Wallace Beery

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Wallace Beery
Wallace Beery-publicity.JPG
Wallace Beery circa 1930
Wallace Fitzgerald Beery

(1885-04-01)April 1, 1885
DiedApril 15, 1949(1949-04-15) (aged 64)
Beverly Hills, California, U.S.
Burial place Forest Lawn Memorial Park, Glendale
OccupationActor, singer, director
Years active1913–1949
Gloria Swanson
(m. 1916;div. 1918)

Rita Gilman
(m. 1924;div. 1939)
Children1 (adopted)

Wallace Fitzgerald Beery (April 1, 1885 – April 15, 1949) was an American film actor. [1] He is best known for his portrayal of Bill in Min and Bill (1930) opposite Marie Dressler, as Long John Silver in Treasure Island (1934), as Pancho Villa in Viva Villa! (1934), and his titular role in The Champ (1931), for which he won the Academy Award for Best Actor. Beery appeared in some 250 films during a 36-year career. His contract with Metro-Goldwyn-Mayer stipulated in 1932 that he would be paid $1 more than any other contract player at the studio. This made Beery the highest-paid actor in the world. He was the brother of actor Noah Beery Sr. and uncle of actor Noah Beery Jr.

<i>Min and Bill</i> 1930 film by George W. Hill

Min and Bill is a 1930 American Pre-Code comedy-drama film starring Marie Dressler and Wallace Beery and based on Lorna Moon's novel Dark Star, adapted by Frances Marion and Marion Jackson. The film tells the story of dockside innkeeper Min's tribulations as she tries to protect the innocence of her adopted daughter Nancy, all while loving and fighting with boozy fisherman Bill, who resides at the inn.

Marie Dressler Canadian-American actress

Marie Dressler was a Canadian-American stage and screen actress, comedian, and early silent film and Depression-era film star. Successful on stage in vaudeville and comic operas, she was also successful in film. In 1914, she was in the first full-length film comedy. She won the Academy Award for Best Actress in 1931.

Long John Silver antagonist of Stevensons Treasure Island

John Silver or Long John Silver is a fictional character and the main antagonist in the novel Treasure Island (1883) by Robert Louis Stevenson. The most colourful and complex character in the book, he continues to appear in popular culture. His one-leggedness and parrot, in particular, have greatly contributed to the image of the pirate in popular culture.


For his contributions to the film industry, Beery was posthumously inducted into the Hollywood Walk of Fame with a motion pictures star in 1960. His star is located at 7001 Hollywood Boulevard. [2]

Hollywood Walk of Fame Entertainment hall of fame in Hollywood, Los Angeles

The Hollywood Walk of Fame comprises more than 2,600 five-pointed terrazzo and brass stars embedded in the sidewalks along 15 blocks of Hollywood Boulevard and three blocks of Vine Street in Hollywood, California. The stars are permanent public monuments to achievement in the entertainment industry, bearing the names of a mix of musicians, actors, directors, producers, musical and theatrical groups, fictional characters, and others. The Walk of Fame is administered by the Hollywood Chamber of Commerce and maintained by the self-financing Hollywood Historic Trust. It is a popular tourist destination, with a reported 10 million visitors in 2003. The Hollywood Chamber of Commerce holds trademark rights to the Hollywood Walk of Fame.

Hollywood Boulevard street in Hollywood, Los Angeles, California, United States

Hollywood Boulevard is a major east–west street in Los Angeles, California. It begins in the west as a winding residential street at Sunset Plaza Drive in the Hollywood Hills West district. After crossing Laurel Canyon Boulevard, it proceeds due east as a major thoroughfare through Hollywood, Little Armenia and Thai Town to Vermont Avenue. It then runs southeast to its eastern terminus at Sunset Boulevard in the Los Feliz district. Parts of the boulevard are popular tourist destinations, primarily the fifteen blocks between La Brea Avenue east to Gower Street where the Hollywood Walk of Fame is primarily located.

Early life

Beery was born the youngest of three boys in 1885 in Clay County, Missouri, near Smithville. [3] The Beery family left the farm in the 1890s and moved to nearby Kansas City, Missouri, where the father was a police officer.

Clay County, Missouri County in the United States

Clay County is a county located in the U.S. state of Missouri. As of the 2010 census, the county had a population of 221,939, making it the fifth-most populous county in Missouri. Its county seat is Liberty. The county was organized January 2, 1822, and named in honor of U.S. Representative Henry Clay from Kentucky, later member of the United States Senate and United States Secretary of State.

Smithville, Missouri City in Missouri, United States

Smithville is a city in Clay and Platte counties in the U.S. state of Missouri, along the Little Platte River. The population was 8,425 at the 2010 United States Census.

