Emperor Go-Toba was the 82nd emperor of Japan, according to the traditional order of succession. His reign spanned the years from 1183 through 1198.
Tendai, also known as the Tendai Lotus School is a Mahāyāna Buddhist tradition officially established in Japan in 806 by the Japanese monk Saichō. The Tendai school, which has been based on Mount Hiei since its inception, rose to prominence during the Heian period (794-1185). It gradually eclipsed the powerful Hossō school and competed with the rival Shingon school to become the most influential sect at the Imperial court.
Enryaku-ji is a Tendai monastery located on Mount Hiei in Ōtsu, overlooking Kyoto. It was first founded in 788 during the early Heian period (794–1185) by Saichō (767–822), also known as Dengyō Daishi, who introduced the Tendai sect of Mahayana Buddhism to Japan from China. The temple complex has undergone several reconstruction efforts since then, with the most significant taking place in 1642 under Tokugawa Iemitsu. Enryaku-ji is the headquarters of the Tendai sect and one of the most significant monasteries in Japanese history. As such, it is part of the UNESCO World Heritage Site "Historic Monuments of Ancient Kyoto ". The founders of Jōdo-shū, Jōdo Shinshū, Sōtō Zen, and Nichiren Buddhism all spent time at the monastery. Enryaku-ji is also the center for the practice of kaihōgyō.
In Japanese folklore and Folklore, Sōjōbō is the mythical king and god of the tengu, legendary creatures thought to inhabit the mountains and forests of Japan. Sōjōbō is a specific type of tengu called daitengu and has the appearance of a yamabushi, a Japanese mountain hermit. Daitengu have a primarily human form with some bird-like features such as wings and claws. The other distinctive physical characteristics of Sōjōbō include his long, white hair and unnaturally long nose.
Yoshimine no Munesada (良岑宗貞), better known as Henjō, was Japanese waka poet and Buddhist priest. In the poetry anthology Kokin Wakashū, he is listed as one of the six notable waka poets and one of the thirty-six immortals of poetry.
Tomioka Tessai was the pseudonym for a painter and calligrapher in imperial Japan. He is regarded as the last major artist in the Bunjinga tradition and one of the first major artists of the Nihonga style. His real name was Yusuke, which he later changed to Hyakuren.
Gwalleuk was a Korean Buddhist monk from the kingdom of Baekje who lived during the time of King Wideok. In 602, he travelled to Japan and is known for helping to spread the teachings of Taoism and Buddhism to Japan. In particular, he brought over fangshu texts related to the likes of geomancy and onmyōdō, as well as a calendar, according to the Nihon Shoki. In 624, he was made a high priest, possibly of Gangō-ji, for the rest of his life.
Gyōki was a Japanese Buddhist priest of the Nara period, born in Ōtori county, Kawachi Province, the son of Koshi no Saichi. According to one theory, one of his ancestors was of Korean descent.
Itō Jakuchū was a Japanese painter of the mid-Edo period when Japan had isolated itself from the outside world. Many of his paintings concern traditionally Japanese subjects, particularly chickens and other birds. Many of his otherwise traditional works display a great degree of experimentation with perspective, and with other very modern stylistic elements.
This is an article on Buddhist rankings. For the artist, see Yamazaki Sōkan.
Seiryuzan Zuigan-ji is a Rinzai Zen Buddhist temple in located in the town of Matsushima, Miyagi Prefecture, Japan. Belonging to the Myōshin-ji-branch of Rinzai Zen, it was founded in 828 during the Heian period by Jikaku Daishi.
Gyōi was a Japanese poet and Buddhist monk of the late Heian and early Kamakura periods.
Chōjū-jinbutsu-giga, commonly shortened to Chōjū-giga, is a famous set of four picture scrolls, or emakimono, belonging to Kōzan-ji temple in Kyoto, Japan. The Chōjū-giga scrolls are also referred to as Scrolls of Frolicking Animals and Scrolls of Frolicking Animals and Humans in English. Some think that Toba Sōjō created the scrolls; however, it seems clear from the style that more than one artist is involved. The right-to-left reading direction of Chōjū-jinbutsu-giga is traditional in East Asia, and is still common in Japan. Chōjū-jinbutsu-giga is also credited as the oldest work of manga. The scrolls are now entrusted to the Kyoto National Museum and Tokyo National Museum.
Buddhism played an important role in the development of Japanese art between the 6th and the 16th centuries. Buddhist art and Buddhist religious thought came to Japan from China through Korea. Buddhist art was encouraged by Crown Prince Shōtoku in the Suiko period in the sixth century, and by Emperor Shōmu in the Nara period in the eighth century. In the early Heian period, Buddhist art and architecture greatly influenced the traditional Shinto arts, and Buddhist painting became fashionable among wealthy Japanese. The Kamakura period saw a flowering of Japanese Buddhist sculpture, whose origins are in the works of Heian period sculptor Jōchō. During this period, outstanding busshi appeared one after another in the Kei school, and Unkei, Kaikei, and Tankei were especially famous. The Amida sect of Buddhism provided the basis for many popular artworks. Buddhist art became popular among the masses via scroll paintings, paintings used in worship and paintings of Buddhas, saint's lives, hells and other religious themes. Under the Zen sect of Buddhism, portraiture of priests such as Bodhidharma became popular as well as scroll calligraphy and sumi-e brush painting.
Toba-e (鳥羽絵) is a style of Japanese painting based on works from the 12th century that are attributed to Toba Sōjō. These “Toba-style” images were caricatures sometimes involving animals performing human tasks. Toba-e style images gained popularity as a commercial medium in mid-eighteenth century Edo. Though their popularity did not stay strong, Toba-e images have left a lasting impact through today, particularly in manga.
He-Gassen, or Houhi-Gassen (放屁合戦), are titles given to a Japanese art scroll, created during the Edo period (1603–1868) by an unknown artist or several unknown artists depicting flatulence humor.
Gyōson, also known as the Abbot of Byōdō-in, was a Japanese Tendai monk and waka poet of the late-Heian period. He became chief prelate of the Enryaku-ji temple in Kyoto, and one of his poems was included in the Ogura Hyakunin Isshu. Almost fifty of his poems were included in imperial anthologies, and he produced a private collection of poetry.
Kōyasan Reihōkan is an art museum on Kōya-san, Wakayama Prefecture, Japan, preserving and displaying Buddhist art owned by temples on Kōya-san. The collection is centered around articles from the Heian and Kamakura periods and includes paintings, calligraphy, sutras, sculpture and Buddhist ritual objects. Among these are a set of the complete Buddhist canon (issaikyō), writings of Kūkai and Minamoto no Yoritomo, founder of the Kamakura Shogunate, mandalas and portraits of priests. The most valuable objects have been designated as National Treasure or Important Cultural Property.
Matsumura Keibun was a Japanese painter.
