"Un geste d'amour" | ||||
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Single by Anggun | ||||
from the album Désirs contraires | ||||
Released | May 1, 2000 [1] | |||
Genre | Pop | |||
Length | 4:06 | |||
Label | Sony Music Entertainment | |||
Songwriter(s) | Erick Benzi | |||
Producer(s) | Erick Benzi | |||
Anggun singles chronology | ||||
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"Un geste d'amour" or "Look Into Yourself" (English version) is the first single from Anggun's second French studio album, Désirs contraires . It was released in September 2000 by Columbia and Sony Music France.
"Un geste d'amour" was composed, written, and produced by French producer Erick Benzi. The song was influenced by tropical music.
The song has an English version, "Look Into Yourself", that was released on Anggun's second international studio album, Chrysalis . There is also an Indonesian version entitled "Yang 'Ku Tunggu", recorded as a bonus track on Chrysalis for the Southeast Asian market only. Both versions, English and Indonesian, were written by Anggun herself and did not feature any adaptation from its French original, meaning that all three versions have different lyrical themes. "Un geste d'amour" became Anggun's second song to be record in three different languages after "La rose des vents".
"Un geste d'amour" did not replicate the success of Anggun's French debut single, "La neige au Sahara". It only managed to reach number 62 on the French Singles Top 100 Chart. However, the Indonesian version gained bigger success. It topped the charts in Indonesia and Malaysia. The English version was not chosen as a promo single.
Chart (2000/2001) | Peak position |
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France (SNEP) [2] | 62 |
Indonesia (ASIRI) A | 1 |
Malaysia (RIM) A | 1 |
Anggun Cipta Sasmi, better known as Anggun C Sasmi or more often mononymously as Anggun, is an Indonesian-born French singer-songwriter and television personality. Born in Jakarta, she began performing at the age of seven and recorded a children's album two years later. With the help of Indonesian producer Ian Antono, Anggun released her first rock-influenced studio album, Dunia Aku Punya, in 1986. She became further well known with the single "Mimpi" (1989), which was listed as one of the 150 Greatest Indonesian Songs of All Time by Rolling Stone. She followed it with a series of singles and three more studio albums, which established her as one of the most prominent Indonesian female rock stars of the early 1990s.
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Florent Pagny is a French singer-songwriter, musician and actor. He records his work in French, as well as in Italian, Spanish and English. His greatest hits include "N'importe quoi", "Savoir aimer" and "Ma Liberté de penser"—all three were number one in France. As of 2018, he has sold more than 6 million singles and 10 million albums, becoming the 17th best-selling artist of all time in France.
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Chrysalis / Désirs contraires is the second international studio album by Indonesian French singer Anggun. It was released by Columbia Records and Sony Music Entertainment in over fifteen countries in Europe and Asia, with the English version being first released in Japan on 30 August 2000 and the French version premiering in France on 2 October 2000. A major departure from her non-Indonesian debut album's world music composition, Chrysalis features electropop sounds with elements of R&B and ambient music. The album was again produced by Erick Benzi and featured some of Anggun's own compositions. She also co-wrote the entire material on the English version.
Snow on the Sahara / Au nom de la lune is the fifth studio album and first international release by Indonesian singer Anggun. The French version was first released in France on 24 June 1997 by Columbia Records, while the English version was later released internationally by major label Sony Music Entertainment in 33 countries throughout Asia, Europe, and America between late 1997 to early 1999. Having various editions with different track listing and artwork, the album was also marketed as Anggun's self-titled album in several countries, such as Indonesia and Japan. The album was a huge artistic departure to Anggun's earlier rock style, experimenting with world music sounds.
Luminescence is the third international studio album by Anggun. The French-language version was released in France on 22 February 2005, while English-language version, also with the same title, was first released in Italy on 18 May 2005. The album was later repackaged in August 2006 as Luminescence: Special Edition with three brand new songs. Following her departure from Columbia Records in 2003, Anggun signed a recording contract with Heben Music. The album features production by several musicians, including Jean-Pierre Taïeb, Frédéric Jaffré and Niels Brinck. Anggun co-wrote music and lyrics of the entire album, except two tracks on the French version.
Reviens is the second studio album recorded by the Canadian singer Garou, and his third album overall. Released in May 2003, this album was a great success in many countries, including France, Belgium, Switzerland and Poland where it reached the top five.
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The discography of Indonesian-born French singer-songwriter Anggun consists of eleven studio albums, two soundtrack albums, three greatest hits albums, seven single compilations, 38 singles and 20 music videos. Anggun began performing at the age of seven and recorded a children's album two years later. Her debut studio album, Dunia Aku Punya, was released in 1986 under Billboard Indonesia, but did not achieve commercial success. Her popularity was later established after the success of the single "Mimpi", which was listed as one of the 150 Greatest Indonesian Songs of All Time. With the release of subsequent singles and three more studio albums— Anak Putih Abu Abu, Nocturno and Anggun C. Sasmi... Lah!!!—Anggun became one of the most successful Indonesian rock singers in the early 1990s. In 1993, she became the youngest Indonesian singer to found her own record company, Bali Cipta Records. By the age of 19, she had sold over four million albums in Indonesia.
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Echoes / Échos is the fifth international studio album by Indonesian recording artist Anggun. The English version was first released by Sony Music in Anggun's native country on 20 May 2011 and the French version was released by Warner Music in Belgium on 4 November 2011. The album was re-packaged in 2012 to promote her participation in the Eurovision Song Contest 2012. The album was produced by Anggun—the first time since her international career—under her own record label April Earth. She co-wrote all original materials on Echoes, alongside Gioacchino Maurici, Pierre Jaconelli, Jean-Pierre Pilot and William Rousseau. However, Échos also became her first French album on which she does not have any writing credit.
Toujours un ailleurs is the sixth international studio album by Anggun. It was released physically in France and Belgium by TF1 Musique on 20 November 2015, and as a digital album worldwide. It became her first French-language album not to have its standalone English-language version. The album revisited the world music direction of her debut international album, Snow on the Sahara (1997). Toujours un ailleurs was produced by Frédéric Chateau and Brian Rawling, and features guest vocals by singers Florent Pagny, Yuri Buenaventura, and Angélique Kidjo.
"Only Love" (English) / "Mon meilleur amour" (French) / "Hanyalah Cinta" (Indonesian) is a song recorded by Indonesian singer Anggun. The song was written by the singer alongside Marie Bastide and Gioacchino Maurici for her sixth international album Echoes. "Only Love" and "Hanyalah Cinta" were released as the album's lead single in Indonesia and Malaysia. Both versions were premiered on 100 Indonesian radio stations on 6 April 2012, making Anggun the only Indonesian act in history to enter the local and international charts simultaneously. "Mon meilleur amour" was originally planned as the lead single for the French album Échos. However "Je partirai" was eventually released as the lead single and "Mon meilleur amour" became the second single instead. The single received Platinum Export Award for selling more than 300.500 copies outside France as of 30 September 2011.
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