Look up tongue-in-cheek in Wiktionary, the free dictionary. |
Tongue-in-cheek refers to a humorous or sarcastic statement expressed in a mock serious manner.
The idiom tongue-in-cheek refers to a humorous or sarcastic statement expressed in a mock serious manner.
Tongue-in-cheek may also refer to:
Tongue n' Cheek is the fourth studio album by British rapper Dizzee Rascal. The album was released on 20 September 2009 and includes the number one singles, "Dance wiv Me", "Bonkers", "Holiday" and "Dirtee Disco". It has been certified platinum by the BPI for sales of over 300,000, making it the best-selling album of Rascal's career.
Tongue 'n' Cheek were a British electro music band, that were primarily popular in the UK club scene between 1987 and 1991.
The Anatomy of the Tongue in Cheek is the second full-length album released by the Christian rock band Relient K. It was released on August 28, 2001, and peaked at No. 158 on the Billboard 200. On June 26, 2006, the album was certified Gold by the RIAA for sales in excess of 500,000 units in the United States. The cover of the original release is similar to that of the 1999 Ramones release Hey Ho! Let's Go: The Anthology.
The cheek is the area of the face below the eyes and between the nose and the left or right ear.
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Goregrind is a fusion genre of grindcore and death metal. British band Carcass are commonly credited for the emergence of the genre. Goregrind is recognized for its heavily edited, "watery" sounding vocals and abrasive musicianship rooted in grindcore.
Dylan Kwabena Mills, better known by his stage name Dizzee Rascal, is a British rapper, recording artist and record producer. A pioneer of grime music, his work has also incorporated elements of UK garage, bassline, British hip hop, and R&B. He released his acclaimed debut album Boy in da Corner in 2003. It has since been considered a grime classic and earned him the 2003 Mercury Prize.
The Nation of Ulysses was an American punk rock band from Washington, D.C., formed in spring 1988 with four members. Originally known as simply "Ulysses," the first mark of the group consisted of Ian Svenonius on vocals and trumpet, Steve Kroner on guitar, Steve Gamboa on bass guitar, and James Canty on drums. Tim Green joined the band late in 1989 as a guitarist and the band became "Nation of Ulysses." Nation of Ulysses disbanded in the autumn of 1992, having failed to complete their third album. After the breakup, Svenonius, Canty, and Gamboa went on to form the short-lived Cupid Car Club and The Make-Up. Tim Green went on to help create The Fucking Champs, a mostly-instrumental progressive hard rock/math metal trio with indie pop appeal out of San Francisco, and later Concentrick, a solo project with a focus on ambient music.
Brinsley Forde MBE is best known as the founder member of the reggae band Aswad and as a child actor in the children's television series Here Come the Double Deckers (1970–71).
"Carbona Not Glue" is a song by the Ramones from their second album, Leave Home (1977).
"Break Stuff" is a song by Limp Bizkit. "Break Stuff" is the band's fourth and final single that resulted from their studio album Significant Other. The single was released alongside "N 2 Gether Now".
"Destiny Calling" is a song by British alternative rock band James, released as three CD singles on 9 March 1998 by Mercury Records. It reached number 17 on the UK Singles Chart. The song was one of two new tracks on the Best Of album, along with "Runaground", which was also released as a single.
"Pressing On" is a song by the Christian rock band Relient K, and it is featured on their second album, The Anatomy of the Tongue in Cheek. It is one of the band's most popular songs, and can be heard on Christian radio stations from time to time. The song was written by the band's lead singer Matt Thiessen in 2001.
"FINE" is a song by hard rock band Aerosmith. It was written by lead singer Steven Tyler and lead guitarist Joe Perry. The song title is an acronym for "Fucked Up, Insecure, Neurotic, and Emotional", as stated in the album's liner notes. The song, totaling four minutes, nine seconds, is the second track on the band's 1989 album Pump. It was released as a promotional single to rock radio in 1989, and reached No. 14 on the Mainstream Rock Tracks chart.
"She Can Rock It" is a song by the Power Station, released as their only single from their 1996 album Living in Fear. It was their fourth and final single. It featured "Power Trippin'" as its b-side, a rock-funk song written by the band for the US version of the album, and also "Charanga" written by Palmer. "Charanga" was released in 1998 on the Robert Palmer compilation album, Woke Up Laughing.
"Absolutely Fabulous" is a song produced by British electronic music group Pet Shop Boys. The song was released as a single for 1994's Comic Relief, under the artist name "Absolutely Fabulous". The song is based on the BBC comedy show of the same name and features sound bites taken from the first series of that show. The single since peaked at number 6 on the UK Singles Chart and number 7 on the US Billboard Hot Dance Club Play chart. The single was more successful in Oceania region by debuted and peaked at number 2 in both Australia and New Zealand, which was also the highest peak position ever for the duo in Australian charts. Coincidentally this single is the Pet Shop Boys last top 10 single in both Australia and New Zealand to date.
"Chip Away the Stone" is a song performed by American hard rock band Aerosmith. Written by Richie Supa, a friend and sometime collaborator with the band, it was released in 1978 as the only single to support the band's live album Live! Bootleg. It also appeared on the Cal Jam II live album, despite being the same recording from Live! Bootleg at Santa Monica.
"You're My Favorite Waste of Time" is a song written and first released by American singer Marshall Crenshaw. His 1979 home demo of the song was released as the B-side of his 1982 hit "Someday, Someway" and is available on his compilations The 9 Volt Years and This Is Easy: The Best of Marshall Crenshaw.
"Like Clockwork" is a single by The Boomtown Rats. It was the band's first to reach the Top Ten in the UK Singles Chart, peaking at No. 6.