in his memoirs that at the induction ceremony, a member let loose a cat he had secreted in his pocket: the cat miaowed, the Académiciens miaowed and the serious oration dissolved in laughter.
Céphale et Procris is an opera by the French composer Élisabeth Jacquet de La Guerre. It takes the form of a tragédie en musique in five acts with an allegorical prologue. The libretto, by Joseph-François Duché de Vancy, is loosely based on the myth of Cephalus and Procris as told in Ovid's Metamorphoses. The opera was first performed by the Paris Opéra at the Théâtre du Palais-Royal on 17 March 1694.
Daphnis et Alcimadure is an opera by the Baroque violinist, conductor and composer Jean-Joseph Cassanéa de Mondonville to a libretto in the Occitan language, written by the composer himself and loosely inspired by La Fontaine's fable bearing the same title. It takes the form of a pastorale in three acts and was later endowed with a prologue in French entitled Les jeux floraux, to a libretto by Claude-Henri de Fusée de Voisenon.
Charles-Antoine Leclerc de La Bruère was an 18th-century French historian and diplomat.
Pierre-Joseph Candeille was a French composer and singer, born in Estaires. He studied at Lille before moving to Paris, where he worked singing basse-taille in the chorus of the Opéra and the Concert Spirituel between 1767 and 1781, except for a brief period (1771—1773) he spent in Moulins. From 1784, he became a full-time composer. He worked at the Opéra as choirmaster from 1800 to 1802 and again from 1804 to 1805, before retiring to live in Chantilly.
Méduse, tragédie en musique (Medusa) is an opera by the French composer Charles-Hubert Gervais (1671-1744), ordinaire de la Musique of the Duc de Chartres. The opera was first performed at the Académie Royale de Musique on 13 January 1697. It takes the form of a tragédie en musique in a prologue and five acts. The libretto, by the dramatist Abbé Claude Boyer (1618-1688), concerns the Greek myth of Medusa.
The abbé de La Marre was an 18th-century French homme de lettres. Voltaire was interested in him and gave him some literary works to do. He was a member of the Société du bout du banc hosted by Mlle Quinault.
Isbé is a 1742 opera by Jean-Joseph Cassanéa de Mondonville to a libretto by Henri-Francois de La Rivière (1648–1738) A pastorale héroïque in 5 acts and a prologue, the opera was premiered in Paris on 10 April 1742. The plot concerns Adamas, chief Druid, who conceives a passion for Isbé.
Céphale et Procris is an opera by André Grétry with a French-language libretto by Jean-François Marmontel based on the Classical myth of Cephalus and Procris as told in Book Seven of Ovid's Metamorphoses. It takes the form of a ballet héroïque in three acts. It was first performed at the Palace of Versailles on 30 December 1773.
Marie-Jeanne Larrivée, born Marie-Jeanne Lemière was a French soprano.
