George S. Barnes, A.S.C. was an American cinematographer active from the era of silent films to the early 1950s.
Charles G. Rosher, A.S.C. was an English-born cinematographer who worked from the early days of silent films through the 1950s.
John Francis Seitz, A.S.C. was an American cinematographer and inventor.
Arthur Edeson, A.S.C. was an American cinematographer. Born in New York City, his career ran from the formative years of the film industry in New York, through the silent era in Hollywood, and the sound era there in the 1930s and 1940s. His work included many landmarks in film history, including The Thief of Bagdad (1924), All Quiet on the Western Front (1930), Frankenstein (1931), The Maltese Falcon (1941), and Casablanca (1942).
Mutz Greenbaum, sometimes credited as Max Greene or Max Greenbaum, was a German film cinematographer.
Sidney Barnett Hickox, A.S.C. was an American film and television cinematographer.
Harold Ernest Palmer was a British cinematographer. He worked on some 130 feature films and TV series episodes between 1930 and 1963.
Arthur Charles Miller, A.S.C. was an American cinematographer. He was nominated for the Oscar for Best Cinematography six times, winning three times: for How Green Was My Valley in 1941, The Song of Bernadette in 1944, and Anna and the King of Siam in 1947.
Dale H. "Ted" Tetzlaff was an Academy Award-nominated Hollywood cinematographer active in the 1930s and 1940s.
Bernard Knowles was an English film director, producer, cinematographer and screenwriter. Born in Manchester, Knowles worked with Alfred Hitchcock on numerous occasions before the director emigrated to Hollywood.
Goffredo Alessandrini was an Italian scriptwriter and film director. He also acted, edited, and produced some films.
Oreste Bilancia was an Italian film actor.
Basil Emmott, BSC was a prolific English cinematographer with 190 films to his credit, active from the 1920s to the 1960s. Emmott's career started in the silent era and continued through to the mid-1960s. His most prolific decade was the 1930s, when he was involved with almost 120 films, many of which were produced by noted documentary film-maker John Grierson.
Joseph A. Valentine (July 24, 1900 in New York City, as Giuseppe Valentino – May 18, 1949 in was an Italian-American cinematographer, five-time nominee for the Academy Award for Best Cinematography, and co-winner once in 1949.
Leopold von Ledebur was a German stage and film actor.
Anchise Brizzi was an Italian cinematographer.
Victor Arménise was an Italian cinematographer. Arménise worked on over eighty feature films during his lifetime. He began his career working on Italian silent films. He later made films in several other countries including Britain and Germany but primarily in France. He worked with a number of leading directors including Raoul Walsh and Maurice Tourneur.
Massimo Terzano was an Italian cinematographer. Terzano was a leading figure in the Italian film industry, working on over eighty films during the silent, Fascist and post-war eras. His final film was The Barber of Seville, made shortly before his death.
Domenico "Memo" Benassi was an Italian film actor who appeared in more than forty films in a mixture of leading and supporting roles. He played the composer Beethoven in the 1942 film Rossini.
L. William O'Connell was an American cinematographer who worked in Hollywood between 1918 and 1950. He frequently worked with directors Howard Hawks and William K. Howard.
