Tom Bowling may refer to:
The Adventures of Roderick Random is a picaresque novel by Tobias Smollett, first published in 1748. It is partially based on Smollett's experience as a naval-surgeon’s mate in the Royal Navy, especially during the Battle of Cartagena de Indias in 1741. In the preface, Smollett acknowledges the connections of his novel to the two satirical picaresque works he translated into English: Cervantes’ Don Quixote (1605–15) and Alain-René Lesage’s Gil Blas (1715–47)
Charles Dibdin was a British composer, musician, dramatist, novelist and actor. With over 600 songs to his name, for many of which he wrote both the lyrics and the music and performed them himself, he was in his time the most prolific English singer-songwriter. He is best known as the composer of "Tom Bowling", one of his many sea songs, which often features at the Last Night of the Proms. He also wrote about 30 dramatic pieces, including the operas The Waterman (1774) and The Quaker (1775), and several novels, memoirs and histories.
Fantasia on British Sea Songs or Fantasy on British Sea Songs is a medley of British sea songs arranged by Sir Henry Wood in 1905 to mark the centenary of the Battle of Trafalgar. For many years it was seen as an indispensable item at the BBC's Last Night of the Proms concert.
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Charles Bannister (1738–1804) was an English actor, comedian and singer.
Thomas Frognall Dibdin was an English bibliographer, born in Calcutta to Thomas Dibdin, the sailor brother of Charles Dibdin.
Thomas John Dibdin was an English dramatist and song-writer.
Bibliomania can be a symptom of obsessive–compulsive disorder which involves the collecting or even hoarding of books to the point where social relations or health are damaged.
Michael Dibdin was a British crime writer who was famous for inventing Aurelio Zen, the principal character in 11 crime novels set in Italy.
Joseph Grimaldi was an English actor, comedian and dancer, who became the most popular English entertainer of the Regency era. In the early 1800s, he expanded the role of Clown in the harlequinade that formed part of British pantomimes, notably at the Theatre Royal, Drury Lane and the Sadler's Wells and Covent Garden theatres. He became so dominant on the London comic stage that the harlequinade role of Clown became known as "Joey", and both the nickname and Grimaldi's whiteface make-up design were, and still are, used by other types of clowns. Grimaldi originated catchphrases such as "Here we are again!", which continue to feature in modern pantomimes.
The ballad opera is a genre of English stage entertainment that originated in the early 18th century, and continued to develop over the following century and later. Like the earlier comédie en vaudeville and the later Singspiel, its distinguishing characteristic is the use of tunes in a popular style with spoken dialogue. These English plays were 'operas' mainly insofar as they satirized the conventions of the imported opera seria. Music critic Peter Gammond describes the ballad opera as "an important step in the emancipation of both the musical stage and the popular song."
Charles Benjamin Incledon was a Cornish tenor singer, who became one of the foremost English singers of his time, especially in the singing of English theatre music and ballads in which he was considered without rival.
Vendetta may refer to:
The West Street Chapel is a former chapel at 26 West Street, London WC2. It was John Wesley’s first Methodist chapel in London’s West End.
The Sans Souci Theatre was a 500-seat theatre located on Leicester Place, just off Leicester Square in the City of Westminster. It was built in 1796 by Charles Dibdin, and replaced eponymous former music rooms he had leased for performances, off the Strand.
Mounseer Nongtongpaw is an 1808 poem thought to have been written by the Romantic writer Mary Shelley as a child. The poem is an expansion of the entertainer Charles Dibdin's song of the same name and was published as part of eighteenth-century philosopher William Godwin's Juvenile Library. A series of comic stanzas on French and English stereotypes, Mounseer Nongtongpaw pillories John Bull for his inability to understand French. It was illustrated by Godwin's friend William Mulready.
In theater and music history, a burletta is a brief comic opera. In eighteenth-century Italy, a burletta was the comic intermezzo between the acts of an opera seria. The extended work Pergolesi's La serva padrona was also designated a "burletta" at its London premiere in 1750.
William Pitt was an English ship-builder who was the Master Attendant at Jamaica Dockyard, and later of Malta. His amusing poem of "The Sailor's Consolation" is in many collections credited to Charles Dibdin.
The Last Sherlock Holmes Story is a Sherlock Holmes pastiche novel by Michael Dibdin.
Thomas Robert Colman Dibdin was an English water colour artist and teacher.
The Bells of Aberdovey is a popular song which refers to the village now usually known by its Welsh name of Aberdyfi in Gwynedd, Wales, at the mouth of the River Dyfi on Cardigan Bay. The song is based on the legend of Cantre'r Gwaelod, which is also called Cantref Gwaelod or Cantref y Gwaelod. This ancient sunken kingdom is said to have occupied a tract of fertile land lying between Ramsey Island and Bardsey Island in what is now Cardigan Bay to the west of Wales. The legend supposes that the bells of the submerged lost kingdom can be heard ringing below the waves on the beach at Aberdyfi.
Charles Isaac Mungo Dibdin, or Charles Pitt or Charles Dibdin the younger, as he was professionally known, was an English dramatist, composer, writer and theatre proprietor. He was perhaps best known for his proprietorship of the Sadler's Wells Theatre and for the pantomimes and satirical farces that he wrote, and which were staged at many theatres across London. He employed Joseph Grimaldi at Sadler's Wells where Grimaldi appeared in many of his most successful pantomimes. He was the son of Charles Dibdin, brother of Thomas John Dibdin and godson of David Garrick.
Family Quarrels is a comic opera in three acts with libretto by Thomas Dibdin, and music principally by William Reeve. It was premiered in London at Covent Garden Theatre on December 18, 1802. The singers John Braham and Charles Incledon had leading roles in the opera, in which the comedian John Fawcett took the part of the pedlar Proteus.