Kansas City, Missouri City in western Missouri

Kansas City is the largest city in the U.S. state of Missouri. According to the U.S. Census Bureau, the city had an estimated population of 488,943 in 2017, making it the 37th most-populous city in the United States. It is the central city of the Kansas City metropolitan area, which straddles the Kansas–Missouri state line. Kansas City was founded in the 1830s as a Missouri River port at its confluence with the Kansas River coming in from the west. On June 1, 1850 the town of Kansas was incorporated; shortly after came the establishment of the Kansas Territory. Confusion between the two ensued and the name Kansas City was assigned to distinguish them soon after.

Wallace Beery attended the Chase School in Kansas City and took piano lessons as well, but showed little love for academic matters. He ran away from home twice, the first time returning after a short time, quitting school and working in the Kansas City train yards as an engine wiper. [3] Beery ran away from home a second time at age 16, and joined the Ringling Brothers Circus as an assistant elephant trainer. He left two years later, after being clawed by a leopard.

A classification yard or marshalling yard is a railway yard found at some freight train stations, used to separate railway cars onto one of several tracks. First the cars are taken to a track, sometimes called a lead or a drill. From there the cars are sent through a series of switches called a ladder onto the classification tracks. Larger yards tend to put the lead on an artificially built hill called a hump to use the force of gravity to propel the cars through the ladder.

Wiper (occupation) occupation

A wiper is the most junior rate in the engine room of a ship. The role of a wiper consists of cleaning the engine spaces and machinery, and assisting the engineers as directed. The position is an apprenticeship to become an oiler. In modern times, a wiper is required to work on a ship for a specific amount of time, gaining what is referred to as "sea time."

Elephant Large terrestrial mammals with trunks from Africa and Asia

Elephants are large mammals of the family Elephantidae in the order Proboscidea. Three species are currently recognised: the African bush elephant, the African forest elephant, and the Asian elephant. Elephants are scattered throughout sub-Saharan Africa, South Asia, and Southeast Asia. Elephantidae is the only surviving family of the order Proboscidea; other, now extinct, members of the order include deinotheres, gomphotheres, mastodons, anancids and stegodontids; Elephantidae itself also contains several now extinct groups, such as the mammoths and straight-tusked elephants.


Wallace Beery circa 1914 Wallacebeery.JPG
Wallace Beery circa 1914
Beery as Sweedie the Swedish maid (1914) Dreamy Sweedy (cinema 1914) (3109252361).jpg
Beery as Sweedie the Swedish maid (1914)

Early career

Wallace Beery joined his older brother Noah in New York City in 1904, finding work in comic opera as a baritone and began to appear on Broadway as well as summer stock theatre. He appeared in The Belle of the West in 1905. His most notable early role came in 1907 when he starred in The Yankee Tourist to good reviews. [4]

Broadway theatre class of professional theater presented in New York City, New York, USA

Broadway theatre, commonly known as Broadway, refers to the theatrical performances presented in the 41 professional theatres, each with 500 or more seats located in the Theater District and Lincoln Center along Broadway, in Midtown Manhattan, New York City. Along with London's West End theatre, Broadway theatre is widely considered to represent the highest level of commercial theatre in the English-speaking world.

In American theater, summer stock theatre is a theatre that presents stage productions only in the summer. The name combines the season with the tradition of staging shows by a resident company, reusing stock scenery and costumes. Summer stock theatres frequently take advantage of seasonal weather by having their productions outdoors or under tents set up temporarily for their use.

Comedy film star - Essanay Studios

In 1913, he moved to Chicago to work for Essanay Studios. His first movie was likely a comedy short, His Athletic Wife (1913).

Essanay Studios

The Essanay Film Manufacturing Company was an American motion picture studio. The studio was founded in 1907 and based in Chicago, and later had an additional film lot in Niles Canyon, California. It is best known today for its series of Charlie Chaplin comedies of 1915. In the 1920s, after it merged with other studios, it was absorbed into Warner Brothers.

His Athletic Wife is a 1913 short film starring Wallace Beery, Gertrude Forbes and Robert Bolder. This is currently believed to have been Beery's first film in his 36-year career of acting in more than 250 films.

Beery was then cast as Sweedie, a Swedish maid character he played in drag in a series of short comedy films from 1914-16. Sweedie Learns to Swim (1914) co-starred Ben Turpin. Sweedie Goes to College (1915) starred Gloria Swanson, whom Beery married the following year. [5]

Other Beery films (mostly shorts) from this period included In and Out (1914), The Ups and Downs (1914), Cheering a Husband (1914), Madame Double X (1914), Ain't It the Truth (1915), Two Hearts That Beat as Ten (1915), and The Fable of the Roistering Blades (1915).

The Slim Princess (1915), with Francis X. Bushman, was a feature. Beery did The Broken Pledge (1915) and A Dash of Courage (1916), both with Swanson.

