Grouping | Demon child/Changeling |
---|---|
Region | Philippines |
The tiyanak (also tianak or tianac [1] Tagalog: [ˈtjɐnɐk] ) is a vampiric creature in Philippine mythology that takes on the form of a toddler or baby. Although there are various types, it typically takes the form of a newborn baby and cries in the jungle to attract unwary travelers. Once it is picked up by an unfortunate passerby, it reverts to its true form and attacks the victim. [2] The tiyanak is also depicted to take malevolent delight in leading travelers astray, [3] or in abducting children. [4]
"They had another deception—namely, that if any woman died in childbirth, she and the child suffered punishment; and that, at night, she could be heard lamenting. This was called patianac. May the honor and glory be God our Lord's, that among all the Tagalos not a trace of this is left; and that those who are now marrying do not even know what it is, thanks to the preaching of the holy gospel, which has banished it."
Fr. Juan de Plasencia of the Tagalogs (1589)
"449. Pregnant women could not cut their hair, for they said that the children that they would bear would have no hair. When a woman is about to give birth, some men undress until they are stark naked. Then taking shields and catans, one takes his stand in the silong, and another on the ridge of the house, and they continually fence with the wind with their catans as long as the parturition lasts. I have removed some from this performance by force of punishment. They say that it is to keep the patiànac and the osuàng away from the woman. These are witches among them who come to obstruct the success of the childbirth, and to suck out the souls of children; and the people act thus in order to prevent them. He who does not wish to have this observed in public, through fear of punishment, removes his wife to another house for the parturition, if he thinks that the witch is in his."
Fr. Francisco de San Antonio, Cronicas (1738-44)
"They have many other superstitions, as that of the patianac, a spirit or ideal being, whose employment or amusement consists in preventing, [41]by certain means peculiar to itself, the delivery of a woman in labour. To counteract the malignity of this spirit, the husband, fastening the door, reduces himself to a state of complete nudity, lights a fire, and arming himself with his sword, continues to flourish it furiously, until the woman is delivered."
Fr. Martinez de Zuniga, Estadismo (1803) [5]
While various legends have slightly different versions of the tiyanak folklore, the stories all agree on its ability to mimic an infant, able to imitate an infant's cries for luring victims. [3] In some legends, the Tiyanak may take the form of a specific child. [6]
There are various stories on how tiyanaks came to be. The Mandaya people of Mindanao claim that the tiyanak is the spirit of a child whose mother died before giving birth. This caused it to be "born in the ground", thus gaining its current state. [3] A similar supernatural creature in Malay folklore is the Pontianak, which was a woman who died before giving birth.
With the Spanish colonization of the Philippines in the 16th century, the tiyanak myth was integrated into Catholicism. The tiyanak in the Catholic version were supposedly the souls of infants that died before being baptized. [8] In modern-day Philippines, this definition has extended to that of aborted fetuses that returned from death to seek revenge on those who deprived them of life. [2] It is also said that Tiyanak cannot go to the afterlife because of not having a name. This causes them to be Earth-bound creatures which wander around searching for someone to give them names.
In local belief, various countermeasures are supposedly effective against the tiyanak. Those that were led astray by the creature's cries are believed to be able to break the enchantment by turning their clothes inside out. The tiyanak finds the method humorous enough to let go of the traveler and go back to the jungles. Loud noises such as a New Year's celebration are also thought to be enough to drive the tiyanak away from the vicinity. [3] Objects believed to repel Aswang (vampiric shape-shifters), like garlic and the rosary *rosemary* are also commonly believed to be effective against the tiyanak. [2] It is also believed that giving a name to these lost souls will bring them peace, and offering a white candle will help guide its spirit to afterlife.
The Tiyanak is the subject of many Philippine movies:
Tiyanaks appeared in the 2006 TV series Super Inggo , dubbed as the "junanaks" by Budong and Pareng Jomar. They also appeared in week-32 2013 episodes of Juan dela Cruz .
The Tiyanak is also featured as a monster, along with other Philippine folklore-inspired beings, in the Port Malaya patch of Ragnarok Online . [16]
The Tiyanak also appears as a featured monster in an episode of the Netflix anime series Trese . [17]
The Tiyanak appears in the video game Hellmaster by the company Dante Games represented by the number two fire card called Fire horn.
The manananggal is a mythical creature in the Philippines that is able to separate its upper torso from the lower part of its body. Their fangs and wings give them a vampire-like appearance.
Aswang is an umbrella term for various shape-shifting evil creatures in Filipino folklore, such as vampires, ghouls, witches, viscera suckers, and transforming human-beast hybrids. The aswang is the subject of a wide variety of myths, stories, arts, and films, as it is well known throughout the Philippines. Spanish colonists noted that the aswang was the most feared among the mythical creatures of the Philippines, even in the 16th century. Although with no specific motive other than harming others, their behavior can be interpreted as an inversion of the traditional Filipino's values. The aswang is especially popular in southern parts of Luzon, and some parts of Mindanao and Visayas, especially the Visayan province of Capiz.
The Tikbalang (/ˈtikbaˌlaŋ/) is a creature of Philippine folklore said to lurk in the mountains and rainforests of the Philippines. It is a tall, bony humanoid creature with the head and hooves of a horse and disproportionately long limbs, to the point that its knees reach above its head when it squats down. In some versions, it is a transformation of an aborted fetus sent to earth from limbo.
