Milian in Emergency Squad (1974)
Tomás Quintín Rodríguez-Varona Milián Salinas De La Fé y Álvarez De La Campa
3 March 1933
|Died||22 March 2017 84) (aged|
|Height||1.75 m (5 ft 9 in)|
(m. 1964;died 2012)
|Awards|| FIPRESCI Prize for Best Actor |
1965 Time of Indifference
ContentsScreen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture
Tomas Milian (born Tomás Quintín Rodríguez-Varona Milián Salinas de la Fé y Álvarez de la Campa;3 March 1933 – 22 March 2017) was an Italian-Cuban-American actor and singer, known for the emotional intensity and humour he brought to roles in European genre films.
A student of Lee Strasberg, Milian studied method acting at the Actors Studio in New York City. In Italy, he was discovered by director Mauro Bolognini and appeared in supporting roles in several drama films during the late-1950s and early-1960s, including as Raphael in Carol Reed's The Agony and the Ecstasy (1965). Throughout the late-1960s and early-1970s, Milian established himself as a dynamic leading actor in a series of Spaghetti Western films, most notably The Big Gundown (1966), Django Kill... If You Live, Shoot! (1967),as well as Sergio Corbucci's parody of the genre The White, the Yellow, and the Black (1975).
Following a decline in the popularity of Spaghetti Westerns, Milian transitioned to roles in poliziottesco films. After receiving acclaim for his performance as a psychotic killer in Almost Human (1974), he made appearances in Emergency Squad (1974), The Tough Ones (1976) and The Cynic, the Rat and the Fist (1977). After returning to the United States in 1985, Milian continued to perform supporting roles in film productions, including JFK (1991), Amistad (1997), Traffic (2000) and The Lost City (2005).Milian died in 2017.
Milian was born in Havana as the son of a Cuban general. His father was arrested, jailed, and later committed suicide on December 31, 1946. Milián then decided to leave Cuba and pursue his wishes of being an actor.He settled in the United States to study at New York's Actors Studio and later became an American citizen. In 1969, he became a naturalized Italian citizen.
After starting a career in the United States, Milian went to Italy in 1958 to take part in a theatre festival in Spoleto.He eventually decided to relocate to Italy, where he lived for over 25 years, becoming a very successful performer. His first film part in Italy was in the 1959 picture La notte brava . Although his voice was usually dubbed due to his accent, Milián performed his lines in Italian (or in English, depending on the film). He initially starred in arthouse movies and worked with directors such as Mauro Bolognini and Luchino Visconti.
After five years of making what he deemed "intellectual" movies, Milián was unhappy with his contract with producer Franco Cristaldi and thought of going back to the United States. Needing money to start over, he took the opportunity to star as a bandit in a Spaghetti Western called The Bounty Killer . The film boosted his career,and ultimately resulted in his staying in Italy. He became a star of the Spaghetti Western genre, where he often played Mexican bandits or revolutionaries, roles in which he spoke in his real voice. He starred in The Ugly Ones (1966), The Big Gundown (1966), Django Kill... If You Live, Shoot! (1967), Face to Face (1967), Run, Man, Run (1968), Death Sentence (1968), Tepepa (1969), Compañeros (1970), Sonny and Jed (1972), Life Is Tough, Eh Providence? (1972) and Four of the Apocalypse (1975).
As the Spaghetti Westerns dwindled, Milián remained a star in many genre films, playing both villains and heroes in various polizieschi movies. He starred with Barbara Bouchet in the giallo Don't Torture a Duckling .In addition to his role in Almost Human (1974) and appearances in Emergency Squad (1974), The Tough Ones (1976) and The Cynic, the Rat and the Fist (1977), he also appeared in two film series - Bruno Corbucci's Nico Giraldi series (1976-1984, beginning with The Cop in Blue Jeans ) and Umberto Lenzi's Er Monnezza films (1976-1980, beginning with Free Hand for a Tough Cop ). His other films during this period include the giallo Don't Torture a Duckling (1972) and the non-genre films The Last Movie (1971), Luna (1979), Identification of a Woman (1982) and Monsignor (1982).
He later turned to comedy, playing the recurrent characters of petty thief Monnezza and Serpico-like police officer Nico Giraldi in a variety of crime-comedy pictures. Although his voice was dubbed most of the time by Ferruccio Amendola, Milián wrote his own lines in Roman slang. Milián's inventive use of romanesco (Roman dialect) made him a cult performer in Italy. Bruno Corbucci, the director of many of these films commented, "At the cinemas as soon as Tomás Milián appeared on the screen, when he made a wisecrack and in the heaviest situations, then it was a pandemonium, it was like being at the stadium."[ citation needed ]
As Milián used similar makeups and accents in portraying both characters, Monnezza and Nico were occasionally confused by Italian audiences, who sometimes referred erroneously to them both as Monnezza, or Er Monnezza (Da trash in Roman slang ), and still closely associate Milián with these performances.
Milián also appeared in non-genre pictures, such as Bernardo Bertolucci's La Luna , for which he won a Nastro d'Argento for Best supporting Actor, and Michelangelo Antonioni's Identification of a Woman .
As he grew older, Milián decided to go back to the United States. He appeared in Sidney Pollack's Havana , Steven Spielberg's Amistad , Steven Soderbergh's Traffic as well as Andy García's The Lost City, about Revolutionary Cuba. He has also played many roles on stage. In 2005, he portrayed Generalisimo Rafael Leonidas Trujillo Molina in the film version of Mario Vargas Llosa's novel The Feast of the Goat .