Beery was a German soldier in The Little American (1917) with Mary Pickford, directed by Cecil B. De Mille. He did some comedies for Mack Sennett, Maggie's First False Step (1917) and Teddy at the Throttle (1917), but he would gradually leave that genre and specialize in portrayals of villains prior to becoming a major leading man during the sound era.

Villainous roles

In 1917 Beery portrayed Pancho Villa in Patria at a time when Villa was still active in Mexico. (Beery reprised the role 17 years later in Viva Villa! .)

Beery was a villainous German in The Unpardonable Sin (1919) with Blanche Sweet. For Paramount he did The Love Burglar (1919) with Wallace Reid; Victory (1919), with Jack Holt; Behind the Door (1919), as another villainous German; and The Life Line (1919) with Holt.

Beery was the villain in five major releases in 1920: 813 ; The Virgin of Stamboul for director Tod Browning; The Mollycoddle with Douglas Fairbanks, in which Fairbanks and Beery fistfought as they tumbled down a steep mountain; and in the non-comedic Western The Round-Up starring Roscoe Arbuckle as an obese cowboy in a well-received serious film with the tagline "Nobody loves a fat man." Beery continued his villainy cycle that year with The Last of the Mohicans , playing Magua.

Beery had a supporting part in The Four Horsemen of the Apocalypse (1920) with Rudolph Valentino. He was a villainous Tong leader in A Tale of Two Worlds (1921) and was the bad guy again in Sleeping Acres (1922), Wild Honey (1922), and I Am the Law (1922), which also featured his brother Noah Beery Sr..

Historical films

Beery had a large then-rare heroic part as King Richard I (Richard the Lion-Hearted) in Robin Hood (1922), starring Douglas Fairbanks in the titular role. The movie was a huge success and subsequently spawned a sequel the following year starring Beery in the title role.

Beery had an important unbilled cameo as "the Ape-Man" in A Blind Bargain (1922) starring Lon Chaney Sr., and a supporting role in The Flame of Life (1923). He played another historical king, King Philip IV of Spain in The Spanish Dancer (1923) with Pola Negri.

Beery starred in an action melodrama, Stormswept (1923) for FBO Films alongside his elder brother, Noah Beery Sr.. The tagline on the movie's posters was "Wallace and Noah Beery - The Two Greatest Character Actors on the American Screen."

Beery played his third royal, the Duc de Tours, in Ashes of Vengeance (1923) with Norma Talmadge, then did Drifting (1923) with Priscilla Dean for director Browning.

Beery had the titular role in Bavu (1923), about Bolsheviks and the Russian Revolution. He co-starred with Buster Keaton in the comedy Three Ages (1923), the first feature Keaton wrote, produced, directed and starred in.

Beery was a villain in The Eternal Struggle (1923), a Mountie drama, which was produced by Louis B. Mayer, who would eventually become crucial to Beery's career. He was reunited with Dean and Browning in White Tiger (1923), then played the title role in the aforementioned Richard the Lion-Hearted (1923), a sequel to Robin Hood based on Sir Walter Scott's The Talisman .

Beery was in The Drums of Jeopardy (1923) and had a support role in The Sea Hawk (1924) for director Frank Lloyd, and The Signal Tower (1925).


Beery signed a contract with Paramount Pictures. He had a support role in Adventure (1925) directed by Victor Fleming.

At First National, he was given the star role of Professor Challenger in Arthur Conan Doyle's dinosaur epic The Lost World (1925), arguably his silent performance most frequently screened in the modern era. Beery was top billed in Paramount's The Devil's Cargo (1925) for Victor Fleming, and supported in The Night Club (1925), The Pony Express (1925) for James Cruze, and The Wanderer (1925) for Raoul Walsh.

Beery starred in a comedy with Raymond Hatton, Behind the Front (1926) and he was a villain in Volcano! (1926). He was a bos'n in Old Ironsides (1926) for director James Cruze, with Charles Farrell in the romantic lead.

Beery had the title role in the baseball movie Casey at the Bat (1927). He was reunited with Hatton in Fireman, Save My Child (1927) and Now We're in the Air (1927). The latter also featured Louise Brooks who was Beery's co star in Beggars of Life (1928), directed by William Wellman, which was Paramount's first part-talkie movie.

There was a fourth comedy with Hatton, Wife Savers (1929), then Beery starred in Chinatown Nights (1929) for Wellman, produced by a young David O. Selznick. This film was shot silent with the voices dubbed in by the actors afterward, which worked spectacularly well with Beery's resonant voice, although the technique was not used again during the silent era for another full-length feature. Beery then played in Stairs of Sand (1929) before being fired by Paramount.


