Tolgahan Çoğulu (born 1978, in Ankara, [1] Turkey) is a Turkish classical guitarist, arranger and designer of the adjustable microtonal guitar. He built a unique repertoire of works for microtonal guitar by arranging Anatolian folk music and Ottoman maqam music and by commissioning the leading and emerging composers. In 2014, he won the 1st prize at the prestigious Margaret Guthman Musical Instrument Competition at Georgia Tech. [2] He also won the jury award at Donizetti Classical Music Awards in 2014. [3]
Tolgahan Çoğulu began playing the guitar at the age of twelve. He graduated from Boğaziçi University Business Administration Department in 2001. He studied guitar with Ayhan Akkaya, Bekir Küçükay, Soner Egesel and Ricardo Moyano between 1997-2004. He received both Master of Music and PhD degrees on classical guitar from Istanbul Technical University’s Center for Advanced Studies in Music. His PhD thesis, ‘The Adaptation of Baglama Techniques into Classical Guitar Performance,’ was published by VDM in 2011. He founded the classical guitar duo 'Duoist' with Erhan Birol in 2007. The duo's CD, It Takes Two (Pan Classics, 2011), features a collection of world premiers commissioned by the duo over the past decade. He played with Kardeş Türküler between 2005-2007 and his book 'Temel Müzik Eğitimi' (Introduction to Music Theory and Ear Training) that he has written with Birgül Serçe was published by BGST Publishing in 2010. Çoğulu designed the movable fret Adjustable Microtonal Guitar in 2008. His first CD with microtonal guitar, Atlas, was published in 2012 by Kalan Music. He found the ‘Microtonal Guitar Duo’ in 2011 with the fretless guitar player Sinan Cem Eroğlu. Microtonal guitar duo's first CD 'Microtonal Guitar Duo' was published by Kalan Music in 2015. His microtonal guitar takes him to festivals and universities in 28 countries such as Berklee College of Music, New York City Guitar Seminar at Mannes, Iserlohn Guitar Festival, Yong Siew Toh Conservatory, GFA Convention, Mozarteum University, Sarajevo Guitar Festival, Santo Tirso Guitar Festival. Tolgahan is building a repertoire for microtonal guitar by commissioning leading and emerging composers such as William Allaudin Mathieu, Christoph Charles, Onur Türkmen, Tolga Yayalar, Johnny Reinhard, David Gerard Matthews, Tolga Zafer Özdemir, Nicola Visalli, Gabriel Malancioiu, Baxton Alexander, Sadık Uğraş Durmuş, Mutlu Torun, Tolga Tüzün, Mithatcan Öcal, Çağlayan Yıldız, Ozan Yarman. He currently teaches at the Istanbul Technical University, Turkish Music State Conservatory and Center for Advanced Studies in Music where he is working as an Associate Professor of Guitar. He got the 1st World Award in Microtonal Guitar, in the 2011 International Interartia Festival Competition and he is an honorary Member of the International Art Academy [4] in Volos, Greece.
A microtonal guitar with a fretboard made using 3D printing and LEGO bricks, designed and constructed by Çoğulu, his son Atlas and PhD student Ruşen Can Acet, [5] received attention from the media in 2020. [6] [7] [8] The instrument was amongst the 29 finalists at the 2021 Guthman Musical Instrument Competition and received the People's Choice Award. [9]
The roots of traditional music in Turkey span across centuries to a time when the Seljuk Turks migrated to Anatolia and Persia in the 11th century and contains elements of both Turkic and pre-Turkic influences. Much of its modern popular music can trace its roots to the emergence in the early 1930s drive for Westernization.
The bağlama or saz is a family of plucked string instruments, long-necked lutes used in Ottoman classical music, Turkish folk music, Turkish Arabesque music, Azerbaijani music, Balkan musicKurdish music, Armenian music. It is played in several regions in the world such as Europe, Balkans, Black Sea, Caucasus regions and many countries including Syria, Iraq, Iran and the Balkan countries.
