Wedding in Galilee

Last updated
Wedding in Galilee
Wedding in Galilee.jpg
Directed by Michel Khleifi
Written byMichel Khleifi
Produced byMichel Khleifi, Bernard Lorain, Jacqueline Louis
Cinematography Walther Vanden Ende
Edited by Marie Castro-Vasquez
Music by Jean-Marie Sénia
Release date
  • 1987 (1987)
Running time
100 minutes (Israel)
113 minutes (U.S.)
CountriesFrance, Belgium
Languages Arabic, Hebrew, Turkish

Wedding in Galilee (Arabic : عرس الجليل, romanized: Urs al-Jalil) is a 1987 film directed by Michel Khleifi. It marks the first feature film made in Palestine by a Palestinian director [1] [2] and was awarded the International Critics Prize at Cannes in 1987. Produced during an era when there were scarce cinematic depictions of Palestinian existence, [3] Wedding in Galilee revolves around the marriage ceremony of a young couple in a Palestinian village situated in Galilee, northern Israel.

Contents

Plot

The film takes place in a Galilean Palestinian village following the 1948 Arab-Israeli War. The village muktar, Abu Adel, wants to celebrate his son Adel's wedding with a traditional and elaborate ceremony. However, this is inhibited by a curfew imposed on the town by the Israeli military authorities. Abu Adel must ask the Israeli military governor for permission to celebrate his son Adel's marriage past night fall. The governor grants the muktar's request on the condition that he and his staff attend the ceremonies. [2]

The muktar's family is divided on the Israeli governor's attendance, and some members plot to sabotage the party. [1] The film spans two days of mounting tension, which culminates in the groom's failure to consummate his marriage. [2] Blaming his father for the indignity of the wedding, Adel attempts to stab the muktar, but is prevented by his newlywed bride. [2] Ultimately, the bride Samia takes her own virginity so that the stained wedding sheets can be displayed, bringing the ceremony to an end. [2]

Cast

Commentary

Writing for the Middle East Research and Information Project , Ella Shohat stated that Khleifi's film "largely transcends traditional mass-media discourse which would reduce the Israeli–Palestinian conflict to 'peace-loving Israelis' versus 'violence-prone Arabs'". [2] Shohat added that "Unlike Kafr Qasim , the 1973 film by the Lebanese director Borhane Alawiyye, Wedding in Galilee does not reduce the oppression of the Palestinian people to a Manichaean schema of good Palestinians versus evil Israelis. As in Gillo Pontecorvo’s Battle of Algiers (1966), Khleifi portrays the individual members of the military as normal, even sympathetic, preferring to emphasize the oppressive policies themselves rather than the moral malignancy of the executioners." [2] Shohat similarly contrasts the Zionist narrative of "making the desert bloom" with Khleifi's association of "earth, crops, trees, vegetation and abundance of food with the Palestinians" but Israel's "dispossession of land by violence" and the use of landmines in Palestinian fields. [2]

Shohat also contrasts Khleifi's vision of a Palestinian liberatory feminism with Israeli feminist discourse, "which views women soldiers as liberated women but fails to see the irony of a liberation linked to military oppression", suggesting that Israelis "have to denude themselves of their soldierly masculinity in order to live in harmony with the Arabs", quoting the groom's sister who tells a soldier "you will have to take off your uniform if you want to dance"; [2] Karen Orton writing for Another Magazine likewise describes how characters outside of typical masculine society "play a vital role binding the community together as well as reminding a new generation of their past and possibilities for the future in these long fought over hills". [3]

Shohat also describes how Khleifi "confounds accuracy of time and place in order to sustain the idea of a Palestinian nation", by blurring Muslim and Christian customs in the wedding (noting that Khleifi was a member of the Palestinian Christian minority, "perceived in a 'better light'" by Israelis); by depicting anachronistic martial law within the Israeli Green Line to convey "a national oppression that is inseparable from that of the Palestinians on the West Bank and in Gaza"; and filming in 3 villages near Nazareth in Galilee (within the Green Line) and 2 villages in the West Bank (territories occupied since 1967), all of which contribute to an "emphasis on a single national [Palestinian] identity" but "elides significant differences in the representation of the Palestinian struggle" [2] while the narrative structure emphasises the perspective that Israelis are an occupying power, "one more foreign power coming in the wake of the Turks and British". [2]