Chester Morris and Wallace Beery in The Big House (1930) The-Big-House-1930.jpg
Chester Morris and Wallace Beery in The Big House (1930)
With Marie Dressler in Min and Bill (1930) DresslerBeeryJordanMinBill1930Trailer.jpg
With Marie Dressler in Min and Bill (1930)
Jackie Cooper, Edward Brophy, and Wallace Beery in The Champ (1931) The Champ (1931) trailer 1.jpg
Jackie Cooper, Edward Brophy, and Wallace Beery in The Champ (1931)
Tugboat Annie (1933) Tugboat Annie 1933.jpg
Tugboat Annie (1933)

Irving Thalberg signed Beery to Metro-Goldwyn-Mayer as a character actor. The association began well when Beery played the savage convict "Butch," a role originally intended for Lon Chaney Sr. (who died that same year), in the highly successful 1930 prison film The Big House , directed by George W. Hill; Beery was nominated for the Academy Award for Best Actor.

Beery's second film for MGM was also a huge success: Billy the Kid (1930), an early widescreen picture in which he played Pat Garrett. He supported John Gilbert in Way for a Sailor (1930) and Grace Moore in A Lady's Morals (1930), portraying P.T. Barnum in the latter.


Beery was well established as a leading man and top rank character actor. What really made him one of the cinema's foremost stars was Min and Bill (1931) opposite Marie Dressler and directed by George W. Hill, a sensational success. [6]

Beery made a third film with Hill, The Secret Six (1931), a gangster movie with Jean Harlow and Clark Gable in key supporting roles. The picture was popular but was surpassed at the box office by The Champ , which Beery made with Jackie Cooper for director King Vidor. The film, especially written for Beery, was another box office sensation. Beery shared the Best Actor Oscar with Fredric March. Though March received one vote more than Beery, Academy rules at the time—since rescinded—defined results within one vote of each other as "ties". [7]

Beery's career went from strength to strength. Hell Divers (1932), a naval airplane epic also starring a young Clark Gable billed under Beery, was a big hit. So too was the all-star Grand Hotel (1932), in which Beery was billed fourth, under Greta Garbo, John Barrymore, and Joan Crawford, one of the very few times he would not be top billed for the rest of his career. In 1932 his contract with MGM stipulated that he be paid a dollar more than any other contract player at the studio, making him the world's highest-paid actor.

Beery was a German wrestler in Flesh (1932), a hit directed by John Ford but Ford removed his directorial credit before the film opened, so the picture screened with no director listed despite being labeled "A John Ford Production" in the opening title card. Next Beery was in another all-star ensemble blockbuster, Dinner at Eight (1933), with Jean Harlow holding her own as Beery's comically bickering wife. This time Beery was billed third, under Marie Dressler and John Barrymore.

Beery was loaned out to the new Twentieth Century Pictures for the boisterously fast-paced comedy/drama The Bowery (1933), also starring George Raft, Jackie Cooper and Fay Wray, and featuring Pert Kelton, under the direction of Raoul Walsh. The picture was a smash hit.

Back at MGM he played the title role of Pancho Villa in Viva Villa! (1933) and was reunited with Dressler in Tugboat Annie (1933), a massive hit. He was Long John Silver in Treasure Island (1934), described as a box office "disappointment" [8] despite being MGM's third largest hit of the season, and remains currently viewed as featuring one of Beery's iconic performances.

Beery returned to Twentieth Century Productions for The Mighty Barnum (1934) in which he played P.T. Barnum again. Back at MGM he was a kindly sergeant in West Point of the Air (1935) and was in an all-star spectacular, China Seas (1935), this time billed beneath Clark Gable.

O'Shaughnessy's Boy (1935) reunited Beery and Jackie Cooper. He had the lead as the drunken uncle in MGM's adaptation of Ah, Wilderness! (1936) and went back to Twentieth Century - now 20th Century Fox - for A Message to Garcia (1936).

At MGM he was in Old Hutch (1936) and The Good Old Soak (1937) then he was back at Fox for Slave Ship (1937), taking second billing under Warner Baxter, a rarity for Beery after Min and Bill catapulted his career into the strastosphere in 1931, during which he received top billing in all but six films (Min and Bill, Grand Hotel, Tugboat Annie, Dinner at Eight, China Seas and Slave Ship).


The status of Beery's films went into a decline, possibly due to a scandal in which Beery was implicated in the death of Ted Healy, which was apparently kept out of the newspapers by the studio's "fixer" Eddie Mannix, who eventually became head of MGM. After an abrupt European vacation, Beery was in The Bad Man of Brimstone (1938) with Dennis O'Keefe (and Noah Beery Sr. in a cameo role as a bartender), Port of Seven Seas (1938) with Maureen O'Sullivan, Stablemates (1938) with Mickey Rooney, Stand Up and Fight (1939) with Robert Taylor, Sergeant Madden (1939) with Tom Brown, Thunder Afloat (1939) with Chester Morris, The Man from Dakota (1940) with Delores del Rio, and 20 Mule Team (1940) with Marjorie Rambeau, Anne Baxter and Noah Beery Jr., enjoying top billing in all of them.

