Wavetable may refer to:
Digital waveguide synthesis is the synthesis of audio using a digital waveguide. Digital waveguides are efficient computational models for physical media through which acoustic waves propagate. For this reason, digital waveguides constitute a major part of most modern physical modeling synthesizers.
Sample-based synthesis is a form of audio synthesis that can be contrasted to either subtractive synthesis or additive synthesis. The principal difference with sample-based synthesis is that the seed waveforms are sampled sounds or instruments instead of fundamental waveforms such as sine and saw waves used in other types of synthesis.
MUSIC-N refers to a family of computer music programs and programming languages descended from or influenced by MUSIC, a program written by Max Mathews in 1957 at Bell Labs. MUSIC was the first computer program for generating digital audio waveforms through direct synthesis. It was one of the first programs for making music on a digital computer, and was certainly the first program to gain wide acceptance in the music research community as viable for that task. The world's first computer-controlled music was generated in Australia by programmer Geoff Hill on the CSIRAC computer which was designed and built by Trevor Pearcey and Maston Beard. However, CSIRAC produced sound by sending raw pulses to the speaker, it did not produce standard digital audio with PCM samples, like the MUSIC-series of programs.
Wavetable synthesis is a sound synthesis technique used to create periodic waveforms. Often used in the production of musical tones or notes, it was developed by Wolfgang Palm of Palm Products GmbH (PPG) in the late 1970s and published in 1979, and has since been used as the primary synthesis method in synthesizers built by PPG and Waldorf Music and as an auxiliary synthesis method by Ensoniq and Access. It is currently used in software-based synthesizers for PCs and tablets, including apps offered by PPG and Waldorf, among others.
The PPG Wave is a series of hybrid digital/analogue synthesizers built by the German company Palm Products GmbH from 1981 to 1987.
In electronics, acoustics, and related fields, the waveform of a signal is the shape of its graph as a function of time, independent of its time and magnitude scales and of any displacement in time.
Digital signal processing (DSP) is the use of digital processing, such as by computers or more specialized digital signal processors, to perform a wide variety of signal processing operations. The signals processed in this manner are a sequence of numbers that represent samples of a continuous variable in a domain such as time, space, or frequency.
In computer science, a lookup table is an array that replaces runtime computation with a simpler array indexing operation. The savings in terms of processing time can be significant, since retrieving a value from memory is often faster than undergoing an "expensive" computation or input/output operation. The tables may be precalculated and stored in static program storage, calculated as part of a program's initialization phase (memoization), or even stored in hardware in application-specific platforms. Lookup tables are also used extensively to validate input values by matching against a list of valid items in an array and, in some programming languages, may include pointer functions to process the matching input. FPGAs also make extensive use of reconfigurable, hardware-implemented, lookup tables to provide programmable hardware functionality.
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Karplus–Strong string synthesis is a method of physical modelling synthesis that loops a short waveform through a filtered delay line to simulate the sound of a hammered or plucked string or some types of percussion.
A software synthesizer, also known as a softsynth, or software instrument is a computer program, or plug-in that generates digital audio, usually for music. Computer software that can create sounds or music is not new, but advances in processing speed now allow softsynths to accomplish the same tasks that previously required the dedicated hardware of a conventional synthesizer. Softsynths are usually cheaper and more portable than dedicated hardware, and easier to interface with other music software such as music sequencers.
The MOS Technology 6581/8580 SID is the built-in programmable sound generator chip of Commodore's CBM-II, Commodore 64, Commodore 128 and Commodore MAX Machine home computers. It was one of the first sound chips of its kind to be included in a home computer prior to the digital sound revolution.
A numerically controlled oscillator (NCO) is a digital signal generator which creates a synchronous, discrete-time, discrete-valued representation of a waveform, usually sinusoidal. NCOs are often used in conjunction with a digital-to-analog converter (DAC) at the output to create a direct digital synthesizer (DDS).
A sound chip is an integrated circuit designed to produce sound. It might do this through digital, analog or mixed-mode electronics. Sound chips normally contain things like oscillators, envelope controllers, samplers, filters and amplifiers. During the late 20th century, sound chips were widely used in arcade game system boards, video game consoles, home computers, and PC sound cards.
The Yamaha YM3812, also known as the OPL2, is a sound chip created by Yamaha Corporation in 1985 and famous for its wide use in IBM PC-based sound cards such as the AdLib, Sound Blaster and Pro AudioSpectrum (8bit), as well as several arcade games by Nichibutsu, Toaplan and others.
