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"Give Up the Funk (Tear the Roof off the Sucker)" is a funk song by Parliament. It was released as a single under the name "Tear the Roof off the Sucker (Give Up the Funk)". It was the second single to be released from Parliament's 1975 album Mothership Connection (following "P. Funk (Wants to Get Funked Up)"). With its anthemic sing-along chorus, it is one of the most famous P-Funk songs. It also became Parliament's first certified million-selling single, going Gold in 1976.
"Love Hangover" is a song by the Motown singer Diana Ross, recorded in 1975 and released as a single on March 16, 1976. It rose to number one on the Billboard Hot 100 and Hot-Selling Soul Singles. It also hit number one on the Record World disco charts.
"Never Can Say Goodbye" is a song written by Clifton Davis and originally recorded by the Jackson 5. The song was originally written and intended for the Supremes; however, Motown decided it would be better for the Jackson 5. It was the first single released from the group's 1971 album Maybe Tomorrow, and was one of the group's most successful records. It has been covered numerous times, most notably in 1974 by Gloria Gaynor and in 1987 by British pop group the Communards.
"Shop Around" is a song originally recorded by the Miracles on Motown Records' Tamla subsidiary label. It was written by Miracles lead singer Smokey Robinson and Motown Records founder Berry Gordy. It became a smash hit in 1960 when originally recorded by the Miracles, reaching number one on the Billboard R&B chart, number one on the Cashbox Top 100 Pop Chart, and number two on the Billboard Hot 100 chart. It was the Miracles' first million-selling hit record, and the first-million-selling hit for the Motown Record Corporation.
"It's All in the Game" is a pop song whose most successful version was recorded by Tommy Edwards in 1958. Carl Sigman composed the lyrics in 1951 to a wordless 1911 composition titled "Melody in A Major", written by Charles G. Dawes, who was later Vice President of the United States under Calvin Coolidge. It is the only No. 1 single in the U.S. to have been co-written by a U.S. Vice President or a Nobel Peace Prize laureate.
"The End of the World" is a pop song written by composer Arthur Kent and lyricist Sylvia Dee, who often worked as a team. They wrote the song for American singer Skeeter Davis, and her recording of it was highly successful in the early 1960s, reaching the top five on four different charts, including No. 2 on the main Billboard Hot 100. It spawned many cover versions.
"Tell It Like It Is" is a song written by George Davis and Lee Diamond and originally recorded and released in 1966 by Aaron Neville. In 2010, the song was ranked No. 391 on Rolling Stone magazine's list of The 500 Greatest Songs of All Time.
"Something He Can Feel" is a song composed by Curtis Mayfield for the 1976 motion picture Sparkle. The song, a love ballad in a Chicago-/Philly-soul style, became a number-one hit on the Billboard's R&B singles chart in the United States twice with two separate recordings: a 1976 version by Aretha Franklin from the film's soundtrack, and a 1992 cover by girl group En Vogue.
"You to Me Are Everything" is a song by British soul group the Real Thing, released as a single in 1976. Written by Ken Gold and Michael Denne and produced by Gold, "You to Me Are Everything" was the Real Thing's sole number-one single on the UK Singles Chart, spending three weeks at the top in July 1976. The song was re-released ten years later titled the "Decade Remix" which returned the song to the chart in March 1986, reaching number five.
"(Your Love Keeps Lifting Me) Higher and Higher" is an R&B song written by Gary Jackson, Raynard Miner, and Carl Smith. It was recorded by Jackie Wilson for his album Higher and Higher (1967), produced by Carl Davis, and became a Top 10 pop and number one R&B hit.
"Don't Knock My Love" is a hit song performed by R&B singer Wilson Pickett and written by Pickett with Brad Shapiro. Released in the spring of 1971 from the album of the same title, it spent a week at number-one on the Billboard Best Selling Soul Singles Chart and peaked at #13 on the Billboard Hot 100 Singles Chart. The song, which was produced under a funk tempo was Pickett's last number-one single and one of his last hits for Atlantic Records.
"Wake Up Everybody" is an R&B song written by John Whitehead, Gene McFadden and Victor Carstarphen.
"I'll Be Good to You" is a 1976 hit song by R&B duo the Brothers Johnson. George Johnson, one of the two Johnson brothers in the band, wrote the song after deciding to commit to a relationship with one woman, instead of dating several at a time. While George was recording a demo for the song, family friend Senora Sam came by and added some lyrics. Brothers Johnson producer and mentor Quincy Jones heard the song, liked it, and convinced George to sing lead on the finished track. Released from their debut album, Look Out for #1, it was a top-ten hit on the Billboard Hot Singles Charts, peaking at number three, and a number one song on the Billboard R&B Charts during the summer of 1976. The single was later certified gold by the RIAA.
"Love Ballad" is a song by R&B/Funk band L.T.D. Jeffrey Osborne is the lead singer.
"Lonely Teardrops" is a song written by Berry Gordy Jr., Gwen Gordy and Roquel "Billy" Davis, first recorded and released as a single in 1958 by R&B singer Jackie Wilson, on the Brunswick label. The single was commercially successful, reaching the top ten on the Billboard Hot 100, and number-one on the R&B chart. It is ranked as the 57th biggest U.S. hit of 1959.
"Funny How Time Slips Away" is a song written by Willie Nelson and first recorded by country singer Billy Walker. Walker's version was issued as a single by Columbia Records in June 1961 and peaked at number 23 on the Hot C&W Sides chart. The song has been featured in several live action films and television shows, such as in the first episode of the second season of AMC’s Better Call Saul and in the 2020 Netflix drama The Devil All the Time.
"Hurt" is a 1954 song by Jimmie Crane and Al Jacobs. "Hurt" was originally performed by Roy Hamilton, whose version peaked at number eight on the R&B Best Seller chart and spent a total of seven weeks on the chart. A version by Ricky Denell also received considerable radio airplay in 1954 on pop radio stations. The song is considered to be the signature hit of Timi Yuro, whose version went to number four on the Billboard pop chart in 1961. Elvis Presley’s 1976 version reached the top 40 on the Billboard Hot 100 and the top 10 on Billboard’s Hot Country Singles chart. Juice Newton's 1985 version scored number one on Billboard's Country chart.
"Where Did Our Love Go" is a 1964 song recorded by American music group the Supremes for the Motown label.
"Married But Not to Each Other" is a song originally recorded by American R&B artist Denise LaSalle. It was composed by LaSalle, along with Francis Miller. LaSalle's original version became a major hit on the American R&B music chart in 1976, reaching the top 20 that year. It was one of several singles composed by LaSalle that became a charting single. It was later covered in 1977 by American country artist Barbara Mandrell, whose version reached the top five of the American country chart.
Turning Point! is a Tyrone Davis album released in 1976. This was his final release for Dakar Records. This is the first of two albums by Tyrone Davis in 1976. Love and Touch was released after his move over to Columbia Records.
References
- ↑ Whitburn, Joel (2004). Top R&B/Hip-Hop Singles: 1942-2004. Record Research. p. 148.
- ↑ White, Adam; Bronson, Fred (1993). The Billboard Book of Number One Rhythm & Blues Hits. Billboard Books:Watson-Guptill Publications, New York. p. 191.
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