Walter Liedtke | |
|---|---|
| Born | August 28, 1945 Plainfield, New Jersey, U.S. |
| Died | February 3, 2015 (aged 69) Valhalla, New York, U.S. |
| Nationality | American |
| Occupation(s) | Art historian, writer, curator |
| Years active | 1974–2015 |
Walter Arthur Liedtke, Jr. (August 28, 1945 – February 3, 2015) [1] was an American art historian, writer and Curator of Dutch and Flemish Paintings at the Metropolitan Museum of Art. [2] He was known as one of the world's leading scholars of Dutch and Flemish paintings. [1] He died in the 2015 Metro-North Valhalla train crash. [3]
Liedtke was born in Plainfield, New Jersey, [4] and grew up in Livingston, New Jersey. [4] Liedtke studied Art History, receiving a Bachelor of Arts degree in 1967 from Rutgers University in New Brunswick, New Jersey, a Master of Arts degree in 1969 at Brown University in Providence, Rhode Island. [5] He received a Doctorate at the Courtauld Institute of Art in London. Liedtke said that his interest in Dutch paintings began because he was focused on images as a child from hours and hours of watching a lot of TV. [6] He described his aesthetic as that of having a focus on how he responded to visual patterns compared to a more typical perspective focused on story and narratives. [6]
Liedtke planned on a career in academia. [2] For two years Liedtke taught at the Florida State University, then at the University's villa in Florence. In 1974 he was working at the Courtauld Institute in London on his PhD dissertation, "Architectural painting in Delft, 1650–1675," [7] in which he discussed work of Gerrit Houckgeest, Pieter Saenredam, Hendrick Cornelisz. van Vliet and Emmanuel de Witte. [8] From 1975 till 1979 he joined the faculty at Ohio State University.
After receiving a Mellon Fellowship he began studying at The Metropolitan Museum of Art, where he was appointed in 1980 as curator and would spend the rest of his career. He organized numerous exhibitions, wrote seven books, including several on Rembrandt and Vermeer, and produced catalogues of the Museum's Dutch and Flemish paintings.
Liedtke served as a curator of European Paintings at the Metropolitan Museum of Art for thirty-five years. Liedtke specialized in the paintings of Vermeer and the Delft School. The 2001 Liedtke-curated show, "Vermeer and the Delft School" was said to be the most popular art exhibition that year, attracting 555,000 visitors during its three-month run. [9]
At the time of his death he was preparing a catalogue of the museum's collection of Spanish paintings of the 15th to 18th century. [10]
Most recently, he worked on "El Greco in New York," a collaborative project that was co-curated with Keith Christiansen, [11] with the Hispanic Society of America and the Frick Collection held at the Metropolitan Museum of Art from November 4, 2014 to February 1, 2015. [12]
Liedtke was married to Nancy Liedtke a math teacher, artist, and equestrienne. [4] He commuted daily from the Metropolitan Museum of Art on the Upper East Side neighborhood of New York City to what he called "the countryside," Bedford Hills, New York in Westchester County. [6] He said that he thought there was something "Dutch" about the way he lived: the idyllic countryside, his 100-year-old home, and his art collection, which he said was quintessentially Dutch in character. [6]
Along with five others, Liedtke died in the February 3, 2015 Metro-North crash, [13] [14] at the age of 69. [2] [15] Thomas Campbell, director of the Metropolitan Museum of Art, described him as "one of the most distinguished scholars of Dutch and Flemish painting in the world." [2] Many in the art and museum community posted reflections and appreciation of Liedtke's work. [16] [17] Memorial statements were widespread, and were both local [18] and international in scope. [4] [19] [20]
Johannes Vermeer was a Dutch painter who specialized in domestic interior scenes of middle-class life. He is considered one of the greatest painters of the Dutch Golden Age. During his lifetime, he was a moderately successful provincial genre painter, recognized in Delft and The Hague. He produced relatively few paintings, primarily earning his living as an art dealer. He was not wealthy; at his death, his wife was left in debt.
Gerbrand van den Eeckhout was a Dutch Golden Age painter and a favourite student of Rembrandt. He was also an etcher, an amateur poet, a collector and an adviser on art.
Emanuel de Witte (1617–1692) was a Dutch perspective painter. In contrast to Pieter Jansz Saenredam, who emphasized architectural accuracy, De Witte was more concerned with the atmosphere of his interiors. Though few in number, de Witte also produced genre paintings.
The Milkmaid, sometimes called The Kitchen Maid, is an oil-on-canvas painting of a "milkmaid", in fact, a domestic kitchen maid, by the Dutch artist Johannes Vermeer. It is in the Rijksmuseum in Amsterdam, the Netherlands, which regards it as "unquestionably one of the museum's finest attractions".