Milian was found dead from a stroke at his home in Miami on 22 March 2017.
On October 11, 2017 he received the Leone in Memoriam award at the 7º Almería Western Film Festival.It was picked up by his friend Luis Santeiro.
Sergio Corbucci was an Italian film director, screenwriter and producer. He directed both very violent Spaghetti Westerns and bloodless Bud Spencer and Terence Hill action comedies.
Sergio Sollima was an Italian film director and script writer.
Poliziotteschi constitute a subgenre of crime and action films that emerged in Italy in the late 1960s and reached the height of their popularity in the 1970s. They are also known as polizieschi all'italiana, Euro-crime, Italo-crime, spaghetti crime films, or simply Italian crime films. Influenced by both 1970s French crime films and gritty 1960s and 1970s American cop films and vigilante films, poliziotteschi films were made amidst an atmosphere of socio-political turmoil in Italy and increasing Italian crime rates. The films generally featured graphic and brutal violence, organized crime, car chases, vigilantism, heists, gunfights, and corruption up to the highest levels. The protagonists were generally tough working class loners, willing to act outside a corrupt or overly bureaucratic system.
Bruno Corbucci was an Italian screenwriter and film director. He was the younger brother of Sergio Corbucci, and wrote many of his films. He was born in Rome, where he also died.
Squadra antitruffa is a 1977 Italian crime film directed by Bruno Corbucci and starring David Hemmings, Tomas Milian and Anna Cardini. It is the third chapter in the Nico Giraldi film series starred by Tomas Milian.
Brothers Till We Die is a 1977 Italian poliziottesco-action film by Umberto Lenzi. This film is the last collaboration among Lenzi and Tomas Milian. In this movie Milian plays two characters, Vincenzo Marazzi a.k.a. "The Hunchback" that he already played for Lenzi in Rome Armed to the Teeth, and his twin brother Sergio Marazzi a.k.a. "Er Monnezza", a role that he played for the first time in Lenzi's Free Hand for a Tough Cop and later resumed in Destruction Force by Stelvio Massi.
Free Hand for a Tough Cop, also known as Tough Cop, is an Italian poliziottesco-action film directed in 1976 by Umberto Lenzi. In this movie Tomas Milian plays for the first time Sergio Marazzi a.k.a. "Er Monnezza", a role that he later played several more times, in Lenzi's Brothers Till We Die, in Destruction Force by Stelvio Massi (1977) and, with slight differences, in Uno contro l'altro, praticamente amici by Bruno Corbucci (1980) and in Francesco Massaro's Il lupo e l'agnello (1980).
The Cop in Blue Jeans is an Italian crime and comedy film directed by Bruno Corbucci. The film was a major commercial success and generated a film series consisting of eleven entries starring Tomas Milian as Inspector Nico Giraldi.
Destruction Force is a 1977 Italian poliziottesco directed by Stelvio Massi. It is the second film in which Tomas Milian plays the character of Monnezza after Free Hand for a Tough Cop.
Hit Squad is a 1976 Italian "poliziottesco"-comedy film directed by Bruno Corbucci. It is the second chapter in the Nico Giraldi film series starred by Tomas Milian.
Squadra antimafia, internationally released as Little Italy, is a 1978 Italian "poliziottesco"-comedy film directed by Bruno Corbucci. It is the fourth chapter in the Nico Giraldi film series starred by Tomas Milian.
Delitto al Blue Gay, internationally released as Cop in Drag, is a 1984 Italian "poliziottesco"-comedy film directed by Bruno Corbucci. It is the eleventh and final chapter in the Nico Giraldi film series starred by Tomas Milian.
Crime at the Chinese Restaurant is a 1981 Italian "poliziottesco"-comedy film directed by Bruno Corbucci. It is the eighth chapter in the Nico Giraldi film series; in this chapter Tomas Milian plays a double role, the inspector Nico Giraldi and the Chinese Ciu Ci Ciao, a character reprised, with slight changes, from the role of Sakura that the same Milian played in the spaghetti western The White, the Yellow, and the Black.
The Gang That Sold America is a 1979 Italian "poliziottesco"-comedy film directed by Bruno Corbucci. It is the fourth chapter in the Nico Giraldi film series starred by Tomas Milian. The Italian progressive rock band Goblin created the soundtrack for the film.
Crime in Formula One is a 1984 Italian "poliziottesco"-comedy film written and directed by Bruno Corbucci. It is the tenth chapter in the Nico Giraldi film series starred by Tomas Milian.
Delitto sull'autostrada is a 1982 Italian "poliziottesco"-comedy film directed by Bruno Corbucci. It is the ninth chapter in the Nico Giraldi film series starring Tomas Milian.
Delitto a Porta Romana is a 1980 Italian "poliziottesco"-comedy film directed by Bruno Corbucci. It is the seventh chapter in the Nico Giraldi film series starred by Tomas Milian.
Assassinio sul Tevere is a 1979 Italian "poliziottesco"-comedy film directed by Bruno Corbucci. It is the sixth chapter in the Nico Giraldi film series starred by Tomas Milian.
Massimo Vanni is an Italian film and television actor.
Il ritorno del Monnezza is a 2005 Italian poliziottesco-comedy film directed by Carlo Vanzina.
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