Todos Tus Muertos | ||||
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Studio album by Todos Tus Muertos | ||||
Released | 1988 [1] | |||
Recorded | Panda Studios March–April 1988 | |||
Genre | Punk rock, Reggae fusion, Post-punk | |||
Length | 38:43 | |||
Label | RCA [2] BMG | |||
Producer | Todos Tus Muertos Mundy Epifanio | |||
Todos Tus Muertos chronology | ||||
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Todos Tus Muertos is the debut album by Argentine band Todos Tus Muertos released in 1988, and give them some successes needed to be known on a larger scale by taking them on tour in other countries.
Argentina, officially named the Argentine Republic, is a country located mostly in the southern half of South America. Sharing the bulk of the Southern Cone with Chile to the west, the country is also bordered by Bolivia and Paraguay to the north, Brazil to the northeast, Uruguay and the South Atlantic Ocean to the east, and the Drake Passage to the south. With a mainland area of 2,780,400 km2 (1,073,500 sq mi), Argentina is the eighth-largest country in the world, the fourth largest in the Americas, and the largest Spanish-speaking nation. The sovereign state is subdivided into twenty-three provinces and one autonomous city, Buenos Aires, which is the federal capital of the nation as decided by Congress. The provinces and the capital have their own constitutions, but exist under a federal system. Argentina claims sovereignty over part of Antarctica, the Falkland Islands, and South Georgia and the South Sandwich Islands.
Todos Tus Muertos is a rasta-punk band from Argentina formed in Buenos Aires, in 1985. The longtime line-up comprised by a young vocalist Fidel Nadal, Horacio "Gamexane" Villafañe on guitar, Felix Gutiérrez on bass, and drummer Pablo Potenzoni. Achieved international success throughout the 1990s. The band was part from the second Argentine punk movement that emerged during the mid-1980s. By 2015, was announced a reunion show with Fidel Nadal, Felix Gutiérrez and Pablo Molina at the Jamming Festival in Bogotá, Colombia on 5 June 2016, and more recently three more show in Chile and Mexico.
The album is considered an artistic breakthrough for Todos Tus Muertos, being the first full-length release to consist entirely of the band. Horacio "Gamexane" played a variety of styles not usually associated with the mainstream rock music, with a darker sound and the gloomy lyrics along almost the entire album. Fidel Nadal played the kalimba on "Dieciocho Horas" and "Días de Escuela". Much of the music-style was still rooted in British post-punk and north-American hardcore punk.
Post-punk is a broad type of rock music that emerged from the punk movement of the 1970s, in which artists departed from the simplicity and traditionalism of punk rock to adopt a variety of avant-garde sensibilities and diverse influences. Inspired by punk's energy and DIY ethic but determined to break from rock cliches, artists experimented with sources including electronic music and black styles like dub, funk, free jazz, and disco; novel recording and production techniques; and ideas from art and politics, including critical theory, modernist art, cinema and literature. Communities that produced independent record labels, visual art, multimedia performances and fanzines developed around these pioneering musical scenes, which coalesced in cities such as London, New York, Manchester, Melbourne, Sydney and San Francisco.
Hardcore punk is a punk rock music genre and subculture that originated in the late 1970s. It is generally faster, harder, and more aggressive than other forms of punk rock. Its roots can be traced to earlier punk scenes in San Francisco and Southern California which arose as a reaction against the still predominant hippie cultural climate of the time. It was also inspired by New York punk rock and early proto-punk. New York punk had a harder-edged sound than its San Francisco counterpart, featuring anti-art expressions of masculine anger, energy, and subversive humor. Hardcore punk generally disavows commercialism, the established music industry and "anything similar to the characteristics of mainstream rock" and often addresses social and political topics with "confrontational, politically-charged lyrics."
Recorded at Panda Studios, Buenos Aires and produced by Carlos "Mundy" Epifanio. The biggest album's hit song is "Gente que No" (People who do not) song that was written with Jorge Serrano (when was part of the band). It was the only Todos Tus Muertos album to be recorded entirely to the RCA label. In 1997 DBN reissued the LP on CD.
Fidel Nadal is an Afro-Argentinian Reggae musician, songwriter and pioneer of Latin American Reggae and the underground punk/hardcore movement of Argentina.
Horacio "Gamexane" Villafañe was an Argentine musician, singer and songwriter, and one of the original members of the rock band Todos Tus Muertos. Rolling Stone magazine ranked him 92nd on its list of "100 Best Argentine Guitarists".
No. | Title | Length |
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1. | "El Féretro" (Nadal/Villafañe) | 2:20 |
2. | "Demasiados Revueltos" | 3:30 |
3. | "Diez Segundos de Masacre" | 1:55 |
4. | "Turbulentas Tinieblas" (Gutierrez/Nadal) | 1:30 |
5. | "¡A Combatir!" | 2:27 |
6. | "Dieciocho Horas" | 1:08 |
7. | "Días de Escuela" (Gutierrez/Nadal) | 2:30 |
8. | "Gente que No" (Gutierrez/Nadal/Serrano/Villafañe) | 2:00 |
9. | "Armas (Para la paz)" | 5:15 |
10. | "No Más Apartheid" | 3:20 |
11. | "Viejos de Mierda" (Gutierrez/Villafañe) | 1:25 |
12. | "Más Majo que tu Status" (Villafañe) | 3:18 |
13. | "Tango Traidor" (Gutierrez/Serrano) | 3:41 |
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