Leonaert Bramer, also Leendert or Leonard, was a Dutch painter known primarily for genre, religious, and history paintings. Very prolific as a painter and draftsman, he is noted especially for nocturnal scenes which show a penchant for exotic details of costume and setting. He also painted frescos—a rarity north of the Alps—which have not survived, as well as murals on canvas, few of which are extant. Bramer is one of the most intriguing personalities in seventeenth-century Dutch art.
Jacob Symonsz. Pynas was a Dutch Golden Age painter and draughtsman. He is best known for having briefly taught the painter Rembrandt in 1625.
Hendrick Corneliszoon van Vliet was a Dutch Golden Age painter remembered mostly for his church interiors.
The Delft School is a category of mid-17th-century Dutch Golden Age painting named after its main base, Delft. It is best known for genre painting: images of domestic life, views of households, church interiors, courtyards, squares and the streets of that city. Carel Fabritius and Nicolaes Maes are seen as the originators of these localised specialties in the 1640s that were continued in the 1650s by Pieter de Hooch and Johannes Vermeer. Vermeer is the most famous of these painters today. The architectural interiors of Gerard Houckgeest, Emanuel de Witte and Hendrick Cornelisz. van Vliet are also notable contributions. Besides the genres most closely associated with Delft painters, artists in the city continued to produce still life and history paintings, portraits for patrons and the court, and decorative pieces of art that reflect more general tendencies in Dutch art of the period.

Hendrik van Steenwijck I (also Steenwyck, Steenwijk) (c. 1550 – buried 1 September 1603) was a Dutch Golden Age painter, from early in the period, known mainly for his church interiors.
Pieter Claeszoon van Ruijven has been known as Johannes Vermeer's main patron for the better part of the artist's career, but in 2023 his wife Maria de Knuijt was identified by the curators of the 2023 exhibition of Vermeer's works at the Rijksmuseum, in Amsterdam as the main patron due to her long-standing and supportive relationship with the artist. He built a sizeable estate from inheritances he and his wife received and fruitful investments. In 1669, he became the Lord of Spalant when he purchased land owned by Willem, Baron van Renesse.
Christ in the House of Martha and Mary is a painting finished in 1655 by the Dutch Golden Age painter Johannes Vermeer. It is now in the Scottish National Gallery in Edinburgh. It is the largest painting by Vermeer and one of the very few with an overt religious motive. The story of Christ visiting the household of the two sisters Mary of Bethany and Martha goes back to the New Testament. The work has also been called Christ in the House of Mary and Martha.
Study of a Young Woman is a painting by the Dutch artist Johannes Vermeer, completed between 1665 and 1667, and now in the Metropolitan Museum of Art, New York.
The Allegory of Faith, also known as Allegory of the Catholic Faith, is a Dutch Golden Age painting by Johannes Vermeer from about 1670–1672. It has been in the Metropolitan Museum of Art in New York since 1931.
Woman with a Lute, also known as Woman with a Lute Near a Window, is a painting created about 1662–1663 by Dutch painter Johannes Vermeer and now at the Metropolitan Museum of Art in New York.
Officer and Laughing Girl, also known as Officer and a Laughing Girl, Officer With a Laughing Girl or, in Dutch, De Soldaat en het Lachende Meisje, is an oil painting on canvas executed ca. 1657 by the Dutch artist Johannes Vermeer. Its dimensions are 50.5 by 46 cm. It is now one of three pictures by Vermeer in The Frick Collection in New York.
A Girl Asleep, also known as A Woman Asleep, A Woman Asleep at Table, and A Maid Asleep, is a painting by the Dutch master Johannes Vermeer, created c. 1657. It is now in the Metropolitan Museum of Art in New York City and may not be lent elsewhere under the terms of the donor's bequest.
Diana and Her Companions is a painting by Dutch artist Johannes Vermeer completed in the early to mid-1650s, now at the Mauritshuis museum in The Hague. Although the exact year is unknown, the work may be the earliest painting of the artist still extant, with some art historians placing it before Christ in the House of Martha and Mary and some after.
The Procuress is a 1656 oil-on-canvas painting by the then 24-year-old Johannes Vermeer. It can be seen in the Gemäldegalerie Alte Meister in Dresden. It is his first genre painting and shows a scene of contemporary life, an image of mercenary love perhaps in a brothel. It differs from his earlier biblical and mythological scenes. It is one of only three paintings Vermeer signed and dated. In 1696 the painting, being sold on an auction in Amsterdam, was named "A merry company in a room".
Daniël de Blieck, was a Dutch Golden Age painter, draughtsman and architect, who specialised in architectural paintings. He painted both real and imaginary church interiors.
Johannes Vermeer was a Dutch Baroque Period painter who specialized in domestic interior scenes of middle class life. His works have been a common theme in literature and films in popular culture since the rediscovery of his works by 20th century art scholars.
Includes 2009 interview on Vermeer and 2007 interview on Rembrandt