Tizita (var. Tezeta; Amharic : ትዝታ; English: memory, "nostalgia" or "longing") [1] is one of the Pentatonic scales or Qañat of the Amhara ethnic group. [2]
The term tizita is distinctly Amharic, there's no Geez equivalent, as opposed to the term nafkot which belongs to both languages with the same meaning (regret, emotion linked to a remembrance). [3] Tizita folk songs developed in the countryside by the Amhara peasantry and the village musicians called the Azmaris. [4]
Tizita songs are a popular music genre in Ethiopia and Eritrea. It's named after the Tizita Qañat mode/scale used in such songs. [1] Tizita is known for strongly moving listener's feelings not only among the Amhara, but a large number of Ethiopians, in general. [5]
Western sources often compare tizita to the blues. [6] [7] Other musical equivalent are the Portuguese Saudade , Assouf for the Tuareg people, or Dor in Romania. In Slovakia, the closest word is clivota or cnenie, Sehnsucht in German, and "կարոտ" [8] (phonetically karōt) in Armenian. [8]
Modern Ethiopian artists who have performed tizita songs include Aster Aweke, Hailu Mergia, Bezawork Asfaw, Teddy Afro, Mulatu Astatke, Meklit Hadero, Seyfu Yohannes and Mahmoud Ahmed.
Ethiopian Jazz or Ethio-Jazz genre was developed in the 1960's by infusing Tizita Qañat with elements of Ethiopian Orthodox Christian music, and the use of Western instruments. The pioneer of this genre is Mulatu Astatke. [9]
Ethiopian music is a term that can mean any music of Ethiopian origin, however, often it is applied to a genre, a distinct modal system that is pentatonic, with characteristically long intervals between some notes.
Amharas are a Semitic-speaking ethnic group which is indigenous to Ethiopia, traditionally inhabiting parts of the northwest Highlands of Ethiopia, particularly inhabiting the Amhara Region. According to the 2007 national census, Amharas numbered 19,867,817 individuals, comprising 26.9% of Ethiopia's population, and they are mostly Oriental Orthodox Christian.
Amha Records was an Ethiopian record label founded by Amha Eshete. The company released 103 singles and 12 albums between 1969 and 1975.
Éthiopiques is a series of compact discs featuring Ethiopian singers and musicians. Many of the CDs compile songs from various singles and albums that Amha Records, Kaifa Records and Philips-Ethiopia released during the 1960s and 1970s in Ethiopia. Prominent singers and musicians from this era appearing on Éthiopiques releases include Alemayehu Eshete, Asnaketch Worku, Mahmoud Ahmed, Mulatu Astatke and Tilahun Gessesse. However, some other releases contain new recordings.
Ethiopia is one of the few countries with so many traditional aspects and cultural mannerism. the country that is located in the horn of Africa has many traditions and cultures that is experienced in the daily livelihood of the people, starting of having their own calendar to the food, clothing, music and cuisine.
Mulatu Astatke is an Ethiopian musician and arranger considered as the father of "Ethio-jazz".
The begena, is a ten-stringed box-lyre instrument from Ethiopia, and is the sole melodic instrument devoted only to the zema, the spiritual part of Ethiopian music.
Washint is an end-blown wooden flute originally used in Ethiopia. Traditionally, Amharic musicians would pass on their oral history through song accompanied by the washint as well as the krar, a six stringed lyre, and the masenqo, a one string fiddle.
Mahmoud Ahmed is an Ethiopian singer. He gained great popularity in Ethiopia in the 1970s and among the Ethiopian diaspora in the 1980s, before rising to international fame with African music fans in Europe and the Americas.
Russ Gershon is an American saxophonist, composer, arranger, and founder of the Either/Orchestra in Massachusetts in 1985.
The Either/Orchestra (E/O) is a jazz group formed by Russ Gershon in Cambridge, Massachusetts, US, in 1985. E/O is configured as a "small big band", with three saxes, two trumpets and one or two trombones. E/O's is characterized by a heavier and more orchestrated sound than that of a smaller jazz combo, but remains more streamlined and improvisation-oriented than most big bands.
Getatchew Mekurya was an Ethiopian jazz saxophonist.
Buda Musique is a French record label specializing in world music. It was founded in 1987 by Gilles Fruchaux and Dominique Buscall. After Buscall died in 1990, Fruchaux became the sole owner. The label is especially known for its Éthiopiques series.
Girma Bèyènè, born in Addis Ababa, is an Ethiopian lyricist, composer, arranger, vocalist, and pianist, most active during the golden era of Ethiopian vinyl records (1969–78). He only recorded four songs as a vocalist, but arranged more than 60 titles, and collaborated on at least 25 other tracks. Girma left Ethiopia during the Derg military dictatorship to live in the United States, where he disappeared into the diaspora and ceased to play music. He released a new album in 2017, part of the Ethiopiques collection.
Walias Band were an Ethiopian jazz and funk band active from the early 1970s until the early 1990s. Formed by members of the Venus Band, Walias backed up many prominent singers with a hard polyrhythmic funk sound influenced by western artists like King Curtis, Junior Walker and Maceo Parker. In 1977 they recorded one of the few albums of Ethiopian instrumental music in collaboration with vibraphonist Mulatu Astatke, whose role as a bandleader and composer was also a major influence on Ethiopian popular music.
Francis Falceto is a contemporary French musicologist and music producer, specialising in World music and in particular music of Ethiopia which he helped propagate internationally from 1986 onwards.
Qañat or Qeñet are secular musical scales developed by the Amhara ethnic group of Ethiopia. Qañat consists in a set of intervals defining the mode of a musical piece or the tuning scale of the instrument playing the piece. There are four main qañat scales that are used, all of which are pentatonic: tizita (ትዝታ), bati (ባቲ), ambassel (ዐምባሰል), and anchihoye (አንቺሆዬ). Three additional modes are variations on the above: tezeta minor, bati major, and bati minor. Some songs take the name of their qañat, such as tizita, a song of reminiscence.
Tezeta is a music genre in Ethiopia and Eritrea in ballad form.
Menelik Wossenachew was an Ethiopian singer who was known for his famous singles "Fikir Ayarejim", "Sukar Sukar" "Teyaqiyew Biaschegregn " and later "Gash Jembere".
The Ethiopian Golden Age of Music was an era of Ethiopian music that began around the 1960s to 1970s, until the Derg regime progressively diminished its presence through politically motivated persecutions and retributions against musicians and companies, which left many to self-imposed exile to North America and Europe. Several artists and musical companies, as well as recording groups, emerged to produce their own singles and albums; the first being Amha Records, and Philips Records, Ethiopia Records and Kaifa Records, which is primarily based in Addis Ababa.