Viola caipira

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Traditional viola caipira with fine marquetry work Brazdaviola.jpg
Traditional viola caipira with fine marquetry work

The viola caipira, often simply viola, [1] (Portuguese for country guitar) is a Brazilian ten-string guitar with five courses of strings arranged in pairs. [2] It was introduced in the state of São Paulo, where it is widely played as the basis for the música caipira, a type of folk-country music originating in the caipira country of south-central Brazil.

Contents

Origins

Violeiro playing, by Almeida Junior O violeiro, 1899.jpg
Violeiro playing, by Almeida Júnior

The origins of the viola caipira are uncertain, but evidence suggests it evolved from the vihuela/viola de mano that Spanish and Portuguese settlers took to the new world. It has also similarities with the 5 course baroque guitar, that elsewhere evolved into the modern guitar. It is likely a descendant of one of the many folk guitars that have traditionally been played in Portugal. The viola braguesa and viola amarantina, for instance, are two types of ten-string guitars from the north of Portugal, [3] which are closely related to the viola caipira.

Some have described the viola caipira as Brazil's national instrument, [4] but others argue that the tambourine-like pandeiro has a stronger claim. [5] [6] [7] [8] The Brazilian Embassy in Washington lists a national flower among the official symbols of Brazil, but no national musical instrument. [9] What is undisputed is that the viola caipira was introduced in São Paulo before the violão, and is the basis for the música caipira, or São Paulo's folk music, as Inezita Barroso states.

Tuning and playing technique

A large number of tunings are used; open tunings are common. [10] Unlike most steel-string guitars, its strings are plucked with the fingers of the right hand similarly to the technique used for classical and flamenco guitars, rather than by the use of a plectrum.

Popularity

Viola caipira on display Viola caipira.jpg
Viola caipira on display

Violas are present in nearly all Brazilian music forms, anywhere in the country (although it is declining in some places). It most often associated with Caipira Music (Brazilian country music), with some forms of North-Eastern music and with folkloric music. It was once used to play urban music, like choro, samba and Maxixe, but has been replaced by the acoustic guitar.

Well-known players of Brazilian viola include Zé Côco do Riachão (composer from Minas Gerais), Toninho Ramos (composer from Minas Gerais live in France) and Almir Sater (successful singer-songwriter from Mato Grosso do Sul).

A National Association of Viola Players (Associação Nacional dos Violeiros) has been founded in 2004 and the Ministry of Culture has declared the preservation of the Viola tradition as of national interest.

Notable performers

Modern viola caipira Brazilian 10 String Viola.jpg
Modern viola caipira

See also

Related Research Articles

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Ivan Vilela

Ivan Vilela is a Brazilian composer, arranger, researcher, teacher and viola caipira player. Ivan Vilela is currently a professor at the ECA - School of Communication and Arts of the University of São Paulo. He is the director of the Orquestra Filarmônica de Violas, a Brazilian orchestra composed by Brazilian violas. Ivan Vilela is one of the main ten-string guitarists (viola) nowadays. With a special style and very developed technique, he has more than 15 albums recorded, solo or with different groups, and was nominated for and awarded several prestigious prizes in Brazil.

Braz da Viola

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Renato Teixeira Brazilian singer-songwriter

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References

  1. Moura, Reis (2000). Descomplicando a Viola: Método Básico de Viola Caipira (in Portuguese) (by the author ed.). Brasília. p. 62. ISBN   85-901637-1-7.
  2. Corrêa, Roberto (2000). A Arte de Pontear Viola (in Portuguese) (by the author ed.). Brasília. p. 259. ISBN   85-901603-1-9.
  3. [ dead link ]
  4. See for example Brad Hoyt's essay which also includes some photos of the viola caipira
  5. [ dead link ]
  6. [ dead link ]
  7. [ dead link ]
  8. "Programming natural sounding percussion parts". Petelockett.com. Retrieved 2014-03-30.
  9. "Brasilemb.org". Brasilemb.org. Retrieved 20 April 2021.
  10. Rosso, Piede (2009-02-08). "The Jazz Guitar Blog: Tuning". Jazz-guitar-talk.blogspot.com. Retrieved 2014-03-30.
  11. "Tião Carreiro- Portal". Tiaocarreiro.com.br. 1993-10-15. Retrieved 2014-03-30.