Béla Czóbel was a Hungarian painter, known for his association with The Eight in the early 20th century in Budapest. They were known for introducing Post-Impressionist styles into Hungary, in addition to Fauvism, Cubism and Expressionism.
Bertalan Pór was a Hungarian painter associated with the development of modernist Hungarian art. He was a member of The Eight, a movement among several Hungarian painters in the early twentieth century who represented the radical edge in Budapest. They introduced Fauvism, cubism, and expressionism to Hungarian art.
The Hungarian National Gallery, was established in 1957 as the national art museum. It is located in Buda Castle in Budapest, Hungary. Its collections cover Hungarian art in all genres, including the works of many nineteenth- and twentieth-century Hungarian artists who worked in Paris and other locations in the West. The primary museum for international art in Budapest is the Museum of Fine Arts.
János Mattis-Teutsch or Máttis-Teutsch, Mátis-Teutsch was a Romanian painter, sculptor, graphic artist, art critic, and poet. Best known for his Seelenblumen ("Soulflowers") cycle of paintings, he was an important contributor to the development of modern art and avant-garde trends inside Romania. He was the grandfather of the artist Waldemar Mattis-Teutsch.
Hugó Scheiber was a Hungarian modernist painter.
Róbert Berény was a Hungarian painter, one of the avant-garde group known as The Eight who introduced cubism and expressionism to Hungarian art in the early twentieth century before the First World War. He had studied and exhibited in Paris as a young man and was also considered one of the Hungarian Fauves.
Baron László Mednyánszky or Ladislaus Josephus Balthasar Eustachius Mednyánszky, a Slovak-Hungarian painter-philosopher, is one of the most enigmatic figures in the history of Hungarian art. Despite an aristocratic background, he spent most of his life moving around Europe working as an artist. Mednyánszky spent considerable periods in seclusion but mingled with people across society – in the aristocracy, art world, peasantry and army – many of whom became the subjects of his paintings. His most important works depict scenes of nature and poor, working people, particularly from his home region in Kingdom of Hungary. He is also known as a painter of folklore of Upper Hungary.
Károly Ferenczy was a Hungarian painter and leading member of the Nagybánya artists' colony.
Ödön Márffy was a Hungarian painter, one of The Eight in Budapest, credited with bringing cubism, Fauvism and expressionism to the country.
The Eight was an avant-garde art movement of Hungarian painters active mostly in Budapest from 1909 to 1918. They were connected to Post-Impressionism and radical movements in literature and music as well, and led to the rise of modernism in art culture.
Lajos Tihanyi was a Hungarian painter and lithographer who achieved international renown working outside his country, primarily in Paris, France. After emigrating in 1919, he never returned to Hungary, even on a visit.
Károly Kernstok was a Hungarian painter. In the early twentieth century, he was known for being among the leading groups of Hungarian painters known as the "Neos" and The Eight (1909–1918), before the First World War. He was particularly influenced by the work of Henri Matisse, as may be seen in his monumental painting Riders at the Waterside (1910).
Dezső Czigány was a Hungarian painter who was born and died in Budapest. He was one of The Eight (1909–1918), who first exhibited under that name in Budapest in 1911 and were influential in introducing cubism, fauvism and expressionism into Hungarian art.
István Farkas was a Hungarian painter, publisher and victim of the Holocaust.
Károly Halász was a Hungarian multimedia artist and co-founder of the Hungarian neo-avant-garde artist group Pécs Workshop. His multi-faceted œuvre can be seen as an extension of a constructivist language – which remained central throughout his career – to a wide range of media from video, performance, and installation to painting, sculpture, and graphics, as well as various thematic focuses from the deconstruction of mass media to institutional critique.
Ilona Keserü is a Hungarian painter, professor emerita, Kossuth Prize winner.
Pilgrimage to Cedars of Lebanon is a picture of the Hungarian painter Tivadar Csontváry Kosztka of 1907.
István Moldován was a Hungarian painter and graphic artist.
Lajos Ernst was a Hungarian collector, patron, museum director, member of the Szinyei Merse Pál Society.