In an interview at the 2015 Shubbak Festival, where Khleifi had been asked to curate a film programme looking at European representation of Palestinians and of feminist struggle, [3] he described the film as being a work "with many voices [bringing] the archaic, traditional world and the modern world into confrontation ... confrontation between generations, confrontation between men and women's spaces, and confrontation between the individual and the collective. All of this takes place in a colonial situation, under Israeli domination." [3]

Awards

Related Research Articles

<span class="mw-page-title-main">Wedding</span> Ceremony where people are united in marriage

A wedding is a ceremony in which two people are united in marriage. Wedding traditions and customs vary greatly between cultures, ethnicities, races, religions, denominations, countries, social classes, and sexual orientations. Most wedding ceremonies involve an exchange of marriage vows by a couple; a presentation of a gift ; and a public proclamation of marriage by an authority figure or celebrant. Special wedding garments are often worn, and the ceremony is sometimes followed by a wedding reception. Music, poetry, prayers, or readings from religious texts or literature are also commonly incorporated into the ceremony, as well as superstitious customs.

<span class="mw-page-title-main">Ma'alul</span> Place in Nazareth, Mandatory Palestine

Ma'alul was a Palestinian village, with a mixed population of primarily Muslims with a substantial minority of Palestinian Christians, that was depopulated and destroyed by Israel during the 1948 Arab-Israeli war. Located six kilometers west of the city of Nazareth, many of its inhabitants became internally displaced refugees, after taking refuge in Nazareth and the neighbouring town of Yafa an-Naseriyye. Despite having never left the territory that came to form part of Israel, the majority of the villagers of Maalul, and other Palestinian villages like Andor and Al-Mujidal, were declared "absentees", allowing the confiscation of their land under the Absentees Property Law.

<span class="mw-page-title-main">Music of Palestine</span>

The music of Palestine is one of many regional subgenres of Arabic music. While it shares much in common with Arabic music, both structurally and instrumentally, there are musical forms and subject matter that are distinctively Palestinian.

Elia Suleiman is a Palestinian film director and actor. He is best known for the 2002 film Divine Intervention, a modern tragicomedy on living under occupation in Palestine which won the Jury Prize at the 2002 Cannes Film Festival. Suleiman's cinematic style is often compared to that of Jacques Tati and Buster Keaton, for its poetic interplay between "burlesque and sobriety". He is married to Lebanese singer and actress Yasmine Hamdan.

<span class="mw-page-title-main">Land Day</span> Palestinian day of commemoration

Land Day, recurring on March 30, is a day of commemoration for Palestinians, both Arab citizens of Israel and those in the Israeli-occupied territories of the events of that date in 1976 in Israel.

<span class="mw-page-title-main">Culture of Jordan</span>

The culture of Jordan is based on Arabic and Islamic elements. Jordan stands at the intersection of the three continents of the ancient world, lending it geographic and population diversity. Notable aspects of the culture include the traditional music and clothing of Jordan and interest in sports. These include football and basketball as well as other sports such as equestrianism, fencing, karate, swimming, and table tennis.

<span class="mw-page-title-main">Cinema of Palestine</span>

Cinema of Palestine refers to films made in Palestine and/or by Palestinian filmmakers. Palestinian films are not exclusively produced in Arabic and some are produced in English and French.

<span class="mw-page-title-main">Majd al-Krum</span> Arab town in northern Israel

Majd al-Krum is an Arab town located in the Galilee in Israel's Northern District about 16 kilometers east of Acre. Its inhabitants are primarily Muslim. In 2022 it had a population of 15,777.

