Victor Kendall (26 September 1903–date unknown) was a British screenwriter notable for his work in the 1930s. [1] [2] Kendall wrote the screenplay for Atlantic the first sound portrayal of the Titanic Disaster. [3] Kendall worked for several British studios and production companies but spent most of his screenwriting career with the large British International Pictures organisation where he wrote scripts for several of the companies leading directors such as Ewald André Dupont and Thomas Bentley. According to IMDb, this was the same person who proceeded to an acting career in the United States, commencing as one of the not-specifically named (and distinctly mature-looking) "Students" in the 1939 Laurel and Hardy film A Chump at Oxford. Other films through to 1943 in which an actor of this name appeared are listed in the same source. Against this background, it might be noted that there are no England and Wales birth records for any Victor Kendall in 1903, no sign of emigration to the United States in the 1930s, and no evidence of a person with such a name and approximate date of birth in the 1940 US Census. In that context, the lack of information on the death of this film-industry worker looks unsurprising.
Stuart Erwin was an American actor of stage, film, and television.
Sidney Gilliat was an English film director, producer and writer.
Harry Bernard was an American actor and comedian best remembered for his appearance in numerous comedy films by Mack Sennett and Hal Roach.
Arthur Edeson, A.S.C. was an American cinematographer. Born in New York City, his career ran from the formative years of the film industry in New York, through the silent era in Hollywood, and the sound era there in the 1930s and 1940s. His work included many landmarks in film history, including The Thief of Bagdad (1924), All Quiet on the Western Front (1930), Frankenstein (1931), The Maltese Falcon (1941), and Casablanca (1942).
Sidney Barnett Hickox, A.S.C. was an American film and television cinematographer.
Hugh Herbert was an American motion picture comedian. He began his career in vaudeville and wrote more than 150 plays and sketches.
Angus Roy MacPhail was an English screenwriter, active from the late 1920s. He is best remembered for his work with Alfred Hitchcock.
Winifred Elaine "Wynne" Gibson was an American actress of the 1930s.
Tyler Brooke was an American film actor. He appeared in more than 90 films between 1915 and 1943. He was born in New York, New York and died in Los Angeles, California by committing suicide by carbon monoxide poisoning.
Walter Reisch was an Austrian-born director and screenwriter. He also wrote lyrics to several songs featured in his films, one popular title is "Flieger, grüß mir die Sonne". He was married to the dancer and actress Poldi Dur and was the cousin of Georg Kreisler.
Walter Forde was a British actor, screenwriter and director. Born in Lambeth, south London in 1898, he directed over fifty films between 1919 from the silent era through to 1949 in the sound era. He died in Los Angeles, California in 1984.
Gordon James was an English actor who became known as the "heavy" in the Aldwych farces, between 1923 and 1933. He also appeared in some twenty films between 1929 and 1942.
Ida Wüst was a German stage and film actress whose career was prominent in the 1920s and 1930s with Universum Film AG (UFA).
Basil Emmott, BSC was a prolific English cinematographer with 190 films to his credit, active from the 1920s to the 1960s. Emmott's career started in the silent era and continued through to the mid-1960s. His most prolific decade was the 1930s, when he was involved with almost 120 films, many of which were produced by noted documentary film-maker John Grierson.
Karl Erik "Bullen" Berglund was a Swedish actor, director and writer. Berglund was one of Sweden's most popular male actors in Swedish films from the 1930s to the 1950s. He appeared in more than a hundred films.
Harry Fowler Mear was a British screenwriter. He spent a number of years at Twickenham Film Studios where his work has been described as "competent but uninspired".
Operetta films are a genre of musical films associated with, but not exclusive to, German language cinema. The genre began in the late 1920s, but its roots stretch back into the tradition of nineteenth century Viennese operettas.
Jack Kitchin (1901–1983) was a British film editor and producer. Kitchin worked as editor on over thirty films, and as producer on a further five. He worked in Hollywood for much of his career before returning to Britain where he was employed by Ealing Studios. At Ealing he headed a special unit which made George Formby comedy films.
Gene Havlick was an American film editor.
Frances Hyland was an American screenwriter active between the late 1920s and the late 1940s. She was the first woman hired as a "gagman" at a film studio, and she wrote dozens of comedic scripts over the course of her career.