Leonardo di ser Piero da Vinci was an Italian polymath of the High Renaissance who was active as a painter, draughtsman, engineer, scientist, theorist, sculptor, and architect. While his fame initially rested on his achievements as a painter, he has also become known for his notebooks, in which he made drawings and notes on a variety of subjects, including anatomy, astronomy, botany, cartography, painting, and palaeontology. Leonardo is widely regarded to have been a genius who epitomised the Renaissance humanist ideal, and his collective works comprise a contribution to later generations of artists matched only by that of his younger contemporary Michelangelo.
Andrea del Verrocchio was an Italian sculptor, painter and goldsmith who was a master of an important workshop in Florence.
The Vitruvian Man is a drawing by the Italian Renaissance artist and scientist Leonardo da Vinci, dated to c. 1490. Inspired by the writings of the ancient Roman architect Vitruvius, the drawing depicts a nude man in two superimposed positions with his arms and legs apart and inscribed in both a circle and square. It was described by the art historian Carmen C. Bambach as "justly ranked among the all-time iconic images of Western civilization". Although not the only known drawing of a man inspired by the writings of Vitruvius, the work is a unique synthesis of artistic and scientific ideals and often considered an archetypal representation of the High Renaissance.
Lorenzo di Credi was an Italian Renaissance painter and sculptor best known for his paintings of religious subjects, and portraits. With some excursions to nearby cities, his whole life was spent in Florence. He is most famous for having worked in the studio of Andrea del Verrocchio at the same time as the young Leonardo da Vinci, who seems to have influenced his style considerably.
The Virgin of the Rocks, sometimes the Madonna of the Rocks, is the name of two paintings by the Italian Renaissance artist Leonardo da Vinci, of the same subject, with a composition which is identical except for several significant details. The version generally considered the prime version, the earlier of the two, is unrestored and hangs in the Louvre in Paris. The other, which was restored between 2008 and 2010, hangs in the National Gallery, London. The works are often known as the Louvre Virgin of the Rocks and London Virgin of the Rocks respectively. The paintings are both nearly 2 metres high and are painted in oils. Both were originally painted on wooden panels, but the Louvre version has been transferred to canvas.
The Annunciation is a painting by the Italian Renaissance artist Leonardo da Vinci, dated to c. 1472–1476. Leonardo's earliest extant major work, it was completed in Florence while he was an apprentice in the studio of Andrea del Verrocchio. The painting was made using oil and tempera on a large poplar panel and depicts the Annunciation, a popular biblical subject in 15th-century Florence. Since 1867 it has been housed in the Uffizi in Florence, the city where it was created. Though the work has been criticized for inaccuracies in its composition, it is among the best-known portrayals of the Annunciation in Christian art.
The Lady with an Ermine is a portrait painting by the Italian Renaissance artist Leonardo da Vinci. Dated to c. 1489–1491, the work is painted in oils on a panel of walnut wood. Its subject is Cecilia Gallerani, a mistress of Ludovico Sforza, Duke of Milan; Leonardo was painter to the Sforza court in Milan at the time of its execution. It is the second of only four surviving portraits of women painted by Leonardo, the others being Ginevra de' Benci, La Belle Ferronnière and the Mona Lisa.
The Madonna Litta is a late 15th-century painting, by Leonardo da Vinci, in the Hermitage Museum, Saint Petersburg. It depicts the Virgin Mary breastfeeding the Christ child, a devotional subject known as the Madonna lactans. The figures are set in a dark interior with two arched openings, as in Leonardo's earlier Madonna of the Carnation, and a mountainous landscape in aerial perspective can be seen beyond. In his left hand Christ holds a goldfinch, which is symbolic of his future Passion.
The Portrait of a Musician is an unfinished painting by the Italian Renaissance artist Leonardo da Vinci, dated to c. 1483–1487. Produced while Leonardo was in Milan, the work is painted in oils, and perhaps tempera, on a small panel of walnut wood. It is his only known male portrait painting, and the identity of its sitter has been closely debated among scholars.
The Madonna of the Yarnwinder is a subject depicted by Leonardo da Vinci in at least one, and perhaps two paintings begun in 1499 or later. Leonardo was recorded as being at work on one such picture in Florence in 1501 for Florimond Robertet, a secretary to King Louis XII of France. This may have been delivered to the French court in 1507, though scholars are divided on this point. The subject is known today from several versions of which two, called the Buccleuch Madonna and the Lansdowne Madonna, are thought to be partly by Leonardo's hand. The underdrawings of both paintings show similar experimental changes made to the composition, suggesting that both evolved concurrently in Leonardo's workshop.
The Baptism of Christ is an oil-on-panel painting finished around 1475 in the studio of the Italian Renaissance painter Andrea del Verrocchio and generally ascribed to him and his pupil Leonardo da Vinci. Some art historians discern the hands of other members of Verrocchio's workshop in the painting as well.
Martin John Kemp is a British art historian and exhibition curator who is one of the world's leading authorities on the life and works of Leonardo da Vinci. The author of many books on Leonardo, Kemp has also written about visualisation in art and science, particularly anatomy, natural sciences and optics. Instrumental in the controversial authentication of Salvator Mundi to Leonardo, Kemp has been vocal on attributions to Leonardo, including support of La Bella Principessa and opposition to the Isleworth Mona Lisa.
Andrea del Verrocchio's bronze statue of David was most likely made between 1473 and 1475. It was commissioned by the Medici family. It is sometimes claimed that Verrocchio modeled the statue after his pupil Leonardo da Vinci.
The Italian polymath Leonardo da Vinci (1452–1519) left thousands of pages of writings and drawings, but rarely made any references to his personal life. The resulting uncertainty, combined with mythologized anecdotes from his lifetime, has resulted in much speculation and interest in Leonardo's personal life. Particularly, his personal relationships, philosophy, religion, vegetarianism, left-handedness and appearance.
Tobias and the Angel is an oil and tempera painting on poplar panel by the Florentine Renaissance painter Filippino Lippi, dating from c. 1475–1480, of Tobias and the Angel, a popular subject at the time. It is now in the National Gallery of Art in Washington, DC.
Tobias and the Angel is the traditional title of depictions in art of a passage from the Book of Tobit in which Tobias, son of Tobit, travels with the Archangel Raphael without realising he is an angel (5.5–6) and is then instructed by Raphael what to do with a giant fish he catches (6.2–9). The Book of Tobit is accepted by Catholic and Eastern Orthodox Christians as part of the biblical canon, but not by Judaism or most Protestant Christians, the latter including it in the Apocrypha.
The portrait of a man in red chalk in the Royal Library of Turin is widely, though not universally, accepted as a self-portrait of Leonardo da Vinci. It is thought that Leonardo da Vinci drew this self-portrait at about the age of 60. The portrait has been extensively reproduced and has become an iconic representation of Leonardo as a polymath or "Renaissance Man". Despite this, some historians and scholars disagree as to the true identity of the sitter.
La Scapigliata is an unfinished painting generally attributed to the Italian High Renaissance artist Leonardo da Vinci, and dated c. 1506–1508. Painted in oil, umber, and white lead pigments on a small poplar wood panel, its attribution remains controversial, with several experts attributing the work to a pupil of Leonardo. The painting has been admired for its captivating beauty, mysterious demeanor, and mastery of sfumato.
The Leonardeschi were the large group of artists who worked in the studio of, or under the influence of, Leonardo da Vinci. They were artists of Italian Renaissance painting, although his influence extended to many countries within Europe.
The fish
The dog
