Tonta, tonta, pero no tanto

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Tonta, tonta, pero no tanto (English: Foolish, Foolish, But Not A Lot) is a 1972 Mexican comedy film directed by Fernando Cortés and starring María Elena Velasco as La India María.

Fernando "Papi" Cortés was a Puerto Rican film actor, writer and director. He was born in San Juan, Puerto Rico, but he spent most of his adult life in Mexico City, where he died. On 1932, while in New York City, Fernando Cortés married Puerto Rican childhood friend María del Pilar Cordero, who adopted the stage name of Mapy Cortés. The couple soon traveled to Spain with a Cuban theatrical troupe. They worked on the Spanish stage, radio and film until the outbreak of the Civil War in 1936. Fernando progressively began to take a backseat as actor and baritone and focused on promoting the career of his wife Mapy, who became a noted vedette in Barcelona.

María Elena Velasco-Fragoso was a Mexican actress, comedian, singer-songwriter, dancer, screenwriter, film producer, and one of Mexico's few major female film directors.

La India María

"La India María" is a fictional character portrayed and created by actress María Elena Velasco. The character frequently endures situations of racial discrimination, classism, and corruption, although in all of these turmoils, María undoubtedly resolves them with hilarious acts of good-nature and morality. She has represented the poor indigenous, the migrant worker, and even free-spirited nuns for over 30 years. She has been the lead character in 16 films and in a spin-off television series entitled, Ay María Qué Puntería. Most recently, the character has appeared in cameo appearances in the television programs Mujer, casos de la vida real and La familia P. Luche.

Plot

In San Jose de Los Burros, María Nicolasa Cruz is encouraged by her cousin Eufemia, who has found work for her, to migrate to Mexico City for a better life. However, she is robbed as soon as she gets out of the train, and is homeless. But she soon finds help from TV personality Paco Malgesto, who makes an announcement of her story, where Eufemia soon goes after to pick her up.


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