Wyoming (1940) teamed Beery with Marjorie Main. After The Bad Man (1941), which also stars Lionel Barrymore and future US president Ronald Reagan, and was the remake of a Walter Huston picture, MGM reunited Beery and Main in Barnacle Bill (1941), The Bugle Sounds (1941), and Jackass Mail (1942).

Beery did a war film, Salute to the Marines (1943) then was back with Main in Rationing (1944). Barbary Coast Gent (1944), a broad Western comedy in which Beery played a bombastic con man, teamed him with Binnie Barnes. He did another war film, This Man's Navy (1945), then made another Western with Main, Bad Bascomb (1946), a huge hit, helped by Margaret O'Brien's casting.

The Mighty McGurk (1947) put Beery with another child star of the studio, Dean Stockwell. Alias a Gentleman (1947) was the first of Beery's movies to lose money during the sound era. Beery received top billing for A Date with Judy (1949), a hugely popular musical featuring Elizabeth Taylor. Beery's last film, again featuring Main, Big Jack (1949), also lost money according to Mannix's reckoning. [9]

Personal life

20 Mule Team (1940) Wallace Beery in 20 Mule Team (1940).png
20 Mule Team (1940)
The Bad Man (1941) Wallace Beery in The Bad Man (1941).png
The Bad Man (1941)

First marriage

On March 27, 1916, at the age of 30, Beery married 17-year-old actress Gloria Swanson in Los Angeles. [10] The two had co-starred in Sweedie Goes to College. [5] Although Beery had enjoyed popularity with his Sweedie shorts, his career had taken a dip, and during the marriage to Swanson, he relied on her as a breadwinner. According to Swanson's autobiography, Beery raped her on their wedding night, and later tricked her into swallowing an abortifacient when she was pregnant, which caused her to lose their child. [11] Swanson filed for divorce in 1917 and it was finalized in 1918. [10]

Second marriage and adoption

On August 4, 1924, Beery married actress Rita Gilman (née Mary Areta Gilman; 1898–1986) in Los Angeles. [12] The couple adopted Carol Ann Priester (1930–2013), daughter of Rita Beery's mother's half-sister, Juanita Priester (née Caplinger; 1899–1931) and her husband, Erwin William Priester (1897–1969). After 14 years of marriage, Rita filed for divorce on May 1, 1939, in Carson City, Ormsby County, Nevada. Within 20 minutes of filing, she won the decree. Rita remarried 15 days later, on May 16, 1939, to Jessen Albert D. Foyt (1907–1945), filing her marriage license with the same county clerk in Carson City.

Alleged fatal altercation

In December 1937, comedic actor Ted Healy was involved in a drunken altercation at Cafe Trocadero on the Sunset Strip. E. J. Fleming, in his 2005 book, The Fixers: Eddie Mannix, Howard Strickling and the MGM Publicity Machine, asserts that Healy was attacked by three men:

  1. Future James Bond producer Albert "Cubby" Broccoli
  2. Local mob figure Pat DiCicco (who was Broccoli's cousin as well as the former husband of Thelma Todd and the future husband of Gloria Vanderbilt)
  3. Wallace Beery

Fleming writes that this beating led to Healy's death a few days later. [13] [14]

Second adoption

Around December 1939, Beery, recently divorced, adopted a seven-month-old girl, Phyllis Ann Beery. [15] Phyllis appeared in MGM publicity photos when adopted, but was never mentioned again. [16] Beery told the press he had taken the girl in from a single mother, recently divorced, but he had filed no official adoption papers. [17]

Working relationship with peers

Beery was considered misanthropic and difficult to work with by many of his colleagues. Mickey Rooney, one of Beery's few co-stars to consistently speak highly of him in subsequent decades, related in his autobiography that Howard Strickling, MGM's head of publicity, once went to Louis B. Mayer to complain that Beery was stealing props from the studio's sets. "And that wasn't all," Rooney continued. "He went on for some minutes about the trouble that Beery was always causing him ... Mayer sighed and said, 'Yes, Howard, Beery's a son of a bitch. But he's our son of a bitch.' Strickling got the point. A family has to be tolerant of its black sheep, particularly if they brought a lot of money into the family fold, which Beery certainly did." [18]

