The Scheldt is a 350-kilometre-long (220 mi) river that flows through northern France, western Belgium, and the southwestern part of the Netherlands, with its mouth at the North Sea. Its name is derived from an adjective corresponding to Old English sceald ("shallow"), Modern English shoal, Low German schol, West Frisian skol, and Swedish (obsolete) skäll ("thin").
The Seventeen Provinces were the Imperial states of the Habsburg Netherlands in the 16th century. They roughly covered the Low Countries, i.e., what is now the Netherlands, Belgium, Luxembourg, and most of the French departments of Nord and Pas-de-Calais (Artois). Also within this area were semi-independent fiefdoms, mainly ecclesiastical ones, such as Liège, Cambrai and Stavelot-Malmedy.
Hainaut, historically also known as Heynowes in English, is a province of Wallonia and Belgium.
Dendermonde is a city in the Flemish province of East Flanders in Belgium. The municipality comprises the city of Dendermonde and the towns of Appels, Baasrode, Grembergen, Mespelare, Oudegem, Schoonaarde, and Sint-Gillis-bij-Dendermonde. Dendermonde is at the mouth of the river Dender, where it flows into the Scheldt. The town has a long-standing folkloric feud with Aalst, south along the same river, which dates from the Middle Ages.
Oudenaarde is a Belgian municipality in the Flemish province of East Flanders. The municipality comprises the city of Oudenaarde proper and the towns of Bevere, Edelare, Eine, Ename, Heurne, Leupegem, Mater, Melden, Mullem, Nederename, Volkegem, Welden and a part of Ooike.
Mouscron is a city and municipality of Wallonia located in the Belgian province of Hainaut, along the border with the French city of Tourcoing, which is part of the Lille metropolitan area.
Rogier van der Weyden or Roger de la Pasture was an early Netherlandish painter whose surviving works consist mainly of religious triptychs, altarpieces, and commissioned single and diptych portraits. He was highly successful in his lifetime; his paintings were exported to Italy and Spain, and he received commissions from, amongst others, Philip the Good, Netherlandish nobility, and foreign princes. By the latter half of the 15th century, he had eclipsed Jan van Eyck in popularity. However his fame lasted only until the 17th century, and largely due to changing taste, he was almost totally forgotten by the mid-18th century. His reputation was slowly rebuilt during the following 200 years; today he is known, with Robert Campin and van Eyck, as the third of the three great Early Flemish artists, and widely as the most influential Northern painter of the 15th century.
Robert Campin, now usually identified with the Master of Flémalle, was the first great master of Early Netherlandish painting. While the existence of a highly successful painter called Robert Campin is relatively well documented for the period, no works can be certainly identified as by him through a signature or contemporary documentation. A group of paintings, none dated, have been long attributed to him, and a further group were once attributed to an unknown "Master of Flémalle". It is now usually thought that both groupings are by Campin, but this has been a matter of some controversy for decades.
Jacques Daret was an Early Netherlandish painter born in Tournai, where he would spend much of his life. Daret spent 15 years as a pupil in the studio of Robert Campin, alongside Rogier or Rogelet de le Pasture, and afterwards became a master in his own right. He became a favorite of the Burgundian court, and his patron for 20 years was the abbot of St. Vaast in Arras, Jean de Clercq.
Flemish painting flourished from the early 15th century until the 17th century, gradually becoming distinct from the painting of the rest of the Low Countries, especially the modern Netherlands. In the early period, up to about 1520, the painting of the whole area is typically considered as a whole, as Early Netherlandish painting. This was dominated by the Flemish south, but painters from the north were also important. Dutch and Flemish Renaissance painting, of which Antwerp became the centre, covers the period up to about 1580 or later, by the end of which the north and south Netherlands had become politically separated. Flemish Baroque painting was especially important in the first half of the 17th century, dominated by Rubens.
The Tournai Cathedral, or Cathedral of Our Lady , is a Roman Catholic church, see of the Diocese of Tournai in Tournai, Belgium. It has been classified both as a Wallonia's major heritage since 1936 and as a World Heritage Site since 2000.
Saint Peter's Church in Leuven, Belgium, is a Roman Catholic church built in the 15th century in the Brabantine Gothic style. The church has a cruciform floor plan and a low bell tower that has never been completed. It is 93 metres (305 ft) long. It is located on the city's 'Grote Markt', opposite the Town Hall. In 1999, the belfry and bell tower of the church was inscribed on the UNESCO World Heritage List as part of the Belfries of Belgium and France site, in recognition of the civil importance and architecture of the belfries in the region.
Kortrijk, sometimes known in English as Courtrai or Courtray, is a Belgian city and municipality in the Flemish province of West Flanders.
Brabantine Gothic, occasionally called Brabantian Gothic, is a significant variant of Gothic architecture that is typical for the Low Countries. It surfaced in the first half of the 14th century at St. Rumbold's Cathedral in the City of Mechelen.
This article describes the history of Flanders. The definition of the territory called "Flanders", however, has varied throughout history.
The Tournaisis, or Tournai, a territory in the Low Countries in present-day Belgium, is one of Europe's oldest town centres. Located in the Wallonia region of Belgium on the Scheldt River, northwest of Mons, Tournai residents are primarily French-speaking. It is home to some of the oldest and best preserved medieval architecture in Europe, notably the Cathédrale Notre Dame and the Belfry of Tournai, a belltower built in 1188, both of which are designated UNESCO World Heritage sites. The river Scheldt's access to the sea made Tournai a trading hub in the Middle Ages.
Despite its size, Belgium has a long and distinguished artistic tradition that goes back to the Middle Ages, considerably pre-dating the foundation of the current state in 1830. Art from the areas making up modern Belgium is called in English Netherlandish up to the separation with the Netherlands from 1570 on, and Flemish until the 18th century.
Jean Wauquelin presenting his 'Chroniques de Hainaut' to Philip the Good is a presentation miniature believed to have been painted by the Flemish artist Rogier van der Weyden. It decorates the frontispiece to the Chroniques de Hainaut, MS KBR.9242, Jean Wauquelin's French translation of a three-volume history of the County of Hainaut originally written in Latin by the 14th-century Franciscan historian Jacques de Guyse.
The County of Flanders was a historic territory in the Low Countries.
The Chronicles of Hainaut is an illuminated manuscript in three volumes, tracing the history of the county of Hainaut up to the end of the 14th century. Its text was produced around 1446-1450 by Jean Wauquelin as a French translation of Annales historiae illustrium principum Hannoniæ, a three-volume Latin work produced by Jacques de Guise around 1390-1396. It was made for Philip the Good of Burgundy and is now in the Bibliothèque royale de Belgique in Brussels.
Belgium 
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