ToBI

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ToBI ( /ˈtbi/ ; [1] an abbreviation of tones and break indices) is a set of conventions for transcribing and annotating the prosody of speech. The term "ToBI" is sometimes used to refer to the conventions used for describing American English specifically, [2] which was the first ToBI system, developed by Mary Beckman and Janet Pierrehumbert, among others. [3] Other ToBI systems have been defined for a number of languages; for example, J-ToBI refers to the ToBI conventions for Tokyo Japanese, [4] and an adaptation of ToBI to describe Dutch intonation was developed by Carlos Gussenhoven, and called ToDI. [5] Another variation of ToBI, called IViE (Intonational Variation in English), was established in 1998 to enable comparison between several dialects of British English. [6]

Contents

Overview

A full ToBI transcription consists of six parts: (a) an audio recording, (b) an electronic print-out or paper record of the F0 (fundamental pitch), (c) a tones tier, with an analysis of the tonal events in terms of H and L, (d) a words tier with the words of the utterance in ordinary writing, (e) a break-index tier showing the strength of the junctures, and (f) a miscellaneous tier with comments. [7]

Tonal events

Tonal events include pitch accents, phrase accents, and boundary tones.

Pitch accents, written as H* or L* (high and low tones, respectively), are typically realized on words that carry the most information in a sentence. For example, in the sentence "Mary went to the store to get some milk", a natural pronunciation would include pitch accents on "Mary", "store", and "milk". Other kinds of pitch accents include L*+H (a syllable which starts with a low accent and then rises) and L+H* (again low-high on one syllable, but with the second part accented). [8]

Phrase accents, written H- or L-, are the tones between a pitch accent and a boundary tone. For example, the intonation at the end of a question might be H*L-H%, indicating that the pitch starts high, falls to a low, and rises again; or L*H-H%, indicating that the pitch starts low, then rises steadily to a high. [8]

Boundary tones, written with H% and L%, are affiliated not to words but to phrase edges. For example, the sentence "Mary went to the store" can be pronounced as a statement or a question ("Mary went to the store." vs. "Mary went to the store?"). The contrast between the statement and the question is signalled by a boundary tone at the end of the phrase: a low boundary tone causes a falling pitch contour, signalling the statement, whereas a high boundary tone causes a rising pitch contour, signalling the question.[ citation needed ]

Break indices

Break indices are numbers indicating how strong the break is between words: [8]

The English ToBI standard distinguishes four or five levels of boundary strength, corresponding roughly to breaks between constituents at different levels of the Prosodic Hierarchy. [9] [10] One signal of boundary strength is lengthening of the preceding syllable: the stronger the boundary, the more lengthening of the preceding syllable. [11] In some versions, level 2 is omitted.

Related Research Articles

In linguistics, and particularly phonology, stress or accent is the relative emphasis or prominence given to a certain syllable in a word or to a certain word in a phrase or sentence. That emphasis is typically caused by such properties as increased loudness and vowel length, full articulation of the vowel, and changes in tone. The terms stress and accent are often used synonymously in that context but are sometimes distinguished. For example, when emphasis is produced through pitch alone, it is called pitch accent, and when produced through length alone, it is called quantitative accent. When caused by a combination of various intensified properties, it is called stress accent or dynamic accent; English uses what is called variable stress accent.

A pitch-accent language is a type of language that, when spoken, has certain syllables in words or morphemes that are prominent, as indicated by a distinct contrasting pitch rather than by loudness or length, as in some other languages like English. Pitch-accent languages also contrast with fully tonal languages like Vietnamese, Thai and Standard Chinese, in which practically every syllable can have an independent tone. Some scholars have claimed that the term "pitch accent" is not coherently defined and that pitch-accent languages are just a sub-category of tonal languages in general.

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<span class="mw-page-title-main">Japanese pitch accent</span> Japanese language feature

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INTSINT is an acronym for INternational Transcription System for INTonation.

In linguistics, intonation is the variation in pitch used to indicate the speaker's attitudes and emotions, to highlight or focus an expression, to signal the illocutionary act performed by a sentence, or to regulate the flow of discourse. For example, the English question "Does Maria speak Spanish or French?" is interpreted as a yes-or-no question when it is uttered with a single rising intonation contour, but is interpreted as an alternative question when uttered with a rising contour on "Spanish" and a falling contour on "French". Although intonation is primarily a matter of pitch variation, its effects almost always work hand-in-hand with other prosodic features. Intonation is distinct from tone, the phenomenon where pitch is used to distinguish words or to mark grammatical features.

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Mary Esther Beckman is a Professor Emerita of Linguistics at the Ohio State University.

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Metrical phonology is a theory of stress or linguistic prominence. The innovative feature of this theory is that the prominence of a unit is defined relative to other units in the same phrase. For example, in the most common pronunciation of the phrase "doctors use penicillin", the syllable '-ci-' is the strongest or most stressed syllable in the phrase, but the syllable 'doc-' is more stressed than the syllable '-tors'. Previously, generative phonologists and the American Structuralists represented prosodic prominence as a feature that applied to individual phonemes (segments) or syllables. This feature could take on multiple values to indicate various levels of stress. Stress was assigned using the cyclic reapplication of rules to words and phrases.

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Julia Hirschberg is an American computer scientist noted for her research on computational linguistics and natural language processing.

The term boundary tone refers to a rise or fall in pitch that occurs in speech at the end of a sentence or other utterance, or, if a sentence is divided into two or more intonational phrases, at the end of each intonational phrase. It can also refer to a low or high intonational tone at the beginning of an utterance or intonational phrase.

References

  1. Wells, John C. (2008). Longman Pronunciation Dictionary (3rd ed.). Longman. ISBN   978-1-4058-8118-0.
  2. Beckman, M. E., Hirschberg, J., & Shattuck-Hufnagel, S. (2005). The original ToBI system and the evolution of the ToBI framework. In S.-A. Jun (ed.) Prosodic Typology -- The Phonology of Intonation and Phrasing
  3. Silverman, Kim; Beckman, Mary; Pitrelli, John; Ostendorf, Mari; Wightman, Colin; Price, Patti; Pierrehumbert, Janet; Hirschberg, Julia (1992). "TOBI: A Standard for Labeling English Prosody". International Conference Spoken Language Processing. Banff, Canada: 867–870.
  4. Venditti, J. J. (2005). The J_ToBI model of Japanese intonation. In Sun-Ah Jun (ed.) Prosodic Typology: The Phonology of Intonation and Phrasing, pp. 172-200.
  5. Gussenhoven, Carlos (2010). "Transcription of Dutch Intonation" in Sun-Ah Jun Prosodic Typology: The Phonology of Intonation and Phrasing. Oxford Scholarship Online, chapter 5. DOI: 10.1093/acprof:oso/9780199249633.001.0001.
  6. Cooper, S. (2015) "Intonation in Anglesey Welsh". Bangor University PhD thesis, p. 32.
  7. Cooper, S. (2015) "Intonation in Anglesey Welsh". Bangor University PhD thesis, p. 29.
  8. 1 2 3 "ToBI Transcription Summary". legacy.cs.indiana.edu. Retrieved 2024-08-22.
  9. Selkirk, E. (1984). Phonology and syntax. MIT Press: Cambridge.
  10. Nespor, M. and I. Vogel. 1986. Prosodic Phonology. Foris.
  11. Wightman, C. W., Shattuck-Hufnagel, S., Ostendorf, M., & Price, P.J. (1992). Segmental durations in the vicinity of prosodic phrase boundaries. Journal of the Acoustical Society of America, 91(3), 1707-1717.