The fingerboard is an important component of most stringed instruments. It is a thin, long strip of material, usually wood, that is laminated to the front of the neck of an instrument. The strings run over the fingerboard, between the nut and bridge. To play the instrument, a musician presses strings down to the fingerboard to change the vibrating length, changing the pitch. This is called stopping the strings. Depending on the instrument and the style of music, the musician may pluck, strum or bow one or more strings with the hand that is not fretting the notes. On some instruments, notes can be sounded by the fretting hand alone, such as with hammer ons, an electric guitar technique.
Baba Zula is a Turkish alternative musical group, founded in Istanbul in 1996. With a wide variety of influences and a wide range of instruments, they create a unique psychedelic sound.
The cümbüş is a Turkish stringed instrument of relatively modern origin. It was developed in 1930 by Zeynel Abidin Cümbüş (1881–1947) as an oud-like instrument that could be heard as part of a larger ensemble.
John Schneider is a Grammy® Award winning and 4-time Grammy® nominated American classical guitarist. He performs in just intonation and various well-temperaments, including Pythagorean tuning, including works by Lou Harrison, LaMonte Young, John Cage, and Harry Partch. He often arranges pieces for guitar and other instruments such as harp or percussion.
Erkan Oğur is a Turkish musician. A pioneer of fretless guitars, he invented the first fretless classical guitar in 1976. A composer, he has influenced many musicians with his compositions combining the sounds of Turkish folk music and classical music with the ancient traditional music. He has played many concerts all over the world. He is regarded as a master of the kopuz and bağlama lutes.
Manga is a Turkish rock band whose music is mainly a fusion of Anatolian melodies with electronic elements. In 2009, they won both the Best Turkish Act award from MTV Turkey and consequently the Best European Act award from MTV Networks Europe in MTV Europe Music Awards 2009. They represented Turkey at the Eurovision Song Contest 2010 with the song "We Could Be the Same" and took second place.
Ali Ekber Çiçek was a Turkish folk musician.
Fikret Kızılok was a Turkish rock musician. He was a pioneer of Anatolian rock, a prolific songwriter, impresario, multi-instrumentalist, and an early experimentalist. Due to a heart disease, he died on September 22, 2001.
Hasan Cihat Örter is a Turkish composer, progressive guitarist and arranger.
Kalan Müzik or Kalan Music for the West is a Turkish independent record label company based in Istanbul. It was founded in 1991 by Hasan Saltık. It specializes in releasing Saltık's recordings of classical and traditional ethnic and folk music from Turkey and the surrounding region. It is sometimes listed as Kalan Ses. Kalan has annual revenues of $3 million, and has released more than 400 albums.
Şirin Pancaroğlu is a Turkish harpist.
Arif Sağ is a Turkish singer, bağlama virtuoso, and leading figure in modern Turkish folk music. A former academic, he was also a member of the Turkish parliament from 1987 to 1991.
Ercan Şahin is a Turkish folk musician.
Mazlum Çimen is a Turkish musician, ballet dancer, film actor, folk singer, and award-winning film score composer.
Bjørn Fongaard was a Norwegian composer, guitarist, and teacher. In addition to being concerned with microtonal and electronic music, he was perhaps the first to use the prepared guitar. "Fongaard's output is considerable...Due to the partly experimental notation, these works have not become widely known."
Erdal Erzincan is a Turkish Alevi folk music musician, composer, and singer. In 1981, he moved to Istanbul and studied bağlama at the Arif Sağ music school in 1985. Since 1989, he has been studying music at Istanbul Technical University. He has conducted research on the selpe method, which is a method for playing bağlama without a plectrum, similar to the tapping method on guitar.
Selim Sesler was a Turkish clarinet virtuoso of Romani heritage.
Kemal Dinç is a Turkish folk artist and music teacher.