Tommaso de Vigilia (active 1480–1497) was an Italian painter of the Renaissance period.
He was mainly active in Palermo. His earliest existing work is a triptych once belonging to the Duke of Verdura at Palermo, representing a Virgin and Child with four Saints, dated 1486; and his latest a St. Nicholas enthroned in a glory of Angels (1489) for the church of San Niccolo, Palermo. The ceiling of the church of the Santissima Annunziata, in the same city, is decorated with a series of sixteen scenes from the life of the Virgin, on canvas, by Tommaso. Other churches in Palermo possess paintings by him. [1]
Alessandro Fei (1543–1592) was an Italian painter active in Florence, working in a Mannerist style. He was also called il Barbiere. He participated in the Vasari-directed decoration of the Studiolo of Francesco I with an oval canvas relating a Goldsmith Shop story. He also painted an altarpiece on the Flagellation of Christ for the Basilica church of Santa Croce in Florence. Trained under Ridolfo del Ghirlandaio. Piero Francia, and under Tommaso Manzuoli, better known as Maso da San Friano, Fei became a member of the Accademia dell’Arte e del Disegno in Florence in 1563 and was a trusted assistant of Giorgio Vasari up until 1574. The artist spent most of his career in Florence, except for a trip to Rome at the side of the Aretine painter to decorate the Vatican chapels of Pope Pius VI.
Giacinto Calandrucci was an Italian painter of the Baroque period.
Pietro Novelli was an Italian painter of the Baroque period, active mainly in Palermo. Also known as il Monrealese or Pietro "Malta" Novelli to distinguish him from his father, Pietro Antonio Novelli I. He was also nicknamed by contemporaries as the Raphael of Sicily.
Ercole Lelli was an Italian painter of the late-Baroque, active mainly in Northern Italy, including his native city of Bologna, as well as Padua and Piacenza.
Ludovico Trasi was an Italian painter of the Baroque period, born and active in Ascoli Piceno.

Antonio Veneziano, was an Italian painter who was active mainly in Siena, Florence and Pisa, documented between 1369 and 1419.
Vincenzo degli Azani was an Italian painter, active mainly in his native Palermo, except for a spell in Rome, where he came under the influence of Raphael. He is also known as Vincenzo da Pavia, Vincenzo Aniemolo, Vincenzo degli Azani da Pavia, Il Romano and Vincenzo Romano.
Pablo da San Leocadio or Paolo da Reggio was an Italian painter from Reggio Emilia, who was mostly active in Spain.
Bartolomeo di Tommaso, also known as Bartolomeo da Foligno was an Italian painter of the Umbro-Sienese school.
Giovanni di Bartolomeo Cristiani was an Italian painter active in Pistoia and Pisa in the second half of the 14th century.
Tommaso Nardini was an Italian priest and painter of the Baroque period, active in his native town.
Gasparo Serenari was an Italian painter of the 18th century, active in Rome and his native Palermo.
Olivio Sòzzi or Sozzi was an Italian painter, active in Sicily during the Rococo period.
Giuseppe Velasquez, Velasques or Velasco was an Italian painter, active in a Neoclassic style.
Stefano Orlandi was an Italian painter, active mainly in Bologna in the architectural perspective painting. He is known for painting fanciful architectural canvases, known as Capricci.
Tommaso del Mazza, also known as the Master of Santa Verdiana, was an Italian painter.
Michele Blasco (1607–1661) was an Italian painter and architect, active in his native Sicily, mainly painting in sacred subjects in a Baroque style.
Niccolò di Tommaso was an Italian painter active in Florence, Naples and Pistoia.
Tommaso Pollace was an Italian painter of the Neoclassical style, active mainly in Sicily.
Andrea Carrera or Carreca was an Italian Baroque painter mainly active in Sicily. He was born in Trapani and died in Palermo.