Maria Makiling, more properly Mariang Makiling, is a diwatà (anito) in Philippine mythology, associated with Mount Makiling in Laguna, Philippines. She is the most widely known diwatà in Philippine mythology and was venerated in pre-colonial Philippines as a goddess known as Dayang Masalanta or Dian Masalanta who was invoked to stop deluges, storms, and earthquakes.
Pedro Penduko is a Filipino fictional comic book character created by National Artist for Literature Francisco V. Coching. The character, who is styled as a folk hero, debuted in the magazine Liwayway in 1954.
Shake, Rattle & Roll (SRR) is a Filipino horror anthology film series produced by Regal Entertainment, and formerly Athena Productions. It is the longest-running film series in the Philippines. The series consists of 16 films, each containing three horror shorts that tackles Philippine mythological creatures and other monsters. All films of the series were official entries for the Metro Manila Film Festival, with the exception of the sixth and sixteenth installments, which premiered in January 1997 and November 2023 respectively. The title is based on the song of the same name.
Maurice Gallaga, better known as Peque Gallaga, was a multi-awarded Filipino film-maker. His most significant achievement in film was Oro, Plata, Mata, which he directed after winning a scriptwriting contest sponsored by the Experimental Cinema of the Philippines. He has received an award from the International Film Festival of Flanders-Ghent, Belgium in 1983; a Special Jury Award from the Manila International Film Festival; and the 2004 Gawad CCP para sa Sining.
Philippine folk literature refers to the traditional oral literature of the Filipino people. Thus, the scope of the field covers the ancient folk literature of the Philippines' various ethnic groups, as well as various pieces of folklore that have evolved since the Philippines became a single ethno-political unit.
Mythic humanoids are legendary, folkloric, or mythological creatures that are part human, or that resemble humans through appearance or character. Each culture has different mythical creatures that come from many different origins, and many of these creatures are humanoids. They are often able to talk and in many stories they guide the hero on their journey.
Engkanto are mythical environmental spirits that are said to have the ability to appear in human form. They are often associated with the spirits of ancestors in the Philippines. They are also characterized as spirit sorts like sirens, dark beings, elves, and more. Belief in their existence has likely existed for centuries, and continues to this day.
Shake, Rattle & Roll X is a 2008 Filipino fantasy horror anthology film produced by Regal Entertainment and directed by Micheal Tuviera and Topel Lee. It is the tenth installment of the Shake, Rattle & Roll film series, and the highest-grossing film in the series. The film is an official entry to the 34th Metro Manila Film Festival. The film was a box office success, and Robert Villar won the MMFF Award for Best Child Performer.
Trese is a Filipino komik series written by Budjette Tan and illustrated by Kajo Baldisimo. It tells the story of Alexandra Trese, a detective who deals with crimes of supernatural origin. Its first issue was published on October 22, 2005, starting off as a niche work which grew in popularity as readers were intrigued first by the first two volumes' focus on Manila's urban legends, and then by the later volumes' development of Alexandra Trese as a character. The series went on to win several accolades.
Shake, Rattle & Roll 13 is a 2011 Filipino horror anthology film produced by Regal Entertainment, and the thirteenth installment of the Shake, Rattle & Roll film series. It is directed by Richard Somes, Jerrold Tarog and Chris Martinez, and was an official entry to the 2011 Metro Manila Film Festival.
Shake, Rattle & Roll is a 1984 Filipino horror anthology film directed by Emmanuel H. Borlaza, Ishmael Bernal, and Peque Gallaga. It is the first installment in the Shake, Rattle & Roll film series. This was the only film in the series to be produced by Athena Productions, with the rest of the installments produced and distributed by Regal Films. The film's title is based on the song of the same name.
Shake, Rattle & Roll II is a 1990 Filipino horror anthology film, and the second installment of the Shake, Rattle & Roll film series. The film was produced and distributed by Regal Films and is directed by Peque Gallaga and Lore Reyes. The film is an entry of the 1990 Metro Manila Film Festival. It is the first starring role of Manilyn Reynes before the following sequels. The third installment, Shake, Rattle & Roll III, was released in 1991.
Shake, Rattle & Roll XV is a 2014 Filipino horror anthology film directed by Dondon Santos, Jerrold Tarog, and Perci Intalan, and the fifteenth installment of the Shake, Rattle & Roll film series. The film stars an ensemble cast including Erich Gonzales, JC de Vera, Carla Abellana, Dennis Trillo, Lovi Poe, Matteo Guidicelli, and John Lapus.
Trese is a Singaporean anime-influenced television series based on the Filipino comic series of the same name by Budjette Tan and Kajo Baldisimo. Produced by BASE Entertainment, the series was released on June 10, 2021 on Netflix in the United States, which was followed by a global release the next day.
In the Philippines, a handful of superstitious beliefs exist that are very famous amongst the natives. These beliefs are typically introduced to them at a very early age through children's books or bedtime stories. It is believed that if natives aren't careful to follow them, a curse will befall them.
Shake, Rattle & Roll Extreme is a 2023 Filipino horror anthology film produced by Regal Entertainment, and the sixteenth installment of the Shake, Rattle & Roll film series after a 9-year hiatus since the fifteenth film. It is directed by Jerrold Tarog, Joey de Guzman and Richard Somes. It stars an ensemble cast top-billed by Iza Calzado, Jane de Leon, and Jane Oineza. It is the second Shake, Rattle & Roll film that is not part of the Metro Manila Film Festival since the sixth film in 1997. Salas and Calzado returned to the franchise after 18 and 17 years of the former appeared in the seventh film and the latter appeared in the eighth film.
{{cite journal}}
: Cite journal requires |journal=
(help)