The music of Brazil encompasses various regional musical styles influenced by European, American, African and Amerindian forms. Brazilian music developed some unique and original styles such as forró, repente, coco de roda, axé, sertanejo, samba, bossa nova, MPB, música nativista, pagode, tropicália, choro, maracatu, embolada, frevo, brega, Brazilian funk, modinha and Brazilian versions of foreign musical styles, such as rock, pop music, soul, hip-hop, disco music, country music, ambient, industrial and psychedelic music, rap, classical music, fado, and gospel.
Bossa nova is a style of samba developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. It is mainly characterized by a "different beat" that altered the harmonies with the introduction of unconventional chords and an innovative syncopation of traditional samba from a single rhythmic division. The "bossa nova beat" is characteristic of a samba style and not of an autonomous genre.
São Paulo is a city in the Southeast Region of Brazil. Listed by the GaWC as an alpha global city, the municipality of São Paulo is the most populous city proper in Brazil, the Americas, the Western Hemisphere and the Southern Hemisphere, as well as the world's 4th largest city proper by population. Additionally, São Paulo is the largest Portuguese-speaking city in the world. The city serves as the capital of the surrounding state of São Paulo, the most populous and wealthiest state in Brazil. It exerts strong international influences in commerce, finance, arts and entertainment. The city's name honors the Apostle, Saint Paul of Tarsus. The city's metropolitan area, the Greater São Paulo, ranks as the most populous in Brazil and the 12th most populous on Earth. The process of conurbation between the metropolitan areas around the Greater São Paulo created the São Paulo Macrometropolis, a megalopolis with more than 30 million inhabitants, one of the most populous urban agglomerations in the world.
The War of the Emboabas was a conflict in colonial Brazil waged in 1706-1707 and 1708-1709 over newly discovered gold fields, which had set off a rush to the region between two generations of Portuguese settlers in the viceroyalty of Brazil - then the Captaincy of São Vicente. The discovery of gold set off a rush to the region, Paulistas asserted rights of discovery and non-Paulistas challenged their claims. Although the Portuguese crown sought more control in the area and the Paulistas sought protection of their claims, the Emoboabas won. The crown re-assessed its position in the region and made administrative changes subsequently.
The Bandeirantes, literally "flag-carriers", were slavers, explorers, adventurers, and fortune hunters in early Colonial Brazil. They are largely responsible for Brazil's great expansion westward, far beyond the Tordesillas Line of 1494, by which Pope Alexander VI divided the new continent into a western, Castilian section, and an eastern, Portuguese section.
Paulista Avenue is one of the most important avenues in São Paulo, Brazil. It stretches 2.8 kilometres (1.7 mi) and runs northwest to southeast. Its northwest point is Praça Marechal Cordeiro de Farias at its intersection with Rua da Consolação and its southeast point is Praça Oswaldo Cruz at its intersection with Treze de Maio, Bernardino de Campos, Desembargador Eliseu Guilherme, and Dr. Rafael de Barros avenues. Major crossroads on the street are Rua Augusta, Rua Haddock Lobo and Avenida Brigadeiro Luis Antonio. Parallel to it are Cincinato Braga, Joaquim Eugenio de Lima on the Bela Vista/Paraíso side and Alameda Santos and Coronel Oscar Freire on the Jardins side. Paulista Avenue crosses sections of the neighborhoods of Paraíso, Bela Vista, Jardim Paulista, Cerqueira César and Jardim América, ending in Higienópolis.
Brazilian rock refers to rock music produced in Brazil and usually sung in Portuguese. In the 1960s it was known as iê-iê-iê, from the Portuguese transcription of the line "Yeah, yeah, yeah" from the Beatles song "She Loves You".
The Campeonato Paulista Série A1, commonly known as Campeonato Paulista, nicknamed Paulistão, is the top-flight professional football league in the Brazilian state of São Paulo. Run by the FPF, the league is contested between 16 clubs and typically lasts from January to April. Rivalries amongst four of the best-known Brazilian teams have marked the history of the competition. The Campeonato Paulista is the oldest established league in Brazil, being held since 1902 and professionally since 1933.
Spanish Brazilians are Brazilians of full or partial Spanish ancestry.
Emiliano Augusto Cavalcanti de Albuquerque Melo, known as Di Cavalcanti, was a Brazilian painter who sought to produce a form of Brazilian art free of any noticeable European influences. His wife was the painter Noêmia Mourão, who would be an inspiration in his works in the later 1930s.
Manuel Antônio Álvares de Azevedo, affectionately called "Maneco" by his close friends, relatives and admirers, was a Brazilian Romantic poet, short story writer, playwright and essayist, considered to be one of the major exponents of Ultra-Romanticism and Gothic literature in Brazil. His works tend to play heavily with opposite notions, such as love and death, platonism and sarcasm, sentimentalism and pessimism, among others, and have a strong influence of Musset, Chateaubriand, Lamartine, Goethe and – above all – Byron.
Itamar Assumpção was a Brazilian songwriter and composer who was born in Tietê, a city in the Brazilian state of São Paulo. Assumpção built a strong reputation in the Brazilian independent and alternative music scenes during the 1980s and 1990s, particularly in his home state of São Paulo.
Vânia Bastos is a Brazilian singer, who began her professional life with the Vanguarda Paulista avant-garde movement in the early 1980s.
Teatro Lira Paulistana was a theatre in São Paulo, Brazil.
Virada Cultural Paulistana is the biggest 24-hour festival in the world, that began in 2005 and occurs annually in the city of São Paulo, Brazil. Events at the Virada Cultural include various live music concerts, films, plays, art exhibits, and other cultural activities and performances. In 2019, has a public expectation of 5 million people and will be the biggest edition of the festival ever held. The event will contain more than 250 event venues, and will feature more than 1200 confirmed attractions.
Patife Band is a Brazilian post-punk band formed in São Paulo in 1983 by Paulo Barnabé, initially under the name Paulo Patife Band. They are considered to be one of the major exponents of the "Vanguarda Paulistana" movement. Characterized by its heavily experimental and almost non-descript musical style, that uses dodecaphonism and atonality as main principles of composition and flirts with many different genres such as jazz, punk rock, traditional Brazilian music and popular music, it was favorably compared to American band Pere Ubu, and one critic at some point called their sound "a crossing between King Crimson and Fear".
The single largest Japanese diaspora in any city is in São Paulo. In 1958 the census counted 120,000 Japanese in the city and by 1987, there were 326,000 with another 170,000 in the surrounding areas within São Paulo state. As of 2007, the Paulistano Japanese population outnumbered their fellow diaspora in the entirety of Peru, and in all individual American cities.
The following is a timeline of the history of the city of São Paulo, Brazil.
Maria Cristina Ozzetti, known as Ná Ozzetti, is a Brazilian singer and composer. She has been associated with the Vanguarda Paulista movement, having been a vocalist for the band Rumo before following a solo career.
Antonio Peticov is a Brazilian painter, designer, sculptor, and engraver.
