To See or Not to See | |
---|---|
Directed by | Břetislav Pojar |
Written by | Břetislav Pojar |
Produced by | Robert Verrall Wolf Koenig |
Starring | Severn Darden (voice) |
Edited by | Maurice Blackburn (sound and music) Břetislav Pojar (sound and music) |
Music by | Genevieve Martin |
Production company | |
Running time | 14 min, 31 seconds |
Country | Canada |
Languages | English, French |
To See or Not to See (French : Psychocratie) is a 1969 Canadian animated short film, directed by Břetislav Pojar for the National Film Board of Canada. [1]
An exploration of fear, the film centres on a scientist who develops a pair of glasses that allows the wearer to see reality instead of subjective perception, thus making fear less onerous and easier to overcome. [2]
To See or Not to See amusingly reflects on our habit of looking before we leap. What Pojar shows us is the little person inside each of us, the cautious character we all know, who acts to keep us out of trouble but also keeps us in a state of defeat. Is there a cure for this reluctance to face up to life in the raw? The film shows that there is. [3]
William Norman McLaren, LL. D. was a Scottish Canadian animator, director and producer known for his work for the National Film Board of Canada (NFB). He was a pioneer in a number of areas of animation and filmmaking, including hand-drawn animation, drawn-on-film animation, visual music, abstract film, pixilation and graphical sound. McLaren was also an artist and printmaker, and explored his interest in dance in his films.
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Grant Munro LL. D. was a Canadian animator, filmmaker and actor. In 1952, he co-starred with Jean-Paul Ladouceur in Norman McLaren's Neighbours. His film, Christmas Cracker, was nominated for an Academy Award in 1965.
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Jacques Giraldeau (1927-2015) was a Canadian documentary filmmaker from Quebec. He spent most of his career at the National Film Board of Canada and became known primarily for his films about the history of Quebec as seen through the eyes of its artists. He had a fondness for the avant-garde and many of his films are considered to be experimental.