Child actors, in particular, recalled unpleasant encounters with Beery. Jackie Cooper, who made several films with him early in his career, called him "a big disappointment", and accused him of upstaging, and other attempts to undermine his performances, out of what Cooper presumed was jealousy. [19] He recalled impulsively throwing his arms around Beery after one especially heartfelt scene, only to be gruffly pushed away. [20] Child actress Margaret O'Brien claimed that she had to be protected by crew members from Beery's insistence on constantly pinching her. [21]

Rooney remained an exception to the general negative attitude among child actors. In his memoir he described Beery as "... a lovable, shambling kind of guy who never seemed to know that his shirttail belonged inside his pants, but always knew when a little kid actor needed a smile and a wink or a word of encouragement." He did concede that "not everyone loved [Beery] as much as I did." [22] Beery, by contrast, described Rooney as a "brat", but a "fine actor". [23]


Beery owned and flew his own planes, [24] one a Howard DGA-11. On April 15, 1933, he was commissioned a lieutenant commander in the United States Navy Reserve at NRAB Long Beach. [25] One of his proudest achievements was catching the largest black sea bass in the world — 515 pounds (234 kg) — off Santa Catalina Island in 1916, a record that stood for 35 years. [26]

Activism against National Park Lands

A noteworthy episode in Beery's life is chronicled in the fifth episode of Ken Burns' documentary The National Parks: America's Best Idea : In 1943, President Franklin D. Roosevelt signed an executive order creating Jackson Hole National Monument to protect the land adjoining the Grand Tetons in Wyoming. Local ranchers, outraged at the loss of grazing lands, compared FDR's action to Hitler's taking of Austria. Led by an aging Beery, they protested by herding 500 cattle across the monument lands without a permit. [27]

Paternity suit

On February 13, 1948, Gloria Schumm (aka Gloria Smith Beery, née Florence W. Smith; 1916–1989) filed a paternity suit against Beery. Beery, through his lawyer, Norman Ronald Tyre (1910–2002), initially offered $6,000 as a settlement, but denied being the father. Gloria had given birth on February 7, 1948, to Johan Richard Wallace Schumm. Gloria, in 1924, divorced Stuttgart-born Hollywood actor Hans Schumm (né Johann Josef Eugen Schumm; 1896–1990), but remarried him August 21, 1947, after realizing that she was pregnant. Prior to remarrying Hans Schumm, Gloria, on August 4, 1947, met with Beery at his home, where he gave her the name and address of a physician to submit an examination. [28] At or around that time, she also asked Beery to marry her to legitimatize the expected child (her words), which Beery refused.

According to newspapers, Gloria claimed to have been intimate with Wallace Beery on or about May 1, 1947, at his home in Beverly Hills (in the court proceedings, however, she claimed to have been intimate with Beery on May 17, 1947). Beery conceded that he had known Gloria for about 15 years and that, under the pseudonym "Gloria Whitney," she had played bit roles in 6 films that he starred in. She again separated from Hans Schumm April 15, 1948.

Death, estate, and continuing paternity suit

Grave at Forest Lawn Glendale Wallace Beery Grave.JPG
Grave at Forest Lawn Glendale

Beery died of a heart attack on April 15, 1949 (14 months, 1 week, and 1 day after Johan Schumm's birth) — while the suit was pending. He died intestate (without a will). Beery had been reading a newspaper at his Beverly Hills home when he collapsed. [29] His body was interred at Forest Lawn Memorial Park in Glendale, California. The inscription on his grave reads, "No man is indispensable but some are irreplaceable." When Mickey Rooney's father died less than a year later, Rooney arranged to have him buried next to his old friend. "I thought it was fitting that these two comedians should rest in peace, side by side," he wrote. [30]

As for the paternity suit, Gloria's attorneys — initially Joseph L. Fainer (1897–1960), then Maurice Rose (né Maurice Morris Rosenberg; 1881–1973) with Kay Whyner (née Kate Whyner; 1910–1996), Rose's secretary acting as guardian ad litem — demanded $104,135 against Beery's $2,220,000 estate.

Judge Newcomb Condee (1898–1974) of the Los Angeles County Superior Court, on February 22, 1952, approved a $26,750 settlement from Beery's estate – far less than what Gloria had been seeking. Gloria Schumm finally accepted the settlement and Johan Beery's paternity was not admitted.