<span class="mw-page-title-main">Kafr Yasif</span> Arab village in Northern Israel

Kafr Yasif is an Arab town in the Northern District of Israel. It is located 11 kilometers (6.8 mi) northeast of the city of Acre and adjacent to Abu Sinan and Yarka. The population of Kafr Yasif is half Christian (52.1%) with most of the rest Muslim (44.9%), together with a small Druze community.

Ella Habiba Shohat is an Iraqi-born Israeli-American professor of cultural studies at New York University, where she teaches in the departments of Art & Public Policy and Middle Eastern & Islamic Studies. She has written and lectured on the topics of Eurocentrism, orientalism, post-colonialism, trans-nationalism, diasporic cultures, and Iraqi-Jewish culture.

Michel Khleifi, born in 1950 in Nazareth, is a Palestinian (48-Palestinian) film writer, director and producer, presently based in Belgium.

Arabic weddings are ceremonies of matrimony that contain Arab influences or Arabic culture.

Ali Nassar is an Arab-Israeli film director. Nassar was born in the Galilee village of Arraba, and graduated from the University of Moscow in 1981 with a degree in film. Returning to Haifa, he started a theatre group and also worked as a photographer for a daily newspaper.

<span class="mw-page-title-main">1937 in Mandatory Palestine</span>

Events in the year 1937 in the British Mandate of Palestine.

<span class="mw-page-title-main">Clara Khoury</span> Palestinian American actress

Clara Khoury is an American actress of Palestinian origins. She works in film, television and theater. She grew up in Haifa, and now lives in California, US.

<span class="mw-page-title-main">Makram Khoury</span> Palestinian actor

Makram Jamil Khoury is an Israeli-Arab actor, born 30 May 1945 in Jerusalem. He was the youngest artist and the first Arab to win the Israel Prize, the highest civic honor in Israel.

<i>Inheritance</i> (2012 film) 2012 Israeli film

Inheritance is a 2012 drama film directed by and starring Hiam Abbass in her feature film directorial debut. It premiered at the Venice Film Festival and Haifa International Film Festival.

<span class="mw-page-title-main">Yussuf Abu-Warda</span> Arab-Israeli actor

Yussuf Abu-Warda is an Arab-Israeli actor. A leading actor from 1999 he was head of Al-Midan Theater in Haifa.

<span class="mw-page-title-main">Turks in Palestine</span> Turkish minority

The Turks in Palestine, also referred to as Palestinian Turks and Palestinian Turkmen are ethnic Turkish descendants who have had a long-established presence in Palestine. With Turkish rule spanning between the years 1069-1917/22, mass Turkish migration was encouraged during the rule of Nureddin Zengi in Syria, and then when thousands of Turks participated in the battle of Jerusalem with Saladin. Turkish migration continued further during the Mamluk and Ottoman rule of Palestine as well as during the British rule.

<span class="mw-page-title-main">Nakba</span> Displacement of Palestinians since 1948

The Nakba is the ethnic cleansing of Palestinian Arabs through their violent displacement and dispossession of land, property, and belongings, along with the destruction of their society and the suppression of their culture, identity, political rights, and national aspirations. The term is used to describe the events of the 1948 Palestine war in Mandatory Palestine as well as the ongoing persecution and displacement of Palestinians by Israel. As a whole, it covers the fracturing of Palestinian society and the long-running rejection of the right of return for Palestinian refugees and their descendants.

References

  1. 1 2 3 "Wedding in Galilee". www.sindibad.co.uk. Retrieved 2024-03-06.
  2. 1 2 3 4 5 6 7 8 9 10 11 Shohat, Ella (1988-09-25). "Wedding in Galilee". Middle East Research and Information Project (154): 44–46. doi:10.2307/3012176. ISSN   0899-2851. JSTOR   3012176 . Retrieved 2023-11-17.
  3. 1 2 3 4 "Wedding in Galilee". Another Magazine . 2015-07-22. Retrieved 2023-11-17.

Further reading