A rompler is an electronic music instrument that plays pre-fabricated sounds based on audio samples. In contrast to samplers, romplers do not record audio and have limited or no capability for generating original sounds. The term rompler is a portmanteau of the terms ROM and sampler. Both may have additional sound editing features, such as layering several waveforms and modulation with ADSR envelopes, filters and LFOs.
Direct digital synthesis (DDS) is a method employed by frequency synthesizers used for creating arbitrary waveforms from a single, fixed-frequency reference clock. DDS is used in applications such as signal generation, local oscillators in communication systems, function generators, mixers, modulators, sound synthesizers and as part of a digital phase-locked loop.
The Korg DW-8000 synthesizer was an eight-voice polyphonic hybrid digital-analog synthesizer 61-note keyboard instrument released in 1985. By the time of its launch Korg had already begun a common trend in 1980s synthesizer design: using numerical codes to access or change parameters with the Korg Poly-61, which was widely regarded as the company's first 'knobless' synthesizer. This was a move away from the heavily laden, complex control panels of earlier designs.
The Access Virus is a virtual analog synthesizer made by the German company Access Music GmbH. It was first produced in 1997 and has since been upgraded frequently, with the company releasing new models about every two years. Early models include the Virus A, Virus B, and Virus C series, each available in various hardware configurations. In November 2005, the Virus TI series was released, including the 61-key Virus TI Keyboard and the 37-key Virus TI Polar. A small desktop model was released in February 2008 called the Virus TI Snow. A revision of the TI series called TI2 came out in March 2009, featuring faster digital signal processing (DSP), greater polyphony, more effects in the effect section and a slightly changed design. The Virus series also has come out with two software plugin versions: TDM for Pro Tools and VST for TC Electronic Powercore series. The term Access Virus can be used to refer to any one of these synthesizers.
Palm Products GmbH was a highly regarded manufacturer of audio synthesizers. Founded and owned by Wolfgang Palm, PPG was located in Hamburg, Germany and, for 12 years from around 1975 to 1987, manufactured an acclaimed and eclectic range of electronic musical instruments, all designed by Palm.
The Korg Wavestation is a vector synthesis synthesizer first produced in the early 1990s and later re-released as a software synthesizer in 2004. Its primary innovation was Wave Sequencing, a method of multi-timbral sound generation in which different PCM waveform data are played successively, resulting in continuously evolving sounds. The Wavestation's "Advanced Vector Synthesis" sound architecture resembled early vector synths such as the Sequential Circuits Prophet VS.
The Elektron Monomachine is a synthesizer and music sequencer by Elektron. The Monomachine is available as SFX-60 model, which is a desktop sound module, and was available as the SFX-6 model, which has a keyboard and a joystick controller. During the last quarter of 2007 Elektron released the SFX-60 MkII, which is a revision providing higher signal-to-noise ratio, a slimmer design and the ability to add user waveforms, introduced with OS 1.20 in July 2008.
Linear Arithmetic synthesis, or LA synthesis, is a term invented by the Roland Corporation when they released their D-50 synthesizer in 1987.
The Korg DSS-1 is a 12-bit polyphonic sampling synthesizer released in September 1986. It came out at a time when many of the popular synthesizer companies were beginning to get into sampling, an area of sound design that had previously been left to a handful of fledgling companies such as Fairlight, E-mu, and Ensoniq. Like Yamaha and Casio, however, Korg did not stay long in the sampling arena. The DSS-1 was the company's only sampler until 1998 when Korg introduced sampling options on their Triton and Trinity series of workstations, and on their Electribe series of drum-and-phrase samplers.
The Korg DW-6000 is a six note polyphonic hybrid synthesizer with two single-cycle digital waveform oscillators and one analogue lowpass filter per voice. As basic material, eight digital wave cycle waveforms were available to the user through a system Korg called DWGS for Digital Waveform Generator System. The DWGS system can be thought of as an early sample playback system where only extremely short, single cycle waveforms are stored on four 256 Kilobit ROM chips, played back through the two digital oscillators and processed by relatively familiar subtractive synthesis facilities.
Robert Yannes is an American electronic engineer who designed the SID audio generator chip for the Commodore 64 and co-founded digital synthesizer company Ensoniq. He designed the Ensoniq 5503 Digital Oscillator Chip which was used in both commercial synthesizers and the Apple IIgs home computer.