Enduring case law

The paternity suit, and subsequent suits – including appeals – extended through about 1952 and were internationally publicized, particularly in gossip columns and tabloids. The litigation has endured as case law with, among other things, treatises addressing the rights of illegitimate offspring against legitimate heirs in races for inheritance. [31] [32] [33] [34] [35]

The upshot was that Schumm's paternity suit against Beery's estate put would-be half-siblings and other would-be family legatees, including a would-be uncle, Noah Beery, Sr., in the position as de facto defendants. Phyllis Ann Riley was not named in Beery's will. Part of plaintiff's claim, initially, hinged on whether an oral agreement was binding. Gloria had claimed that Beery, while alive, agreed to provide for the child. However, on November 17, 1949, Judge William B. McKesson (1895–1967) threw out Gloria's claim. The judge reasoned that any oral agreement between the two, specifically any that was intended to provide for maintenance and care of a minor, was not binding because the amount allegedly agreed upon was in excess of $500, which must be made in writing. [36]

Another matter in the case hinged on a "peppercorn" rule. That is, in order for any agreement, oral or written, between Wallace and Gloria to be binding, there must be consideration. The court, initially, found that Beery agreed to an oral contract where Gloria would (i) include the name "Wallace" in the child's name if a male, or "Wally" if a female, and (ii) refrain from filing a paternity suit that both agreed would damage Beery's "social and professional standing as a prominent motion picture star."

Generally, under California state law at the time, a father who neither marries the mother nor acknowledges paternity does not have a right to name the child. That right belongs to the mother. In exchange for Gloria's promise to name the child "Wallace" or "Wally" (the promise representing a form of consideration), Wallace Beery agreed to arrange for the payment of $100 per week to the child (as a third-party beneficiary under the contract), plus a lump sum of $25,000 to the child when he or she attained age 21, in addition to the customary obligation to pay for the "maintenance, support and education according to the station in life and standard of living of Wallace Beery." [34]


For his contributions to the film industry, Wallace Beery posthumously received a motion pictures star on the Hollywood Walk of Fame in 1960. His star is located at 7001 Hollywood Boulevard. [2]

Beery is mentioned in the film Barton Fink , in which the lead character has been hired to write a wrestling screenplay to star Beery. [37]

Selected filmography

Awards and nominations

1930 Academy Award for Best Actor The Big HouseNominated
1932 Academy Award for Best Actor The ChampWon ("Tied" with Fredric March for Dr. Jekyll and Mr. Hyde although in reality March received one more vote than Beery.)
1934 Venice Film Festival Award for Best Actor Viva Villa!Won

See also

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The Champ is a 1931 American pre-Code film starring Wallace Beery and Jackie Cooper and directed by King Vidor from a screenplay by Frances Marion, Leonard Praskins and Wanda Tuchock. The picture tells the story of a washed-up alcoholic boxer (Beery) attempting to put his life back together for the sake of his young son (Cooper).

Lionel Barrymore American actor, director, screenwriter

Lionel Barrymore was an American actor of stage, screen and radio as well as a film director. He won an Academy Award for Best Actor for his performance in A Free Soul (1931), and remains best known to modern audiences for the role of villainous Mr. Potter in Frank Capra's 1946 film It's a Wonderful Life.

Jackie Cooper American actor, director

John Cooper Jr. was an American actor, television director, producer and executive. He was a child actor who made the transition to an adult career. Cooper was the first child actor to receive an Oscar nomination. At age nine, he was also the youngest performer to have been nominated for an Academy Award for Best Actor in a Leading Role, an honor that he received for the film Skippy (1931). For nearly 50 years, Cooper remained the youngest Oscar nominee in any category, until he was surpassed by Justin Henry, who was nominated at age eight for Best Supporting Actor for Kramer vs. Kramer (1979).

Gloria Swanson American actress

Gloria May Josephine Swanson was an American actress and producer. She achieved widespread critical acclaim and recognition for her role as Norma Desmond, a reclusive silent film star, in the critically acclaimed 1950 film Sunset Boulevard. The film earned her an Academy Award nomination and a Golden Globe Award win.

The following is an overview of 1931 in film, including significant events, a list of films released and notable births and deaths.

The House That Shadows Built (1931) is a feature compilation film from Paramount Pictures, made to celebrate the 20th anniversary of the studio's founding in 1912. The film was a promotional film for exhibitors and never had a regular theatrical release.

Noah Beery Sr. American actor

Noah Nicholas Beery was an American actor who appeared in films from 1913 to 1945. He was the older brother of Academy Award-winning actor Wallace Beery and the father of character actor Noah Beery Jr. Beery was billed as either Noah Beery or Noah Beery Sr. depending upon the film.

Noah Beery Jr. American actor

Noah Lindsey Beery, known professionally as Noah Beery Jr. or just Noah Beery, was an American actor specializing in warm, friendly character roles similar to the ones played by his paternal uncle, Wallace Beery, although Noah Beery Jr., unlike his more famous uncle, seldom broke away from playing supporting roles. His father, Noah Nicholas Beery, enjoyed a similarly lengthy film career as a major supporting actor. Beery Jr. was best known for playing James Garner's character's father, "Rocky" in the NBC television series The Rockford Files (1974–80).

<i>The Bowery</i> (film) 1933 film by Raoul Walsh

The Bowery is a 1933 American pre-Code comedy and action film about the Lower East Side of Manhattan around the start of the 20th century directed by Raoul Walsh and starring Wallace Beery and George Raft. The supporting cast features Jackie Cooper, Fay Wray, and Pert Kelton.

