Afrobeat is a music genre which involves the combination of elements of West African musical styles such as fuji music and highlife with American jazz and later soul and funk influences, with a focus on chanted vocals, complex intersecting rhythms, and percussion. The term was coined in the 1960s by Nigerian multi-instrumentalist and bandleader Fela Kuti, who is responsible for pioneering and popularizing the style both within and outside Nigeria.
The music of Nigeria includes many kinds of folk and popular music, styles of folk music are related to the multitudes of ethnic groups in the country, each with their own techniques, instruments, and songs. Little is known about the country's music history prior to European contact, although bronze carvings dating back to the 16th and 17th centuries have been found depicting musicians and their instruments. The largest ethnic groups are the Igbo, Hausa and Yoruba. Traditional music from Nigeria and throughout Africa is almost always functional; in other words, it is performed to mark a ritual such as a wedding or funeral and not to achieve artistic goals. Although some Nigerians, especially children and the elderly, play instruments for their own amusement, solo performance is otherwise rare. Music is closely linked to agriculture, and there are restrictions on, for example, which instruments can be played during different parts of the growing season.
Fela Anikulapo Kuti was a Nigerian multi-instrumentalist, bandleader, composer, political activist, and Pan-Africanist. He is regarded as the pioneer of Afrobeat, an African music genre that combines traditional Yoruba and Afro-Cuban music with funk and jazz. At the height of his popularity, he was referred to as one of Africa's most "challenging and charismatic music performers". AllMusic described him as a "musical and sociopolitical voice" of international significance.
Olufela Olufemi Anikulapo Kuti, popularly known as Femi Kuti, is a Nigerian musician born in London and raised in Lagos. He is the eldest son of Afrobeat pioneer Fela Kuti and a grandchild of political campaigner, women's rights activist and traditional aristocrat Funmilayo Ransome-Kuti.
Chopteeth is a Washington, D.C.- based afrofunk big-band. Although rooted in Fela Kuti's Nigerian afrobeat, Chopteeth's music is an amalgam of Ghanaian highlife, Senegalese rumba, Jamaican ska, Mande griot music, 1970's West African funk, Ewe dance drum rhythms, Kenyan Taita afropop, soul-funk, and jazz. Chopteeth's writing and arrangements feature unique driving syncopations, and occasional odd meters. Chopteeth vocalists sing in eight different languages including English, Nigerian Pidgin, Swahili, Wolof, Mande, Twi, Taita, and French.
Sila and the Afrofunk Experience is an Afrofunk band formed in 2003.
Victor Abimbola Olaiya OON,, also known as Dr Victor Olaiya, was a Nigerian trumpeter who played in the highlife style. Though famous in Nigeria during the 1950s and early 1960s, Olaiya received little recognition outside his native country. Alhaji Alade Odunewu of the Daily Times called him "The Evil Genius of Highlife."
Peter King Adeyoyin Osubu, known as Peter King, is a Nigerian musician who played several instruments, but was best known as an alto saxophonist playing a combination of Afrobeat and jazz. Peter King is perhaps better known in Europe and America than in Nigeria for his "Miliki Sound" on the record A Soulful Peter King, where he played popular classics such as "Sincerely", "We Belong Together" and "Just Because".
Kola Ogunkoya is a Nigerian afrobeat musician who uses the term "Afro Gbedu" to describe his style of music, which includes jazz, highlife, Jùjú, funk and traditional Yoruba music.
Confusion is a 1975 album by Nigerian Afrobeat musician Fela Kuti and his Africa 70 band. It was arranged, composed, and produced by Kuti, who recorded the album after choosing to emphasize his African heritage and nationalism in his music. Confusion is a commentary on the confused state of post-colonial Lagos and its lack of infrastructure and proper leadership at the time. Kuti's pidgin English lyrics depict difficult conditions in the city, including a frenetic, multilingual trading market and inextricable traffic jams in Lagos' major intersections.
Shakara is an album by Nigerian Afrobeat composer, bandleader, and multi-instrumentalist Fela Kuti recorded in Lagos in 1971 and originally released on the Nigerian EMI label.
Afrodisiac is an album by Nigerian Afrobeat composer, bandleader, and multi-instrumentalist Fela Kuti, originally released on the Nigerian EMI label in 1973. The album's four tracks were re-recordings of Nigerian 45s redone in London in 1972. The album features Kuti's first Nigerian hit "Jeun Ko Ku," which sold over 200,000 copies.
BANTU is a 13-piece band based in Lagos, Nigeria. Their music is a fusion of Afrofunk, Afrobeat, Highlife and Yoruba music. The group features multi-instrumentalists and singers who perform as a collective.
Olalekan Babalola is a Nigerian jazz percussionist and musician. Born in Lagos State, Nigeria where he began playing the conga at a young age, he has released seven albums and jointly won two Grammy Awards.
The Source is an album by drummer Tony Allen recorded in 2017 and released on the Blue Note label.
Agberos International is the 5th studio album by BANTU. The album was composed and written by all 13 members of the band. It was recorded live in Lagos, Nigeria, over six years. The title of the album Agberos International was inspired by Lagos public bus conductors known as agberos who attract customers to board their vehicles through their wild gesticulations and loud voices. The album was released on 7 July 2017 by Soledad Productions. The subject matter on Agberos International is centered around the Niger Delta crisis, oppressive Western policies and the blind African ruling class.
The Good, the Bad & the Queen were an English art rock supergroup composed of singer Damon Albarn of Blur and Gorillaz, bassist Paul Simonon of the Clash, guitarist Simon Tong of the Verve, and Fela Kuti drummer Tony Allen. They released their self-titled debut album in 2007. Their second album, Merrie Land, coproduced with Tony Visconti, was released in 2018. In 2019, Albarn announced that the group was disbanding. Allen died in 2020.
Blo was a Nigerian psychedelic funk ensemble formed in Lagos and active between 1972 and 1982. The main trio consisted of Laolu "Akins" Akintobi (drums), Berkely "Ike" Jones (guitar), and Mike "Gbenga" Odumosu (bass). The group fused the Afrobeat rhythms of Nigeria with funk and psychedelia derived from '60s Western rock music.
Orlando Julius Aremu Olusanya Ekemode, known professionally as Orlando Julius or Orlando Julius Ekemode, is a Nigerian saxophonist, singer, bandleader, and songwriter closely associated with afrobeat music.