4th Academy Awards

The 4th Academy Awards were awarded to films completed and screened released between August 1, 1930, and July 31, 1931, by the Academy of Motion Picture Arts and Sciences. At the ceremony, nine-year-old Jackie Cooper, nominated for Best Actor in Skippy, fell asleep on the shoulder of Best Actress nominee Marie Dressler. When Dressler was announced as the winner, Cooper had to be eased onto his mother’s lap.

Tom Forman (actor) American actor

Tom Forman was an American motion picture actor, director, writer, and producer of the early 1920s.

<i>Treasure Island</i> (1934 film) 1934 film by Victor Fleming

Treasure Island is a 1934 film directed by Victor Fleming and starring Wallace Beery, Jackie Cooper, Lionel Barrymore, Lewis Stone, and Nigel Bruce. It is an adaptation of Robert Louis Stevenson’s famous 1883 novel of the same name. Jim Hawkins discovers a treasure map and travels on a sailing ship to a remote island, but pirates led by Long John Silver threaten to take away the honest seafarers’ riches and lives.

<i>Tugboat Annie</i> 1933 film by Mervyn LeRoy

Tugboat Annie is a 1933 American pre-Code film directed by Mervyn LeRoy, written by Norman Reilly Raine and Zelda Sears, and starring Marie Dressler and Wallace Beery as a comically quarrelsome middle-aged couple who operate a tugboat. Dressler and Beery were MGM's most popular screen team at that time, having recently made the bittersweet Min and Bill (1930) together, for which Dressler won the Academy Award for Best Actress.

<i>20 Mule Team</i> 1940 American Western film directed by Richard Thorpe

20 Mule Team is a 1940 American Western film about Death Valley, and Daggett, California borax miners, directed by Richard Thorpe and starring Wallace Beery, Marjorie Rambeau and Anne Baxter. The film provides an extremely rare opportunity to see Beery act opposite his nephew Noah Beery Jr., best known for playing Joseph "Rocky" Rockford on television's The Rockford Files during the 1970s. The film was originally released in Sepiatone, a brown and white process used by the studio the previous year for the Kansas scenes in The Wizard of Oz.

<i>The Thundering Herd</i> (1925 film) 1925 film by Henry Hathaway, William K. Howard

The Thundering Herd is a lost 1925 American Western lost film directed by William K. Howard, and starring Jack Holt, Lois Wilson, Noah Beery, Sr. and Raymond Hatton. Based on Zane Grey's 1925 novel of the same name and written by Lucien Hubbard, the film is about a trader who uncovers a scheme to blame the Indians for a Buffalo massacre.

A. Edward Sutherland actor, film director

Albert Edward Sutherland was a film director and actor. Born in London, he was from a theatrical family. His father, Al Sutherland, was a theatre manager and producer and his mother, Julie Ring, was a vaudeville performer. He was a nephew of both Blanche Ring and Thomas Meighan, who was married to Frances Ring, another of his mother's sisters.

<i>Ah, Wilderness!</i> (film) 1935 film by Clarence Brown

Ah, Wilderness! is a 1935 American film adaptation of the Eugene O'Neill play of the same name starring Wallace Beery. The picture was shot in Grafton, Massachusetts, at the common in the center of town, and was directed by Clarence Brown. Beery plays the drunken uncle later portrayed on Broadway by Jackie Gleason, and the film features Lionel Barrymore, Eric Linden, Cecilia Parker, Spring Byington, and a young Mickey Rooney. Rooney also stars in MGM's musical remake Summer Holiday (1948).

Sweedie Goes to College is a 1915 silent comedy film directed by Richard Foster Baker and featuring Gloria Swanson.

Lorna Moon was a Scottish author and screenwriter from the early days of Hollywood. She is best known as the author of the bestselling novel Dark Star (1929) and as one of the earliest and most successful female screenwriters. As a screenwriter, she developed screenplays for notables including Gloria Swanson, Norma Shearer, Lionel Barrymore and Greta Garbo.


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    (Philip Jay Berg, 1902–1983, was married to actress Leila Hyams)
  32. 2 Photographs of Mrs. Gloria Schumm and son, Johann Schumm (age 4), April 17, 1952; OCLC   822257200, 857831052, 663235176
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  35. K: A Common Law Approach to Contracts (2nd ed.), by Tracey E. George, Russell Korobkin, Wolters Kluwer (2017), p. 32; ISBN   978-1-4548-6819-4; OCLC   951854766
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  37. Rafferty, Terrence (July 27, 2003). "FILM; He's Nobody Important, Really. Just a Movie Writer". The New York Times .

Further reading